Sax Rohmer - THE YELLOW CLAW

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Rohmer also wrote several novels of supernatural horror, including Brood of the Witch-Queen, described by Adrian as «Rohmer's masterpiece».Rohmer was very poor at managing his wealth, however, and made several disastrous business decisions that hampered him throughout his career.

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Sax Rohmer

THE YELLOW CLAW

Dieses ebook wurde erstellt bei

Inhaltsverzeichnis Titel Sax Rohmer THE YELLOW CLAW Dieses ebook wurde - фото 1

Inhaltsverzeichnis

Titel Sax Rohmer THE YELLOW CLAW Dieses ebook wurde erstellt bei

THE LADY OF THE CIVET FURS

MIDNIGHT AND MR. KING

INSPECTOR DUNBAR TAKES CHARGE

A WINDOW IS OPENED

DOCTORS DIFFER

AT SCOTLAND YARD

THE MAN IN THE LIMOUSINE

CABMAN TWO

THE MAN IN BLACK

THE GREAT UNDERSTANDING

PRESENTING M. GASTON MAX

MR. GIANAPOLIS

THE DRAFT ON PARIS

EAST 18642

CAVE OF THE GOLDEN DRAGON

HO-PIN'S CATACOMBS

KAN-SUH CONCESSIONS

THE WORLD ABOVE

THE LIVING DEAD

ABRAHAM LEVINSKY BUTTS IN

THE STUDIO IN SOHO

M. MAX MOUNTS CAGLIOSTRO'S STAIRCASE

RAID IN THE RUE ST. CLAUDE

OPIUM

FATE'S SHUTTLECOCK

“OUR LADY OF THE POPPIES”

GROVE OF A MILLION APES

THE OPIUM AGENT

M. MAX OF LONDON AND M. MAX OF PARIS

MAHARA

MUSK AND ROSES

BLUE BLINDS

LOGIC VS. INTUITION

M. MAX REPORTS PROGRESS

TRACKER TRACKED

IN DUNBAR'S ROOM

THE WHISTLE

THE SECRET TRAPS

THE LABYRINTH

DAWN AT THE NORE

WESTMINSTER--MIDNIGHT

Impressum neobooks

THE LADY OF THE CIVET FURS

The Yellow Claw

Author: Sax Rohmer

Henry Leroux wrote busily on. The light of the table-lamp, softened and

enriched by its mosaic shade, gave an appearance of added opulence to

the already handsome appointments of the room. The little table-clock

ticked merrily from half-past eleven to a quarter to twelve.

Into the cozy, bookish atmosphere of the novelist's study penetrated the

muffled chime of Big Ben; it chimed the three-quarters. But, with his

mind centered upon his work, Leroux wrote on ceaselessly.

An odd figure of a man was this popular novelist, with patchy and

untidy hair which lessened the otherwise striking contour of his brow.

A neglected and unpicturesque figure, in a baggy, neutral-colored

dressing-gown; a figure more fitted to a garret than to this spacious,

luxurious workroom, with the soft light playing upon rank after rank

of rare and costly editions, deepening the tones in the Persian carpet,

making red morocco more red, purifying the vellum and regilding the

gold of the choice bindings, caressing lovingly the busts and statuettes

surmounting the book-shelves, and twinkling upon the scantily-covered

crown of Henry Leroux. The door bell rang.

Leroux, heedless of external matters, pursued his work. But the door

bell rang again and continued to ring.

“Soames! Soames!” Leroux raised his voice irascibly, continuing to write

the while. “Where the devil are you! Can't you hear the door bell?”

Soames did not reveal himself; and to the ringing of the bell was added

the unmistakable rattling of a letter-box.

“Soames!” Leroux put down his pen and stood up. “Damn it! he's out! I

have no memory!”

