Trumbull White - Complete Story of the San Francisco Horror

“I was asleep in the Hotel Dangham, Ellis and Mason streets, when the shock came,” said Miss Bessie Tannehill of the Tivoli Theatre. “There were at least 100 persons in the building at the time. At the first shock I leaped from the bed and ran to the window. Another upheaval came and I was thrown off my feet. I groped my way out of the room and down the dark stairway. Men, women and children, almost without clothing, crowded the place, crying and praying as they rushed out.

“When outside I saw the streets filled with people who rushed about wringing their hands and crying. Proprietor Lisser of the hotel offered a cabman $50 to take himself and his wife to the Presidio heights, but he refused. He wanted more money. We finally secured a carriage by paying $100. Fire was raging at this time and people were panic-stricken.

“After getting outside of the danger region I walked back, hoping to aid some of the unfortunates. I have heard about big prices charged for food. I wish to testify that the merchants on upper Market street and in nearby districts threw open their stores and invited the crowds to help themselves. The mobs rushed into every place, carrying out all the goods possible.

“I saw many looters and pickpockets at work. On Mason street a gang of thieves was at work. They were pursued by troops, but escaped in an auto.”

The members of the Metropolitan opera company of New York were all victims of the great disaster, including Mme. Sembrich, Signor Caruso, Campanari, Dippel, Conductor Hertz and Bars.

All of the splendid scenery, stage fittings, costumes and musical instruments were lost in the fire which destroyed the Grand Opera House, where their season had just opened.

No one of the company was injured, but nearly all of them lost their personal effects. Mme. Sembrich placed the loss by the destruction of her elegant costumes at $20,000. She was fortunate enough to save her valuable jewels. The total loss to the organization was $150,000.

On the morning of the earthquake the members of the company were distributed among the different hotels.

The sudden shock brought all out of their bedrooms in all kinds of attire. The women were in their night dresses, the men in pajamas, none pausing to dress, all convinced that their last hour had come. Ten minutes later Caruso was seen seated on his valise in the middle of the street. Many of the others had rushed to open squares or other places of supposed safety. Even then it was difficult to avoid the debris falling from the crumbling walls.

Several of those stopping at the Oaks were awakened by plaster from the ceilings falling on their bed and had barely time to flee for their lives. One singer was seen standing in the street, barefoot, and clad only in his underwear, but clutching a favorite violin which he carried with him in his flight. Rossi, though almost in tears, was heard trying his voice at a corner near the Palace hotel.

A. W. Hussey, who went to the Hall of Justice on the morning of the disaster, told how at the direction of a policeman whom he did not know, he had cut the arteries in the wrists of a man pinioned under timbers at St. Katherine hotel.

According to the statement made by Hussey the man was begging to be killed and the policeman shot at him, but his aim was defective and the bullet went wide of the mark. The officer then handed Hussey a knife with instructions to cut the veins in the suffering man’s wrists, and Hussey obeyed orders to the letter.

A story was told of one young girl who had followed for two days the body of her father, her only relative. It had been taken from a house in Mission street to an undertaker’s shop just after the quake. The fire drove her out with her charge, and it was placed in Mechanics’ Pavilion.

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