Dashiell Hammett - The Maltese Falcon (Dashiell Hammett) - illustrated - (Literary Thoughts Edition)

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Literary Thoughts edition
presents
The Maltese Falcon
by Dashiell Hammett

"The Maltese Falcon" is a 1930 published detective novel by Dashiell Hammett (1894-1961), telling the story of San Francisco based private detective Samuel «Sam» Spade, who gets hired by a beautiful young woman, «Miss Wonderly», to follow a guy named Floyd Thursby. Sam Spade and his partner Miles Archer take the job, but later that night, Archer is found shot to death. A few hours later, Thursby is also killed and Spade is a suspect. Sam Spade finds out, that it is all about the title object, a foot-high black statuette of unknown but substantial value.
All books of the Literary Thoughts edition have been transscribed from original prints and edited for better reading experience.
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Cairo turned his hat over, dropping his gloves into it, and placed it bottom-up on the corner of the desk nearest him. Diamonds twinkled on the second and fourth fingers of his left hand, a ruby that matched the one in his tie even to the surrounding diamonds on the third finger of his right hand. His hands were soft and well cared for. Though they were not large their flaccid bluntness made them seem clumsy. He rubbed his palms together and said over the whispering sound they made: “May a stranger offer condolences for your partner’s unfortunate death?”

“Thanks.”

“May I ask, Mr. Spade, if there was, as the newspapers inferred, a certain—ah—relationship between that unfortunate happening and the death a little later of the man Thursby?”

Spade said nothing in a blank-faced definite way.

Cairo rose and bowed. “I beg your pardon.” He sat down and placed his hands side by side, palms down, on the corner of the desk. “More than idle curiosity made me ask that, Mr. Spade. I am trying to recover an—ah—ornament that has been—shall we say?—mislaid. I thought, and hoped, you could assist me.”

Spade nodded with eyebrows lifted to indicate attentiveness.

“The ornament is a statuette,” Cairo went on, selecting and mouthing his words carefully, “the black figure of a bird.”

Spade nodded again, with courteous interest.

“I am prepared to pay, on behalf of the figure’s rightful owner, the sum of five thousand dollars for its recovery.” Cairo raised one hand from the desk-corner and touched a spot in the air with the broad-nailed tip of an ugly forefinger. “I am prepared to promise that—what is the phrase?—no questions will be asked.” He put his hand on the desk again beside the other and smiled blandly over them at the private detective.

“Five thousand is a lot of money,” Spade commented, looking thoughtfully at Cairo. “It—”

Fingers drummed lightly on the door.

When Spade had called, “Come in,” the door opened far enough to admit Effie Perine’s head and shoulders. She had put on a small dark felt hat and a dark coat with a grey fur collar.

“Is there anything else?” she asked.

“No. Good night. Lock the door when you go, will you?”

Spade turned in his chair to face Cairo again, saying: “It’s an interesting figure.”

The sound of the corridor-door’s closing behind Effie Perine came to them.

Cairo smiled and took a short compact flat black pistol out of an inner pocket. “You will please,” he said, “clasp your hands together at the back of your neck.”

CHAPTER 5 – THE LEVANTINE

Spade did not look at the pistol. He raised his arms and, leaning back in his chair, intertwined the fingers of his two hands behind his head. His eyes, holding no particular expression, remained focused on Cairo’s dark face.

Cairo coughed a little apologetic cough and smiled nervously with lips that had lost some of their redness. His dark eyes were humid and bashful and very earnest. “I intend to search your offices, Mr. Spade. I warn you that if you attempt to prevent me I shall certainly shoot you.”

“Go ahead.” Spade’s voice was as empty of expression as his face.

“You will please stand,” the man with the pistol instructed him at whose thick chest the pistol was aimed. “I shall have to make sure that you are not armed.”

Spade stood up pushing his chair back with his calves as he straightened his legs.

Cairo went around behind him. He transferred the pistol from his right hand to his left. He lifted Spade’s coat-tail and looked under it. Holding the pistol close to Spade’s back, he put his right hand around Spade’s side and patted his chest. The Levantine face was then no more than six inches below and behind Spade’s right elbow.