He retied the girdle of his dressing-gown, which had become unfastened,

and opened the study door. Opposite, across the entrance lobby, was

the outer door; and in the light from the lobby lamp he perceived two

laughing eyes peering in under the upraised flap of the letter-box. The

ringing ceased.

“Are you VERY angry with me for interrupting you?” cried a girl's voice.

“My dear Miss Cumberly!” said Leroux without irritation; “on the

contrary--er--I am delighted to see you--or rather to hear you. There is

nobody at home, you know.”...

“I DO know,” replied the girl firmly, “and I know something else, also.

Father assures me that you simply STARVE yourself when Mrs. Leroux is

away! So I have brought down an omelette!”

“Omelette!” muttered Leroux, advancing toward the door; “you

have--er--brought an omelette! I understand--yes; you have brought an

omelette? Er--that is very good of you.”

He hesitated when about to open the outer door, raising his hands to his

dishevelled hair and unshaven chin. The flap of the letter-box dropped;

and the girl outside could be heard stifling her laughter.

“You must think me--er--very rude,” began Leroux; “I mean--not to open

the door. But”...

“I quite understand,” concluded the voice of the unseen one. “You are a

most untidy object! And I shall tell Mira DIRECTLY she returns that she

has no right to leave you alone like this! Now I am going to hurry back

upstairs; so you may appear safely. Don't let the omelette get cold.

Good night!”

“No, certainly I shall not!” cried Leroux. “So good of you--I--er--do

like omelette.... Good night!”

Calmly he returned to his writing-table, where, in the pursuit of the

elusive character whose exploits he was chronicling and who had brought

him fame and wealth, he forgot in the same moment Helen Cumberly and the

omelette.

The table-clock ticked merrily on;

SCRATCH--SCRATCH--SPLUTTER--SCRATCH--went Henry Leroux's pen; for this

up-to-date litterateur, essayist by inclination, creator of “Martin

Zeda, Criminal Scientist” by popular clamor, was yet old-fashioned

enough, and sufficient of an enthusiast, to pen his work, while lesser

men dictated.

So, amidst that classic company, smiling or frowning upon him from the

oaken shelves, where Petronius Arbiter, exquisite, rubbed shoulders

with Balzac, plebeian; where Omar Khayyam leaned confidentially toward

Philostratus; where Mark Twain, standing squarely beside Thomas Carlyle,

glared across the room at George Meredith, Henry Leroux pursued the

amazing career of “Martin Zeda.”

It wanted but five minutes to the hour of midnight, when again the door

bell clamored in the silence.

Leroux wrote steadily on. The bell continued to ring, and, furthermore,

the ringer could be heard beating upon the outer door.

“Soames!” cried Leroux irritably, “Soames! Why the hell don't you go to

the door!”

Leroux stood up, dashing his pen upon the table.

“I shall have to sack that damned man!” he cried; “he takes too many

liberties--stopping out until this hour of the night!”

He pulled open the study door, crossed the hallway, and opened the door

beyond.

In, out of the darkness--for the stair lights had been

extinguished--staggered a woman; a woman whose pale face exhibited,

despite the ravages of sorrow or illness, signs of quite unusual beauty.

Her eyes were wide opened, and terror-stricken, the pupils contracted

almost to vanishing point. She wore a magnificent cloak of civet fur

wrapped tightly about her, and, as Leroux opened the door, she tottered

past him into the lobby, glancing back over her shoulder.

With his upraised hands plunged pathetically into the mop of his hair,

Leroux turned and stared at the intruder. She groped as if a darkness

had descended, clutched at the sides of the study doorway, and then,

unsteadily, entered--and sank down upon the big chesterfield in utter

exhaustion.

Leroux, rubbing his chin, perplexedly, walked in after her. He

scarcely had his foot upon the study carpet, ere the woman started up,

tremulously, and shot out from the enveloping furs a bare arm and a

pointing, quivering finger.

“Close the door!” she cried hoarsely--“close the door!... He has...

followed me!”...

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