Olivier Remaud - Thinking Like an Iceberg

4 4. Ibid., p. 28.

5 5. Timothy Mitchell, ‘Frederic Church’s The Icebergs: Erratic Boulders and Time’s Slow Changes’, Smithsonian Studies in American Art, 3/4 (1989), pp. 14–17.

6 6. Cited ibid., pp. 7–8. For theories of the sublime, see Edmund Burke, A Philosophical Enquiry into the Sublime and Beautiful, London: Penguin, 1999; Immanuel Kant, Critique of Judgement, trans, J. C. Meredith, Oxford: Oxford University Press, 2007, and Observations on the Feeling of the Beautiful and Sublime and Other Writings, Cambridge: Cambridge University Press, 2012.

7 7. Navigatio sancti Brendani: alla scoperta dei segreti meravigliosi del mondo, ed. Giovanni Orlandi and Rossana E. Guglielmetti, Florence: Edizioni del Galluzzo, 2014, chap. XXII, pp. 80–4.

8 8. Thomas M’Keevor, A Voyage to Hudson’s Bay during the summer of 1812: containing a particular account of the icebergs and other phenomena which present themselves in those regions; also, a description of the Esquimeaux and North American Indians; their manners, customs, dress, language, &c.. &c., &c. London: Printed for Sir Richard Phillips and Co., 1819, pp. 9–10.

9 9. Coll Thrush, ‘The Iceberg and the Cathedral: Encounter, Entanglement, and Isuma in Inuit London’, Journal of British Studies, 53/1 (2014), pp. 59–79, at p. 73.

10 10. Shane McCorristine, Spectral Arctic: A History of Dreams and Ghosts in Polar Exploration, London: University College London Press, 2018, p. 9.

11 11. Christoph Ransmayr, The Terrors of Ice and Darkness, trans. J. E. Woods, London: Harper Collins, 1992, p. 22. See also ‘Second birthday’ in his Atlas of an Anxious Man, trans. S. Pare, Chicago: Seagull Books, 2020.

12 12. Ransmayr, The Terrors, p. 52.

13 13. Ibid., pp. 52, 77, 109.

14 14. Ibid., p. 25.

15 15. McCorristine, Spectral Arctic, p. 5. Already in 1814, William Scoresby stressed that polar anxiety comes in part from ‘the reciprocal action of the ice and the sea’ that breaks up whalers (An Account of the Arctic Regions, with a History and Description of the Northern Whale-Fishery, Edinburgh: A. Constable and Co., 1820, Vol. I, p. 301). On the obsession with the poles, see Roland Huntford, Scott and Amundsen: Their Race to the South Pole, London: Abacus, 2002; Robert McGhee, The Last Imaginary Place: A Human History of the Arctic World, Chicago: University of Chicago Press, 2005; Apsley Cherry-Garrard, The Worst Journey in the World, London: Carroll & Graf, [1922] 1989; Pierre Déléage, La Folie arctique, Brussels: Zones sensibles, 2017.

16 16. Arthur Conan Doyle, Dangerous Work: Diary of an Arctic Adventure, Chicago: University of Chicago Press, 2012, p. 333.

17 17. Hans Blumenberg, ‘Prospect for a Theory of Nonconceptuality’, in Shipwreck with Spectator: Paradigm for a Metaphor of Existence, trans. Steven Rendall, Cambridge, MA: MIT Press, 1997, pp. 81–102, at p. 83.

18 18. Ibid., p. 96.

19 19. Walter Benjamin, The Origin of German Tragic Drama, trans. John Osborne, London: Verso, 1985, p. 166.

20 20. The term ‘Moderns’, in this capitalised form, is referring to Bruno Latour’s specific ‘constitution’ of modernity in We have Never been Modern, trans. C. Porter, Cambridge, MA: Harvard University press, 1993 [Trans.].

21 21. Bernard Moitessier, The Long Way, trans. W. Rodarmor, New York: Sheridan House, 2003, eBook, p. 214.

22 22. Ibid., p. 149.

23 23. Ibid., p. 194.

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