Charles Maturin - Melmoth the Wanderer (Charles Robert Maturin) - the complete collection, comprehensive, unabridged and illustrated - (Literary Thoughts Edition)

Old Melmoth at this moment seemed to be in a deep stupor; his eyes lost that little expression they had before, and his hands, that had convulsively been catching at the blankets, let go their short and quivering grasp, and lay extended on the bed like the claws of some bird that had died of hunger,—so meagre, so yellow, so spread. John, unaccustomed to the sight of death, believed this to be only a sign that he was going to sleep; and, urged by an impulse for which he did not attempt to account to himself, caught up the miserable light, and once more ventured into the forbidden room,—the blue chamber of the dwelling. The motion roused the dying man;—he sat bolt upright in his bed. This John could not see, for he was now in the closet; but he heard the groan, or rather the choaked and guggling rattle of the throat, that announces the horrible conflict between muscular and mental convulsion. He started, turned away; but, as he turned away, he thought he saw the eyes of the portrait, on which his own was fixed, move, and hurried back to his uncle’s bedside.

Old Melmoth died in the course of that night, and died as he had lived, in a kind of avaricious delirium. John could not have imagined a scene so horrible as his last hours presented. He cursed and blasphemed about three half-pence, missing, as he said, some weeks before, in an account of change with his groom, about hay to a starved horse that he kept. Then he grasped John’s hand, and asked him to give him the sacrament. “If I send to the clergyman, he will charge me something for it, which I cannot pay,—I cannot. They say I am rich,—look at this blanket;—but I would not mind that, if I could save my soul.” And, raving, he added, “Indeed, Doctor, I am a very poor man. I never troubled a clergyman before, and all I want is, that you will grant me two trifling requests, very little matters in your way,—save my soul, and (whispering) make interest to get me a parish coffin,—I have not enough left to bury me. I always told every one I was poor, but the more I told them so, the less they believed me.”

John, greatly shocked, retired from the bed-side, and sat down in a distant corner of the room. The women were again in the room, which was very dark. Melmoth was silent from exhaustion, and there was a death-like pause for some time. At this moment John saw the door open, and a figure appear at it, who looked round the room, and then quietly and deliberately retired, but not before John had discovered in his face the living original of the portrait. His first impulse was to utter an exclamation of terror, but his breath felt stopped. He was then rising to pursue the figure, but a moment’s reflection checked him. What could be more absurd, than to be alarmed or amazed at a resemblance between a living man and the portrait of a dead one! The likeness was doubtless strong enough to strike him even in that darkened room, but it was doubtless only a likeness; and though it might be imposing enough to terrify an old man of gloomy and retired habits, and with a broken constitution, John resolved it should not produce the same effect on him.

But while he was applauding himself for this resolution, the door opened, and the figure appeared at it, beckoning and nodding to him, with a familiarity somewhat terrifying. John now started up, determined to pursue it; but the pursuit was stopped by the weak but shrill cries of his uncle, who was struggling at once with the agonies of death and his housekeeper. The poor woman, anxious for her master’s reputation and her own, was trying to put on him a clean shirt and nightcap, and Melmoth, who had just sensation enough to perceive they were taking something from him, continued exclaiming feebly, “They are robbing me,—robbing me in my last moments,—robbing a dying man. John, won’t you assist me,—I shall die a beggar; they are taking my last shirt,—I shall die a beggar.”—And the miser died.

You that wander, scream, and groan,

Round the mansions once your own.

Rowe.

A few days after the funeral, the will was opened before proper witnesses, and John was found to be left sole heir to his uncle’s property, which, though originally moderate, had, by his grasping habits, and parsimonious life, become very considerable.

As the attorney who read the will concluded, he added, “There are some words here, at the corner of the parchment, which do not appear to be part of the will, as they are neither in the form of a codicil, nor is the signature of the testator affixed to them; but, to the best of my belief, they are in the hand-writing of the deceased.” As he spoke he shewed the lines to Melmoth, who immediately recognized his uncle’s hand, (that perpendicular and penurious hand, that seems determined to make the most of the very paper, thriftily abridging every word, and leaving scarce an atom of margin), and read, not without some emotion, the following words: “I enjoin my nephew and heir, John Melmoth, to remove, destroy, or cause to be destroyed, the portrait inscribed J. Melmoth, 1646, hanging in my closet. I also enjoin him to search for a manuscript, which I think he will find in the third and lowest left-hand drawer of the mahogany chest standing under that portrait,—it is among some papers of no value, such as manuscript sermons, and pamphlets on the improvement of Ireland, and such stuff; he will distinguish it by its being tied round with a black tape, and the paper being very mouldy and discoloured. He may read it if he will;—I think he had better not. At all events, I adjure him, if there be any power in the adjuration of a dying man, to burn it.”

