Clara Louise Burnham - The Inner Flame (Clara Louise Burnham) (Literary Thoughts Edition)

The eagerness of the tone touched her mistress.

"Why, of course, my dear, do so; but I'd get up if I were you." Eliza had sunk back upon the bench with the certainty and impact of a pile-driver. "There is such a crowd you can't see anything from here but the sky."

"I feel as if I could look at that sky for a week," responded Eliza with a sincerity which admitted of no doubt.

"It is wonderful, isn't it?" returned her mistress, unconscious of plagiarism. She patted Eliza's shoulder. "I'll be back soon," she assured her, and moved away.

"The good creature!" she thought. "How selfish I have been to her! I ought occasionally to let her go home; but I know she'd never go without me. She wouldn't believe that I'd eat three meals a day, no matter how faithfully I promised." And Mrs. Ballard laughed a little before becoming engrossed in an old favorite.

She was gone so long that Eliza cogitated with newly acquired ingenuity.

"It's a good thing," she reflected, "that the fool-catcher ain't artistic. He'd 'a' caught me here lots o' times. Supposin' I was with that dear crazy critter all this time, hoppin' along in misery, or standin' in front o' some paintin' like a stork." Eliza's light eyes twinkled. "Why shouldn't I set up a taste in pictures, too? Just watch me from this on."

After this day Mrs. Ballard did observe with joy a transformation in her handmaid's attitude. When they visited the galleries Eliza would move along with her usual calm until suddenly some picture would particularly hold her attention.

"Is that a very fine paintin'?" she would ask of her cicerone.

"Which one, Eliza? Oh, yes, I see. Certainly, or it wouldn't be here; but in that next room are those I thought we should make a study of to-day."

Eliza's light eyes swept the unbroken polished surface of the floor of the adjoining room. "I know I haven't got very far along in understandin' these things," she said modestly, "but to my eyes there is a certain somethin' there," – she paused and let her transfixed gaze toward the chosen picture say the rest.

Mrs. Ballard held her lip between her teeth reflectively as she looked at it too. On that first occasion it was a summer landscape painted at sunset.

"We've passed it many times," she thought, "but it's evident that Eliza is waking up!"

The reflection was exultant. Far be it from Mrs. Ballard to interrupt the birth throes of her companion's artistic consciousness.

"Then stay right here, Eliza, as long as you wish," she replied sympathetically. "I shall be near by."

She hurried away in her light-footed fashion, and Eliza continued to stand before her cynosure long enough to disarm possible suspicion, and then backed thoughtfully away until she reached a bench upon which she sank, still with eyes upon the picture.

Mrs. Ballard from the next room observed her trance.

"She is waking up. Her eyes are opening, bless her heart," she thought. "Constant dropping does wear the stone."

Eliza would have paraphrased the proverb and declared that constant dropping saves the life.

From this day on she professed, and triumphantly acted upon, an appreciation for certain pictures; and Mrs. Ballard marvelled with pride at the catholicity of her taste; for such serpentine wisdom did Eliza display in passing, unseeing, many an inviting bench, that never, to their last pilgrimage to Mrs. Ballard's mecca, did the latter suspect the source of her companion's modest enthusiasm.

"Poor thing," thought Eliza during these periods of rest; "it's a sin and a shame that she hasn't got anybody worthy to come with her. If those relatives of hers were, any of 'em, fit to live, one of 'em would bring her here sometimes. The poor dear, as long as she hasn't a soul but an ignorant country body like me to sympathize with her, I've got to do my best; and really if I set a spell once in a while, I'll have more sprawl and can seem to enjoy it more. It's awful hard when you can't think of anything but your joints! I'm younger'n she is, and I'm ashamed o' gettin' so tuckered; but she's got some kind o' wings that seem to lift her along."

Mrs. Ballard, from the next room, caught Eliza's eye, smiled, and nodded, well pleased. So the era of peace ensued; and when Miss Brewster caught sight from a street car of the Metropolitan Museum of Art, she was able to regard it without a frown.

Eliza was not obliged to give up the apartment until the end of the month. Hence her drifting from day to day, and Pluto's naps in the lap of luxury.

All her energy and systematic habits were in a state of suspension. Her clocks ran down. The watch in the tiny satin slipper beside her bed alone ticked the minutes away, and when Eliza wound it her eyes were too wet to see the time. Night fell and she went to bed. Morning dawned and she arose. She drank tea, but it was too much trouble to eat.

One day the bell rang. At first she determined not to answer it. Then second thought came to her. What was she waiting here for except to answer the bell? Was her next duty not to introduce the usurper into his kingdom – to give into his desecrating hands those objects, – easel, palette, brushes, paints, – hallowed by her dear one's use? At the sound of a knock she hastened to fling open the door. Mrs. Fabian, elegantly gowned and furred, stood before her.

Eliza gazed at this apparition dumb.

"Why, Eliza Brewster," exclaimed the visitor with concern, "I scarcely knew you." After the mutual gaze of astonishment the caller moved in with her air of stately assurance, and Eliza followed her perforce into the living-room. Here Mrs. Fabian swiftly examined the possibilities of the scanty chairs, then seated herself in the largest.

"You have been ill, too, Eliza? You look like a ghost!"

The gaunt woman in the alpaca dress, so filled with resentment that she begrudged her own tears because they informed this "relative" of her grief, stood in silence with a beating heart.

"Sit down, you poor creature," went on Mrs. Fabian, unsuspecting hidden fires.

They burned higher at the tone of patronage, but Eliza, weakened from mourning and lack of food, felt her knees trembling and sank into the nearest chair.

Mrs. Fabian, genuinely touched by the ravages she saw, broke the silence that followed.

"I was greatly surprised and shocked to hear of Aunt Mary's sudden going."

She began to feel uncomfortable under the set gaze of Eliza's swollen eyes.

"I suppose you sent to my house at once, and found that Mr. Fabian and I were in the far West."

"No, I didn't think of sending," returned Eliza.

"You should have done so. Surely there was no one nearer to Aunt Mary than I."

"It was in the paper," said Eliza dully.

"Had I been here I should, of course, have taken charge of the funeral."

The pale eyes emitted a curious light.

"No, you wouldn't, Mrs. Fabian," was the quiet reply.

"Why do you say that?"

"Because the time for you to have done something for Mrs. Ballard was while she was alive."

Eliza was too spent physically to speak other than softly, but her words brought the amazed color to her visitor's face.

"You are presuming," Mrs. Fabian said, after a moment. "What do you know about it? I suppose Aunt Mary did not think it worth while to tell you all the things I did for her."

"No," agreed Eliza, "she never said a word about the times you came with your automobile to take her riding; nor the picture exhibitions you took her to see, or the way you had her to dinner Thanksgivin' time and other times, or how you had her to spend part o' the summer with you at the island, or – "

"Eliza Brewster, what does this mean!" Mrs. Fabian's eyes were dilated. "Aunt Mary was not related to my husband or to his children. I never expected him to marry my family."