Charles Warner - In The Levant

On the high ground outside the wall were pitched the tents of travellers, making a very pretty effect amid the olive-trees and the gray rocks. Now and then an Arab horseman came charging down the road, or a Turkish official cantered by; women, veiled, clad in white balloon robes that covered them from head to foot, flitted along in the sunshine, mere white appearances of women, to whom it was impossible to attribute any such errand as going to market; they seemed always to be going to or returning from the cemetery.

Our way lay down the rough path and the winding road to the bottom of the Valley of Jehoshaphat. Leaving the Garden of Gethsemane on our right, we climbed up the rugged, stony, steep path to the summit of the hill. There are a few olive-trees on the way, enough to hinder the view where the stone-walls would permit us to see anything; importunate begging Moslems beset us; all along the route we encountered shabbiness and squalor. The rural sweetness and peace that we associate with this dear mount appear to have been worn away centuries ago. We did not expect too much, but we were not prepared for such a shabby show-place. If we could sweep away all the filthy habitations and hideous buildings on the hill, and leave it to nature, or, indeed, convert the surface into a well-ordered garden, the spot would be one of the most attractive in the world.

We hoped that when we reached the summit we should come into an open, green, and shady place, free from the disagreeable presence of human greed and all the artificiality that interposed itself between us and the sentiment of the place. But the traveller need not expect that in Palestine. Everything is staked out and made a show of. Arrived at the summit, we could see little or nothing; it is crowned with the dilapidated Chapel of the Ascension. We entered a dirty court, where the custodian and his family and his animals live, and from thence were admitted to the church. In the pavement is shown the footprint of our ascending Lord, although the Ascension was made at Bethany. We paid the custodian for permission to see this manufactured scene of the Ascension. The best point of view to be had here is the old tower of the deserted convent, or the narrow passage to it on the wall, or the top of the minaret near the church. There is no place on wall or tower where one can sit; there is no place anywhere here to sit down, and in peace and quiet enjoy the magnificent prospect, and meditate on the most momentous event in human history. We snatched the view in the midst of annoyances. The most minute features of it are known to every one who reads. The portion of it I did not seem to have been long familiar with is that to the east, comprising the Jordan valley, the mountains of Moab, and the Dead Sea.

Although this mount is consecrated by the frequent presence of Christ, who so often crossed it in going to and from Bethany, and retired here to meditate and to commune with his loved followers, everything that the traveller at present encounters on its summit is out of sympathy with his memory. We escaped from the beggars and the showmen, climbed some stone-walls, and in a rough field near the brow of the hill, in a position neither comfortable nor private, but the best that we found, read the chief events in the life of Christ connected with this mount, the triumphal entry, and the last scenes transacted on yonder hill. And we endeavored to make the divine man live again, who so often and so sorrowfully regarded the then shining city of Zion from this height.

To the south of the church and a little down the hill is the so-called site of the giving of the Lord’s Prayer. I do not know on what authority it is thus named. A chapel is built to mark the spot, and a considerable space is enclosed before it, in which are other objects of interest, and these were shown to us by a pleasant-spoken lady, who is connected with the convent, and has faith equal to the demands of her position. We first entered a subterranean vaulted room, with twelve rough half-pillars on each side, called the room where the Apostles composed the creed. We then passed into the chapel. Upon the four walls of its arcade is written, in great characters, the Lord’s Prayer in thirty-two languages; among them the “Canadian.”

In a little side chapel is the tomb of Aurelia de Bossa, Princesse de la Tour d’.uvergne, Duchesse de Bouillon, the lady whose munificence established this chapel and executed the prayer in so many tongues. Upon the side of the tomb this fact of her benevolence is announced, and the expectation is also expressed, in French, that “God will overwhelm her with blessing for ever and ever for her good deed.” Stretched upon the sarcophagus is a beautiful marble effigy of the princess; the figure is lovely, the face is sweet and seraphic, and it is a perfect likeness of her ladyship.

I do not speak at random. I happen to know that it is a perfect likeness, for a few minutes after I saw it, I met her in the corridor, in a semi-nunlike costume, with a heavy cross hanging by a long gold chain at her side. About her forehead was bound a barbarous frontlet composed of some two hundred gold coins, and ornaments not unlike those worn by the ladies of the ancient Egyptians. This incongruity of costume made me hesitate whether to recognize in this dazzling vision of womanhood a priestess of Astarte or of Christ. At the farther door, Aurelia de Bossa, Princesse de la Tour d’.uvergne, Duchesse de Bouillon, stopped and blew shrilly a silver whistle which hung at her girdle, to call her straying poodle, or to summon a servant. In the rear of the chapel this lady lives in a very pretty house, and near it she was building a convent for Carmelite nuns. I cannot but regard her as the most fortunate of her sex. She enjoys not only this life, but, at the same time, all the posthumous reputation that a lovely tomb and a record of her munificence engraved thereon can give. We sometimes hear of, but we seldom see, a person, in these degenerate days, living in this world as if already in the other.

We went on over the hill to Bethany; we had climbed up by the path on which David fled from Absalom, and we were to return by the road of the Triumphal Entry. All along the ridge we enjoyed a magnificent panorama: a blue piece of the Dead Sea, the Jordan plain extending far up towards Herraon with the green ribbon of the river winding through it, and the long, even range of the Moab hills, blue in the distance. The prospect was almost Swiss in its character, but it is a mass of bare hills, with scarcely a tree except in the immediate foreground, and so naked and desolate as to make the heart ache; it would be entirely desolate but for the deep blue of the sky and an atmosphere that bathes all the great sweep of peaks and plains in color.

Bethany is a squalid hamlet clinging to the rocky hillside, with only one redeeming feature about it,—the prospect. A few wretched one-story huts of stone, and a miserable handful of Moslems, occupy this favorite home and resting-place of our Lord. Close at hand, by the roadside, cut in the rock and reached by a steep descent of twenty-six steps, is the damp and doubtful tomb of Lazarus, down into which any one may go for half a franc paid to the Moslem guardian. The house of Mary and Martha is exhibited among the big rocks and fragments of walls; upon older foundations loose walls are laid, rudely and recently patched up with cut stones in fragments, and pieces of Roman columns. The house of Simon the leper, overlooking the whole, is a mere heap of ruins. It does not matter, however, that all these dwellings are modern; this is Bethany, and when we get away from its present wretchedness we remember only that we have seen the very place that Christ loved.

We returned along the highway of the Entry slowly, pausing to identify the points of that memorable progress, up to the crest where Jerusalem broke upon the sight of the Lord, and whence the procession, coming round the curve of the hill, would have the full view of the city. He who rides that way to-day has a grand prospect. One finds Jerusalem most poetic when seen from Olivet, and Olivet most lovely when seen from the distance of the city walls.