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Джозеф Киплинг: The Day's Work - Volume 1

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Джозеф Киплинг The Day's Work - Volume 1

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The Day’s Work I by Rudyard Kipling is a collection of short stories featuring mostly non-humans as main characters of each story. It contains some of Kipling’s best and worst writings. However, the failures are set among some of his best, including The Bridge Builders and The Brushwood Boy, making this collection it well worth the read.

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All the establishment waited on Georgie next morning, from the tallest six–year–old, "with a mouth like a kid glove, Master Georgie," to the under–keeper strolling carelessly along the horizon, Georgie's pet rod in his hand, and "There's a four–pounder risin' below the lasher. You don't 'ave 'em in Injia, Mast–Major Georgie." It was all beautiful beyond telling, even though the mother insisted on taking him out in the landau (the leather had the hot Sunday smell of his youth) and showing him off to her friends at all the houses for six miles round; and the pater bore him up to town and a lunch at the club, where he introduced him, quite carelessly, to not less than thirty ancient warriors whose sons were not the youngest majors in the army and had not the D.S.O. After that it was Georgie's turn; and remembering his friends, he filled up the house with that kind of officer who live in cheap lodgings at Southsea or Montpelier Square, Brompton—good men all, but not well off. The mother perceived that they needed girls to play with; and as there was no scarcity of girls, the house hummed like a dovecote in spring. They tore up the place for amateur theatricals; they disappeared in the gardens when they ought to have been rehearsing; they swept off every available horse and vehicle, especially the governess–cart and the fat pony; they fell into the trout–ponds; they picnicked and they tennised; and they sat on gates in the twilight, two by two, and Georgie found that he was not in the least necessary to their entertainment.

"My word!" said he, when he saw the last of their dear backs. "They told me they've enjoyed 'emselves, but they haven't done half the things they said they would."

"I know they've enjoyed themselves—immensely," said the mother. "You're a public benefactor, dear."

"Now we can be quiet again, can't we?"

"Oh, quite. I've a very dear friend of mine that I want you to know. She couldn't come with the house so full, because she's an invalid, and she was away when you first came. She's a Mrs. Lacy."

"Lacy! I don't remember the name about here."

"No; they came after you went to India—from Oxford. Her husband died there, and she lost some money, I believe. They bought The Firs on the Bassett Road. She's a very sweet woman, and we're very fond of them both."

"She's a widow, didn't you say?"

"She has a daughter. Surely I said so, dear?"

"Does she fall into trout–ponds, and gas and giggle, and 'Oh, Major Cottah!' and all that sort of thing?"

"No, indeed. She's a very quiet girl, and very musical. She always came over here with her music–books—composing, you know; and she generally works all day, so you won't—"

"'Talking about Miriam?" said the pater, coming up. The mother edged toward him within elbow–reach. There was no finesse about Georgie's father. "Oh, Miriam's a dear girl. Plays beautifully. Rides beautifully, too. She's a regular pet of the household. Used to call me—" The elbow went home, and ignorant but obedient always, the pater shut himself off.

"What used she to call you, sir?"

"All sorts of pet names. I'm very fond of Miriam."

"Sounds Jewish—Miriam."

"Jew! You'll be calling yourself a Jew next. She's one of the Herefordshire Lacys. When her aunt dies—" Again the elbow.

"Oh, you won't see anything of her, Georgie. She's busy with her music or her mother all day. Besides, you're going up to town tomorrow, aren't you? I thought you said something about an Institute meeting?" The mother spoke.

"Go up to town now! What nonsense!" Once more the pater was shut off.

"I had some idea of it, but I'm not quite sure," said the son of the house. Why did the mother try to get him away because a musical girl and her invalid parent were expected? He did not approve of unknown females calling his father pet names. He would observe these pushing persons who had been only seven years in the county.

All of which the delighted mother read in his countenance, herself keeping an air of sweet disinterestedness.

"They'll be here this evening for dinner. I'm sending the carriage over for them, and they won't stay more than a week."

"Perhaps I shall go up to town. I don't quite know yet." Georgie moved away irresolutely. There was a lecture at the United Services Institute on the supply of ammunition in the field, and the one man whose theories most irritated Major Cottar would deliver it. A heated discussion was sure to follow, and perhaps he might find himself moved to speak. He took his rod that afternoon and went down to thrash it out among the trout.

"Good sport, dear!" said the mother, from the terrace.

"Fraid it won't be, mummy. All those men from town, and the girls particularly, have put every trout off his feed for weeks. There isn't one of 'em that cares for fishin'—really. Fancy stampin' and shoutin' on the bank, and tellin' every fish for half a mile exactly what you're goin' to do, and then chuckin' a brute of a fly at him! By Jove, it would scare me if I was a trout!"

But things were not as bad as he had expected. The black gnat was on the water, and the water was strictly preserved. A three–quarter–pounder at the second cast set him for the campaign, and he worked down–stream, crouching behind the reed and meadowsweet; creeping between a hornbeam hedge and a foot–wide strip of bank, where he could see the trout, but where they could not distinguish him from the background; lying almost on his stomach to switch the blue–upright sidewise through the checkered shadows of a gravelly ripple under overarching trees. But he had known every inch of the water since he was four feet high. The aged and astute between sunk roots, with the large and fat that lay in the frothy scum below some strong rush of water, sucking as lazily as carp, came to trouble in their turn, at the hand that imitated so delicately the flicker and wimple of an egg–dropping fly. Consequently, Georgie found himself five miles from home when he ought to have been dressing for dinner. The housekeeper had taken good care that her boy should not go empty, and before he changed to the white moth he sat down to excellent claret with sandwiches of potted egg and things that adoring women make and men never notice. Then back, to surprise the otter grubbing for fresh–water mussels, the rabbits on the edge of the beechwoods foraging in the clover, and the policeman–like white owl stooping to the little fieldmice, till the moon was strong, and he took his rod apart, and went home through well–remembered gaps in the hedges. He fetched a compass round the house, for, though he might have broken every law of the establishment every hour, the law of his boyhood was unbreakable: after fishing you went in by the south garden back–door, cleaned up in the outer scullery, and did not present yourself to your elders and your betters till you had washed and changed.

"Half–past ten, by Jove! Well, we'll make the sport an excuse. They wouldn't want to see me the first evening, at any rate. Gone to bed, probably." He skirted by the open French windows of the drawing–room. "No, they haven't. They look very comfy in there."

He could see his father in his own particular chair, the mother in hers, and the back of a girl at the piano by the big potpourri–jar. The gardens looked half divine in the moonlight, and he turned down through the roses to finish his pipe.

A prelude–ended, and there floated out a voice of the kind that in his childhood he used to call "creamy" a full, true contralto; and this is the song that he heard, every syllable of it:

Over the edge of the purple down,
Where the single lamplight gleams,
Know ye the road to the Merciful Town
That is hard by the Sea of Dreams—

Where the poor may lay their wrongs away,
And the sick may forget to weep?
But we—pity us! Oh, pity us!
We wakeful; ah, pity us!—
We must go back with Policeman Day—
Back from the City of Sleep!

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