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Джозеф Киплинг: The Day's Work - Volume 1

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Джозеф Киплинг The Day's Work - Volume 1

The Day's Work - Volume 1: краткое содержание, описание и аннотация

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The Day’s Work I by Rudyard Kipling is a collection of short stories featuring mostly non-humans as main characters of each story. It contains some of Kipling’s best and worst writings. However, the failures are set among some of his best, including The Bridge Builders and The Brushwood Boy, making this collection it well worth the read.

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"The Thirty–Mile Ride, and—and all the rest of it."

"You mean—? I didn't sing anything about the Thirty–Mile Ride. I know I didn't. I have never told a living soul.'"

"You told about Policeman Day, and the lamp at the top of the downs, and the City of Sleep. It all joins on, you know—it's the same country—and it was easy enough to see where you had been."

"Good God!—It joins on—of course it does; but—I have been—you have been—Oh, let's walk, please, or I shall fall off!"

Georgie ranged alongside, and laid a hand that shook below her bridle–hand, pulling Dandy into a walk. Miriam was sobbing as he had seen a man sob under the touch of the bullet.

"It's all right—it's all right," he whispered feebly. "Only—only it's true, you know."

"True! Am I mad?"

"Not unless I'm mad as well. Do try to think a minute quietly. How could any one conceivably know anything about the Thirty–Mile Ride having anything to do with you, unless he had been there?"

"But where? But where? Tell me!"

"There—wherever it may be—in our country, I suppose. Do you remember the first time you rode it—the Thirty–Mile Ride, I mean? You must."

"It was all dreams—all dreams!"

"Yes, but tell, please; because I know."

"Let me think. I—we were on no account to make any noise—on no account to make any noise." She was staring between Dandy's ears, with eyes that did not see, and a suffocating heart.

"Because 'It' was dying in the big house?" Georgie went on, reining in again.

"There was a garden with green–and–gilt railings—all hot. Do you remember?"

"I ought to. I was sitting on the other side of the bed before 'It' coughed and 'They' came in."

"You!"—the deep voice was unnaturally full and strong, and the girl's wide–opened eyes burned in the dusk as she stared him through and through. "Then you're the Boy—my Brushwood Boy, and I've known you all my life!"

She fell forward on Dandy's neck. Georgie forced himself out of the weakness that was overmastering his limbs, and slid an arm round her waist. The head dropped on his shoulder, and he found himself with parched lips saying things that up till then he believed existed only in printed works of fiction. Mercifully the horses were quiet. She made no attempt to draw herself away when she recovered, but lay still, whispering, "Of course you're the Boy, and I didn't know—I didn't know."

"I knew last night; and when I saw you at breakfast—"

"Oh, that was why! I wondered at the time. You would, of course."

"I couldn't speak before this. Keep your head where it is, dear. It's all right now—all right now, isn't it?"

"But how was it I didn't know—after all these years and years? I remember—oh, what lots of things I remember!"

"Tell me some. I'll look after the horses."

"I remember waiting for you when the steamer came in. Do you?"

"At the Lily Lock, beyond Hong–Kong and Java?"

"Do you call it that, too?"

"You told me it was when I was lost in the continent. That was you that showed me the way through the mountains?"

"When the islands slid? It must have been, because you're the only one I remember. All the others were 'Them.'

"Awful brutes they were, too."

"I remember showing you the Thirty–Mile Ride the first time. You ride just as you used to—then. You are you!"

"That's odd. I thought that of you this afternoon. Isn't it wonderful?"

"What does it all mean? Why should you and I of the millions of people in the world have this—this thing between us? What does it mean? I'm frightened."

"This!" said Georgie. The horses quickened their pace. They thought they had heard an order. "Perhaps when we die we may find out more, but it means this now."

There was no answer. What could she say? As the world went, they had known each other rather less than eight and a half hours, but the matter was one that did not concern the world. There was a very long silence, while the breath in their nostrils drew cold and sharp as it might have been a fume of ether.

"That's the second," Georgie whispered. "You remember, don't you?"

"It's not!"—furiously. "It's not!"

"On the downs the other night–months ago. You were just as you are now, and we went over the country for miles and miles."

"It was all empty, too. They had gone away. Nobody frightened us. I wonder why, Boy?"

"Oh, if you remember that, you must remember the rest. Confess!"

"I remember lots of things, but I know I didn't. I never have—till just now."

"You did, dear."

"I know I didn't, because—oh, it's no use keeping anything back! because I truthfully meant to."

"And truthfully did."

"No; meant to; but some one else came by."

"There wasn't any one else. There never has been."

"There was—there always is. It was another woman—out there—on the sea. I saw her. It was the 26th of May. I've got it written down somewhere."

"Oh, you've kept a record of your dreams, too? That's odd about the other woman, because I happened to be on the sea just then."

"I was right. How do I know what you've done when you were awake—and I thought it was only you!"

"You never were more wrong in your life. What a little temper you've got! Listen to me a minute, dear." And Georgie, though he knew it not, committed black perjury. "It—it isn't the kind of thing one says to any one, because they'd laugh; but on my word and honour, darling, I've never been kissed by a living soul outside my own people in all my life. Don't laugh, dear. I wouldn't tell any one but you, but it's the solemn truth."

"I knew! You are you. Oh, I knew you'd come some day; but I didn't know you were you in the least till you spoke."

"Then give me another."

"And you never cared or looked anywhere? Why, all the round world must have loved you from the very minute they saw you, Boy."

"They kept it to themselves if they did. No; I never cared."

"And we shall be late for dinner—horribly late. Oh, how can I look at you in the light before your mother—and mine!"

"We'll play you're Miss Lacy till the proper time comes. What's the shortest limit for people to get engaged? S'pose we have got to go through all the fuss of an engagement, haven't we?"

"Oh, I don't want to talk about that. It's so commonplace. I've thought of something that you don't know. I'm sure of it. What's my name?"

"Miri—no, it isn't, by Jove! Wait half a second, and it'll come back to me. You aren't—you can't? Why, those old tales—before I went to school! I've never thought of 'em from that day to this. Are you the original, only Annieanlouise?"

"It was what you always called me ever since the beginning. Oh! We've turned into the avenue, and we must be an hour late."

"What does it matter? The chain goes as far back as those days? It must, of course—of course it must. I've got to ride round with this pestilent old bird–confound him!"

"'"Ha! ha!" said the duck, laughing'—do you remember that?"

"Yes, I do—flower–pots on my feet, and all. We've been together all this while; and I've got to say good bye to you till dinner. Sure I'll see you at dinner–time? Sure you won't sneak up to your room, darling, and leave me all the evening? Good–bye, dear—good–bye."

"Good–bye, Boy, good–bye. Mind the arch! Don't let Rufus bolt into his stables. Good–bye. Yes, I'll come down to dinner; but—what shall I do when I see you in the light!"

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