David Grann - The Lost City of Z - A Tale of Deadly Obsession in the Amazon

That night, as James, Jr., tried to sleep, he wondered if Jack Fawcett had lain in a similar spot and seen such wondrous things. The sun woke him the next morning at dawn, and he poked his head in his father's tent. “Happy birthday, Dad,” he said. Lynch had forgotten that it was his birthday. He was forty-two years old.

Several Kuikuros invited Lynch and his son to a nearby lagoon later that day, where they bathed alongside hundred-pound turtles. Lynch heard the sound of a plane landing with the rest of his men and equipment. The expedition was finally coming together.

Moments later, a Kuikuro came running down the path, yelling in his native language. The Kuikuros rushed out of the water. “What is it?” Lynch asked in Portuguese.

“Trouble,” a Kuikuro replied.

The Indians began to run toward the village, and Lynch and his son followed, branches ricocheting in their faces. When they arrived, a member of their expedition approached them. “What's happening?” Lynch asked.

“They're surrounding our camp.”

Lynch could see more than two dozen Indian men, presumably from neighboring tribes, rushing toward them. They, too, had heard the sound of the arriving plane. Many wore black and red paint slashed across their naked bodies. They carried bows with six-foot arrows, antique rifles, and spears. Five of Lynch's men darted toward the plane. The pilot was still in the cockpit, and the five jumped into the cabin, though it was designed for only four passengers. They shouted for the pilot to take off, but he didn't seem to realize what was happening. Then he looked out the window and saw several Indians hurrying toward him, aiming their bows and arrows. As the pilot started the engine, the Indi ans grabbed onto the wings, trying to keep the plane grounded. The pilot, concerned that the plane was dangerously heavy, threw whatever he could find out the window-clothes and papers, which twirled in the propellers' thrust. The plane rumbled down the makeshift runway, bouncing and roaring and swerving between trees. Just before the wheels lifted off, the last of the Indians let go.

Lynch watched the plane disappear, red dust from its wake swirling around him. A young Indian, whose body was covered in paint and who seemed to be leading the assault, stepped toward Lynch, waving a borduna, a four-foot-long club that warriors used to smash their enemies' heads. He herded Lynch and the eleven remaining members of his team into small boats. “Where are you taking us?” Lynch asked.

“You are our prisoners for life,” the young man responded.

James, Jr., fingered the cross around his neck. Lynch had always believed that there was no adventure until, as he put it, “shit happens.” But this was something he had never anticipated. He had no backup plan, no experience to call upon. He didn't even have a weapon.

He squeezed his son's hand. “Whatever happens,” Lynch whispered, “don't do anything unless I tell you.”

The boats turned off the major river and down a narrow stream. As they floated farther into the jungle, Lynch surveyed the surroundings-the crystal clear water filled with rainbow-colored fish, the increasingly dense thicket of vegetation. It was, he thought, the most beautiful place he had ever seen.

Every quest, we are led to believe, has a romantic origin. Yet, even now, I can't provide a good one for mine.

Let me be clear: I am not an explorer or an adventurer. I don't climb mountains or hunt. I don't even like to camp. I stand less than five feet nine inches tall and am nearly forty years old, with a blossoming waistline and thinning black hair. I suffer from keratoconus-a degenerative eye condition that makes it hard for me to see at night. I have a terrible sense of direction and tend to forget where I am on the subway and miss my stop in Brooklyn. I like newspapers, take-out food, sports highlights (recorded on TiVo), and the air-conditioning on high. Given a choice each day between climbing the two flights of stairs to my apartment and riding the elevator, I invariably take the elevator.

But when I'm working on a story things are different. Ever since I was young, I've been drawn to mystery and adventure tales, ones that had what Rider Haggard called “the grip.” The first stories I remember being told were about my grandfather Monya. In his seventies at the time, and sick with Parkinson's disease, he would sit trembling on our porch in Westport, Connecticut, looking vacantly toward the horizon. My grandmother, meanwhile, would recount memories of his adventures. She told me that he had been a Russian furrier and a freelance National Geographic photographer who, in the 1920s, was one of the few Western cameramen allowed into various parts of China and Tibet. (Some relatives suspect that he was a spy, though we have never found any evidence to support such a theory.) My grandmother recalled how, not long before their wedding, Monya went to India to purchase some prized furs. Weeks went by without word from him. Finally, a crumpled envelope arrived in the mail. There was nothing inside but a smudged photograph: it showed Monya lying contorted and pale under a mosquito net, racked with malaria. He eventually returned, but, because he was still convalescing, the wedding took place at a hospital. “I knew then I was in for it,” my grandmother said. She told me that Monya became a professional motorcycle racer, and when I gave her a skeptical look she unwrapped a handkerchief, revealing one of his gold medals. Once, while in Afghanistan collecting furs, he was driving through the Khyber Pass on a motorcycle with a friend in a sidecar when his brakes failed. “As the motorcycle was spinning out of control, your grandfather said goodbye to his friend,” my grandmother recalled. “Then Monya spotted some men doing construction on the road; beside them was a big mound of dirt, and he steered right for it. Your grandfather and his friend were catapulted into it. They broke some bones, nothing worse. Of course, that never stopped your grandfather from riding again.”

For me, the most amazing part of these adventures was the figure at the center of them. I had known my grandfather only as an old man who could barely walk. The more my grandmother told me about him, the hungrier I became for details that might help me understand him; still, there was an element about him that seemed to elude even my grandmother. “That's just Monya,” she'd say, with a wave of her hand.

When I became a reporter, I was drawn to stories that put you in “the grip.” In the 1990s, I worked as a congressional correspondent, but I kept wandering off my beat to investigate stories about con men, mobsters, and spies. While most of my articles seem unrelated, they typically have one common thread: obsession. They are about ordinary people driven to do extraordinary things-things that most of us would never dare-who get some germ of an idea in their heads that metastasizes until it consumes them.

I have always thought that my interest in these people is merely professional: they provide the best copy. But at times I wonder whether I'm more similar to them than I care to believe. Reporting involves an endless quest to ferret out details, in the hopes of discovering some hidden truth. To my wife's chagrin, when I work on stories, I tend to lose sight of everything else. I forget to pay bills or to shave. I don't change my clothes as often as I should. I even take risks that I never would otherwise: crawling hundreds of feet beneath the streets of Manhattan with tunnel diggers known as sandhogs or riding in a skiff with a giant-squid hunter during a violent storm. After I returned from the boat trip, my mother said, “You know, you remind me of your grandfather.”