“Jolly good thing. What?” remarked Gurney.
“Good for society as a whole, apparently,” replied Thrale, “but surely not good for the man. I’ve told you that I have seen glimmerings of the god in him, but outside the routine of his work the man’s mind is clogged. He’s not much over fifty, and he has no outlet, now, for his desires. He’s like a man with choked pores, and his body is poisoned. And in this particular Gosling is certainly no exception either to his class or to the great mass of civilized man. Well, what I wonder is whether in a society which is built up of interdependent units the whole can be sound when the greater number of the constituent units are rotten.”
“But look here, old chap,” protested Gurney, “if things are as you say, and men rule the country, why shouldn’t they alter public opinion, and so open the way to do as they jolly well please?”
“Because the majority are too much ashamed of their desires to dare the attempt in the first place, and in the second because they don’t wish to open the way for other men. They aren’t united in this; they are as jealous as women. If they once opened the way to free love, their own belongings wouldn’t be safe.”
“What’s your remedy, then?”
“Oh! a few thousand more years of moral development,” said Thrale, carelessly, “an evolution towards self-consciousness, a fuller understanding of the meaning of life, and a finer altruism.”
“You don’t look far ahead,” remarked Gurney.
“Do you think anyone can look even a year ahead?” asked Thrale.
“There have been some pretty good attempts in some ways—Swedenborg, for instance, and Samuel Butler....”
“Yes, yes, that’s all right, in some ways—the development of certain sorts of knowledge, for example. But there is always the chance of the unpredictable element coming in and upsetting the whole calculation. Some invention may do it, an unforeseen clash of opinions or an epidemic....”
For a time they drifted further away from their original topic till some remark reminded Gurney that he had meant to ask a question and had forgotten it.
“By the way,” he said, “I wanted to ask you what you meant when you said you had seen a god in old Gosling?”
“Just a touch of imagination and wonder, now and again,” replied Thrale. “Something he was quite unconscious of himself. I remember standing with him on Blackfriars Bridge, and he looked down at the river and said: ‘I s’pose it was clean once, banks and sand and so on, before all this muck came.’ Then he looked at me quickly to see if I was laughing at him. That was the god in him trying to create purity out of filth, even though it was only a casual thought. It was smothered again at once. His training reasserted itself. ‘Lot better for trade the way it is, though,’ was his next remark.”
“But how can you alter it?” asked Gurney.
“My dear chap, you can’t alter these things by any cut-and-dried plan, any more than you can dam the Gulf Stream. We can only lay a brick or two in the right place. We aren’t the architects; the best of us are only bricklayers, and the best of the best can only lay two or three bricks in a lifetime. Our job is to do that if we can. We can only guess very feebly at the design of the building; and often it is our duty partly to pull down the work that our forefathers built....”
Presently Gurney asked if his companion had ever seen a god in Mrs Gosling.
Thrale shook his head. “It didn’t come within my experience,” he said. “Don’t condemn her on that account, but she, like all the women I have ever met, has been too intent upon the facts of life ever to see its mystery. Mrs Gosling hadn’t the power to conceive an abstract idea; she had to make some application of it to her own particular experience before she could understand the simplest concept. Morality to her signified people who behaved as she and her family did; wickedness meant vaguely, criminals, Sarah Jones who was an unmarried mother, and anyone who didn’t believe in the God of the Established Church. Always people, you see, in this connexion; in others it might be things; but ideas apart from people or things she couldn’t grasp. Her two daughters thought in precisely the same way....”
4
One Saturday afternoon Thrale came into Gurney’s chambers and burst out: “Just Heaven! why you fools stand it I can’t imagine!”
“What’s up now?” asked Gurney.
Thrale sat down and drew his chair up to the table. The pupils of his dark eyes were contracted and seemed to glow as if they were illuminated from within.
“I was in Oxford Street this morning, watching the women at the sales,” he said. “All the biggest shops in London are devoted to women’s clothes. Do you realize that? And it’s not only that they’re the biggest—there are more of them than any other six trades put together can show, bar the drink trade, of course. The north side of Oxford Street from Tottenham Court Road to the Marble Arch is one long succession of huge drapers and milliners. And what in God’s name is the sense or reason of it? What do these huge shops sell?”
“Dresses, I suppose,” ventured Gurney, “and stockings, underlinen, corsets, hats, and so on.”
“And frippery,” said Thrale, fixing his brilliant dark eyes on Gurney, “And frippery. Machine lace, ribbons, yokes, cheap blouses, feathers, insertions, belts, fifty thousand different kinds of bits and rags to be tacked on here and there, worn for a few weeks and then thrown away. Millions of little frivolous, stupid odds and ends that are bought by women and girls of all classes below the motor-class, to make a pretence—gauds and tawdry rubbish not one whit better from the artistic point of view than the shells and feathers of any half-naked Melanesian savage. In fact, meaningless as the Melanesians’ decorations are, they do achieve more effect. And what’s it all for, I ask you?”
Thrale paused, and Gurney offered his solution.
“The sex instinct, fundamentally, isn’t it?” he said. “The desire—often subconscious, no doubt—to attract.”
“Well, if that is so,” said Thrale, “what terribly unintelligent fools women must be! If women really set out to attract men, they must realize that they are pandering to a sex instinct. Do you think any man is attracted by a litter of odds and ends? Doesn’t every woman sneer when they see some Frenchwoman, perhaps, who dresses to display her figure instead of hiding it? Don’t they bitterly resent the fact that their own men-folk are resistlessly drawn to stare at, and inwardly desire, such a woman? Don’t they know perfectly well that such a woman is attractive to men in a way their own disguised bodies can never be?”
“Yes, old chap; but your average middle-class English girl hasn’t got the physical attractions to start with,” put in Gurney.
“Look at it in another way, then,” replied Thrale. “Doesn’t every woman know perfectly well—haven’t you heard them say—that a nurse’s dress is very becoming—a plain, more or less tightly-fitting print dress, with linen collars and cuffs? Don’t you know yourself that that attire is more attractive to you than any befrilled and bedecorated arrangement of lace, ribbons and gauds? Why are so many men irresistibly attracted by parlourmaids and housemaids?”
“Yes,” meditated Gurney, “that’s all true enough. Well, are women all fools, or what is it?”
“The majority of women are sheep,” said Thrale. “They follow as they are led, and don’t or won’t see that they are being led. And the leaders are chiefly men—men who have trumpery to sell. Why do the fashions change every year—sometimes more often than that in matters of detail? Because the trade would smash if they didn’t. New fashions must be forced on the buyers, or the returns would drop; women would be able to make their last year’s clothes do for another summer. That must be stopped at any cost. Those vast establishments must maintain an enormous turnover if they are to pay their fabulous rents and armies of assistants. There are two means of keeping up the sales, and both are utilized to the full. The first is to supply cheap, miraculously cheap, rubbish which cannot be made to last for more than a season. The second is to alter the fashions which affect the more durable stuffs, so that last year’s dresses cannot be used again. This fashion-working scheme reacts upon the poorer buyers, because it compels them to do something to imitate the prevailing mode, if they can’t afford to have entirely new frocks. That is where all these bits of frilling and what-not come in; make-believe stuff to imitate the real buyers—the large majority of whom don’t buy in Oxford Street, by the way.
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