After reading this singular memorandum, the business of the meeting was again resumed; and as old Melmoth’s will was very clear and legally worded, all was soon settled, the party dispersed, and John Melmoth was left alone.

We should have mentioned, that his guardians appointed by the will (for he was not yet of age) advised him to return to College, and complete his education as soon as proper; but John urged the expediency of paying the respect due to his uncle’s memory, by remaining a decent time in the house after his decease. This was not his real motive. Curiosity, or something that perhaps deserves a better name, the wild and awful pursuit of an indefinite object, had taken strong hold of his mind. His guardians (who were men of respectability and property in the neighbourhood, and in whose eyes John’s consequence had risen rapidly since the reading of the will), pressed him to accept of a temporary residence in their respective houses, till his return to Dublin. This was declined gratefully, but steadily. They called for their horses, shook hands with the heir, and rode off—Melmoth was left alone.

The remainder of the day was passed in gloomy and anxious deliberation,—in traversing his late uncle’s room,—approaching the door of the closet, and then retreating from it,—in watching the clouds, and listening to the wind, as if the gloom of the one, or the murmurs of the other, relieved instead of increasing the weight that pressed on his mind. Finally, towards evening, he summoned the old woman, from whom he expected something like an explanation of the extraordinary circumstances he had witnessed since his arrival at his uncle’s. The old woman, proud of the summons, readily attended, but she had very little to tell,—her communication was nearly in the following words: (We spare the reader her endless circumlocutions, her Irishcisms, and the frequent interruptions arising from her applications to her snuff-box, and to the glass of whiskey punch with which Melmoth took care to have her supplied). The old woman deposed, “That his honor (as she always called the deceased) was always intent upon the little room inside his bed-chamber, and reading there, within the last two years;—that people, knowing his honor had money, and thinking it must be there, had broke into that room, (in other words, there was a robbery attempted there), but finding nothing but some papers, they had retired;—that he was so frightened, he had bricked up the window; but she thought there was more in it than that, for when his honor missed but a half-penny, he would make the house ring about it, but that, when the closet was bricked up, he never said a word;—that afterwards his honor used to lock himself up in his own room, and though he was never fond of reading, was always found, when his dinner was brought him, hanging over a paper, which he hid the moment any one came into the room, and once there was a great bustle about a picture that he tried to conceal;—that knowing there was an odd story in the family, she did her best to come at it, and even went to Biddy Brannigan’s, (the medical Sybil before mentioned), to find out the rights of it; but Biddy only shook her head, filled her pipe, uttered some words she did not understand, and smoked on;—that it was but two evenings before his honor was struck, (i. e. took ill), she was standing at the door of the court, (which had once been surrounded by stables, pigeon-house, and all the usual etceteras of a gentleman’s residence, but now presented only a ruinous range of dismantled out-offices, thatched with thistles, and tenanted by pigs), when his honor called to her to lock the door, (his honor was always keen about locking the doors early); she was hastening to do so, when he snatched the key from her, swearing at her, (for he was always very keen about locking the doors, though the locks were so bad, and the keys so rusty, that it was always like the cry of the dead in the house when the keys were turned);—that she stood aside for a minute, seeing he was angry, and gave him the key, when she heard him utter a scream, and saw him fall across the door-way;—that she hurried to raise him, hoping it was a fit;—that she found him stiff and stretched out, and called for help to lift him up;—that then people came from the kitchen to assist;—that she was so bewildered and terrified, she hardly knew what was done or said; but with all her terror remembered, that as they raised him up, the first sign of life he gave was lifting up his arm, and pointing it towards the court, and at that moment she saw the figure of a tall man cross the court, and go out of the court, she knew not where or how, for the outer gate was locked, and had not been opened for years, and they were all gathered round his honor at the other door;—she saw the figure,—she saw the shadow on the wall,—she saw him walk slowly through the court, and in her terror cried, “Stop him,” but nobody minded her, all being busy about her master; and when he was brought to his room, nobody thought but of getting him to himself again. And further she could not tell. His honor (young Melmoth) knew as much as she,—he had witnessed his last illness, had heard his last words, he saw him die,—how could she know more than his honor.”