Бен Уилсон - Метрополис. Город как величайшее достижение цивилизации

Anon., Ten Years of Imperialism in France: impressions of a Flâneur (London, 1862), p. 30.

Harvey Levenstein, Seductive Journey: American tourists in France from Jefferson to the Jazz Age (Chicago, 1998), p. 57; David Harvey, Paris: capital of modernity (NY, 2006), pp. 32–3.

Gregory Shaya, ‘The Flâneur, the Badaud, and the Making of a Mass Public in France, circa 1860–1910’, American Historical Review, 109:1 (February 2004), 50; T. J. Clark, The Painting of Modern Life: Paris in the art of Manet and his followers (London, 1990), p. 33.

Anna Jameson, Diary of an Ennuyée (Boston, MA, 1833), p. 6; Shaya, passim.

И в русском тоже, поэтому оно заимствовано из французского и в английский, и в русский.

Christopher E. Fort, The Dreyfus Affair and the Crisis of French Manhood (Baltimore, 2004), p. 107; Honoré de Balzac, The Physiology of Marriage, Part 1, Meditation 3; Charles Baudelaire, The Painter of Modern Life and Other Essays, trans. Jonathan Mayne (NY, 1986), p. 9.

Thompson, 532, n.34; Shaya, 51; Balzac, 1:3.

Ten Years of Imperialism , preface; Susan Sontag, On Photography (London, 1979), p. 55.

Jordan (1995), pp. 50ff, 166–7; David H. Pinkney, ‘Napoleon III’s Transformation of Paris: the origins and development of the idea’, Journal of Modern History, 27:2 (June 1955), 125–34.

Patrice de Moncan, Le Paris d’Haussmann (Paris, 2002), p. 28.

Jordan (1995), pp. 186ff.

Colin Jones, ‘Theodore Vacquer and the Archaeology of Modernity in Haussmann’s Paris’, Transactions of the Royal Historical Society, 6th series, 17 (2007), 167; Ten Years of Imperialism, p. 7; David P. Jordan, ‘Baron Haussmann and Modern Paris’, The American Scholar, 61:1 (Winter 1992), 105ff.

Jordan (1995), pp. 265, 290.

Ibid., pp. 198ff.

Почти 132 километра.

1609 километров.

Donald L. Miller, City of the Century: the epic of Chicago and the making of America (NY, 1996), pp. 124–7.

Jordan (1995), p. 274.

18,2 кв. километра.

De Moncan, p. 107.

Elaine Denby, Grand Hotels: reality and illusion (London, 1998), p. 84.

Michael B. Miller, The Bon Marché: bourgeois culture and the department store 1869–1920 (Princeton, 1981); Meredith L. Clausen, ‘Department Stores and Zola’s “Cathédrale du Commerce Moderne”’, Notes in the History of Art , 3:3 (Spring 1984), 18–23; Robert Procter, ‘Constructing the Retail Monument: the Parisian department store and its property, 1855–1914’, Urban History , 33:3 December 2006), 393–410.

Galignani’s New Paris Guide (Paris, 1860), p. 13.

Jan Palmowski, ‘Travels with Baedeker: the guidebook and the middle classes in Victorian and Edwardian Britain’, in Rudy Koshar (ed.), Histories of Leisure (Oxford, 2002).

London & Partners, ‘London Tourism Report 2014–2015’, https://files.londonandpartners.com/l-and-p/assets/our-insight-london-tourism-review-2014–15.pdf.

Pierre Larousse, Grand Dictionnaire Universel (Paris, 1872), Vol. VIII, p. 436.

Robert L. Herbert, Impressionism: art, leisure and Parisian society (New Haven, 1988), p. 21.

Трещины по красочному слою в масляной живописи.

Jordan (1995), p. 348; Clark, pp. 34–5; Herbert, p. 15.

Clark, p. 29.

Clark, p. 207; Herbert, pp. 33, 58, 66.

Ibid., p. 35.

Katherine Golsan, ‘The Beholder as Flâneur: structures of perception in Baudelaire and Manet’, French Forum, 21:2 (May 1996), 183.

Herbert, pp. 50ff.

Clark, p. 253.

Ibid., pp. 72ff.

Aruna D’Souza and Tom McDonough (eds.), The Invisible Flâneuse? Gender, public space, and visual culture in nineteenth century Paris (Manchester, 2006).

Clark, p. 208; Ruth E. Iskin, ‘Selling, Seduction, and Soliciting the Eye: Manet’s bar at the Folie-Bergère’, Art Bulletin 77:1 (Mar. 1995), 35.

Британская сеть ресторанов, основана в 1884 году.

Markman Ellis, The Coffee-House: a cultural history (London, 2004), pp. 201–11; Krista Lysack, Come Buy, Come Buy: shopping and the culture of consumption in Victorian women’s writing (Athens, OH, 2008), pp. 19ff.

Anne Friedberg, ‘Les Flâneurs du Mal (l): cinema and the postmodern condition’, PMLA, 106:3 (May 1991), 425.

В библиографии Гаскелл нет такого романа, есть роман «Мэри Бартон».

Louis Aragon, Paris Peasant, trans. Simon Watson Taylor (Boston, MA, 1994), p. viii.

1,6 на 2,4 километра.

The Notebooks of Henry James , eds. F. O. Matthiessen and Kenneth B. Murdock (Chicago, 1947), p. 28.

Автор обыгрывает английское словосочетание street walker (в переносном значении «проститутка»).

Rebecca Solnit, Wanderlust: a history of walking (London, 2001), p. 204; Mary Higgs, Glimpses into the Abyss (London, 1906), p. 94; Deborah Epstein Nord, Walking the Victorian Streets: women, representation and the city (Ithaca, 1995); Judith R. Walkowitz, City of Dreadful Delight: narratives of sexual danger in late-Victorian London (Chicago, 1992); Lynda Nead, Victorian Babylon: people, streets and images in nineteenth-century London (New Haven, 2000).

Janet Wolff, ‘The Invisible Flâneuse : women and the literature of modernity’, in Feminine Sentences: essays on women and culture (Cambridge, 1990); Jane Rendell, Barbara Penner and Iain Borden (eds.), Gender Space Architecture: an interdisciplinary introduction (London, 2000), p. 164.

Lily Gair Wilkinson, Woman’s Freedom (London, 1914); Kathy E. Ferguson, ‘Women and the Politics of Walking’, Political Research Quarterly, 70:4 (December 2017), 708–19.

Можно перевести как «уличная навязчивость», «уличное преследование», «уличное явление».