Spade’s elbow dropped as Spade spun to the right. Cairo’s face jerked back not far enough: Spade’s right heel on the patent-leathered toes anchored the smaller man in the elbow’s path. The elbow struck him beneath the cheek-bone, staggering him so that he must have fallen had he not been held by Spade’s foot on his foot. Spade’s elbow went on past the astonished dark face and straightened when Spade’s hand struck down at the pistol. Cairo let the pistol go the instant that Spade’s fingers touched it. The pistol was small in Spade’s hand.

Spade took his foot off Cairo’s to complete his about-face. With his left hand Spade gathered together the smaller man’s coat-lapels—the ruby-set green tie bunching out over his knuckles—while his right hand stowed the captured weapon away in a coat-pocket. Spade’s yellow-grey eyes were somber. His face was wooden, with a trace of sullenness around the mouth.

Cairo’s face was twisted by pain and chagrin. There were tears in his dark eyes. His skin was the complexion of polished lead except where the elbow had reddened his cheek.

Spade by means of his grip on the Levantine’s lapels turned him slowly and pushed him back until he was standing close in front of the chair he had lately occupied. A puzzled look replaced the look of pain in the lead-colored face. Then Spade smiled. His smile was gentle, even dreamy. His right shoulder raised a few inches. His bent right arm was driven up by the shoulder’s lift. Fist, wrist, forearm, crooked elbow, and upper arm seemed all one rigid piece, with only the limber shoulder giving them motion. The fist struck Cairo’s face, covering for a moment one side of his chin, a corner of his mouth, and most of his cheek between cheek-bone and jaw-bone.

Cairo shut his eyes and was unconscious.

Spade lowered the limp body into the chair, where it lay with sprawled arms and legs, the head lolling back against the chair’s back, the mouth open.

Spade emptied the unconscious man’s pockets one by one, working methodically, moving the lax body when necessary, making a pile of the pockets’ contents on the desk. When the last pocket had been turned out he returned to his own chair, rolled and lighted a cigarette, and began to examine his spoils. He examined them with grave unhurried thoroughness.

There was a large wallet of dark soft leather. The wallet contained three hundred and sixty-five dollars in United States bills of several sizes; three five-pound notes; a much-visaed Greek passport bearing Cairo’s name and portrait; five folded sheets of pinkish onion-skin paper covered with what seemed to be Arabic writing; a raggedly clipped newspaper-account of the finding of Archer’s and Thursby’s bodies; a post-card-photograph of a dusky woman with bold cruel eyes and a tender drooping mouth; a large silk handkerchief, yellow with age and somewhat cracked along its folds; a thin sheaf of Mr. Joel Cairo’s engraved cards; and a ticket for an orchestra seat at the Geary Theatre that evening.

Besides the wallet and its contents there were three gaily colored silk handkerchiefs fragrant of chypre; a platinum Longines watch on a platinum and red gold chain, attached at the other end to a small pear-shaped pendant of some white metal; a handful of United States, British, French, and Chinese coins; a ring holding half a dozen keys; a silver and onyx fountain-pen; a metal comb in a leatherette case; a nail-file in a leatherette case; a small street-guide to San Francisco; a Southern Pacific baggage-check; a half-filled package of violet pastilles; a Shanghai insurance-broker’s business-card; and four sheets of Hotel Belvedere writing paper, on one of which was written in small precise letters Samuel Spade’s name and the addresses of his office and his apartment.

Having examined these articles carefully—he even opened the back of the watch-case to see that nothing was hidden inside—Spade leaned over and took the unconscious man’s wrist between finger and thumb, feeling his pulse. Then he dropped the wrist, settled back in his chair, and rolled and lighted another cigarette. His face while he smoked was, except for occasional slight and aimless movements of his lower lip, so still and reflective that it seemed stupid; but when Cairo presently moaned and fluttered his eyelids Spade’s face became bland, and he put the beginning of a friendly smile into his eyes and mouth.

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