Генри Хаггард - Cleopatra

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Haggard tells the story of Cleopatra from the viewpoint of an Ancient Egyptian priest who is given the responsibility of overthrowing the supposed impostor Cleopatra. Haggard, who often employed hints of adventure and exoticism, portrayed Cleopatra as witty and devious, and she has an overwhelming presence that all can feel. Cleopatra, like the other characters, is both good and evil at the same time; forcing readers to both empathize and despise her. Thought provoking and beautifully illustrated, this classic tale captures the imagination of readers of all ages and inspires a love of literature and reading.

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All is written; I have held back nothing—my sin is sinned—my vengeance is finished. Now all things end in darkness and in ashes, and I prepare to face the terrors that are to come in other worlds than this. I go, but not without hope I go: for, though I see Her not, though no more She answers to my prayers, still I am aware of the Holy Isis, who is with me for evermore, and whom I shall yet again behold face to face. And then at last in that far day I shall find forgiveness; then the burden of my guilt will roll from me and innocency come back and wrap me round, bringing me holy Peace.

Oh! dear land of Khem, as in a dream I see thee! I see Nation after Nation set its standard on thy shores, and its yoke upon thy neck! I see new Religions without end calling out their truths upon the banks of Sihor, and summoning thy people to their worship! I see thy temples—thy holy temples—crumbling in the dust: a wonder to the sight of men unborn, who shall peer into thy tombs and desecrate the great ones of thy glory! I see thy mysteries a mockery to the unlearned, and thy wisdom wasted like waters on the desert sands! I see the Roman Eagles stoop and perish, their beaks yet red with the blood of men, and the long lights dancing down the barbarian spears that follow in their wake! And then, at last, I see Thee once more great, once more free, and having once more a knowledge of thy Gods—ay, thy Gods with a changed countenance, and called by other names, but still thy Gods!

The sun sinks over Abouthis. The red rays of Ra flame on temple roofs, upon green fields, and the wide waters of father Sihor. So as a child I watched him sink; just so his last kiss touched the further pylon's frowning brow; just that same shadow lay upon the tombs. All is unchanged! I—I only am changed—so changed, and yet the same!

Oh, Cleopatra! Cleopatra! thou Destroyer! if I might but tear thy vision from my heart! Of all my griefs, this is the heaviest grief—still must I love thee! Still must I hug this serpent to my heart! Still in my ears must ring that low laugh of triumph—the murmur of the falling fountain—the song of the nightinga―

[Here the writing on the third roll of papyrus abruptly ends. It would almost seem that the writer was at this moment broken in upon by those who came to lead him to his doom.]

Примечания

1

This, I take it, is a portrait of Amenemhat himself.— Editor.

2

Doubtless Amenemhat and his wife.—Editor.

3

This roll contained the third unfinished book of the history. The other two rolls were neatly fastened in the usual fashion. All three are written by one hand in the Demotic character.—Editor.

4

This accounts for the gaps in the last sheets of the second roll. —Editor.

5

The Egyptian Hades or Purgatory.—Editor.

6

The Egyptian Parcæ or Fates .—Editor.

7

The soul when it has been absorbed in the Godhead.—Editor.

8

The dog–star, whose appearance marked the commencement of the overflow of the Nile.—Editor.

9

For a somewhat similar definition of the Godhead see the funeral papyrus of Nesikhonsu, a Princess of the Twenty– first Dynasty.—Editor.

10

According to the Egyptian religion the being Man is composed of four parts: the body, the double or astral shape ( ka ), the soul ( bi ), and the spark of life sprung from the Godhead ( khou ).—Editor.

11

A musical instrument peculiarly sacred to Isis of which the shape and rods had a mystic significance.—Editor.

12

In Ancient Egypt an unskilful or negligent physician was liable to very heavy penalties.—Editor.

13

Alluding to his name. Harmachis was the Grecian title of the divinity of the Sphinx, as Horemkhu was the Egyptian.— Editor.

14

Papyrus was manufactured from the pith of rushes. Hence Atoua's saying.—Editor.

15

In other words, what is Divine is beyond the reach of human praise.—Editor.

16

The "Upper," now known as the Third Pyramid.—Editor.

17

That is, "Horus on the horizon"; and signifies the power of Light and Good overcoming the power of Darkness and Evil incarnate in his enemy, Typhon.—Editor.

18

About forty thousand pounds of our money.—Editor.

19

Referring to the Roman custom of chaining a living felon to the body of one already dead.—Editor.

20

About eight thousand pounds of English money.—Editor.

21

Thebes.—Editor.

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