R. LaFevers - Theodosia and the Serpents of Chaos

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From School Library Journal
From Booklist Grade 4–8—A combination of Nancy Drew and Indiana Jones, Theo Throckmorton is in big trouble. The 11-year-old lives in London in 1906 and spends most of her time in an antiquities museum headed by her father and filled with objects from her mother’s archaeological expeditions to Egypt. Bossy, clever, and learned in the lore of ancient Egypt, the girl constantly worries that the work-obsessed parents who ignore and neglect her will be destroyed by virulent ancient curses that only she can detect. When her mother returns from her latest trip with an amulet inscribed with curses so powerful they could unleash the Serpents of Chaos and destroy the British Empire, Theo finds herself caught up in a web of intrigue and danger. It pits her, along with some unexpected allies, against German operatives trying to use the scarab as a weapon in their political and economic rivalry with England. Theo must draw on all her resources when she confronts her enemies alone, deep in an Egyptian tomb. There, she makes some surprising discoveries, both personal and archaeological. Vivid descriptions of fog-shrouded London and hot, dusty Cairo enhance the palpable gothic atmosphere, while page-turning action and a plucky, determined heroine add to the book’s appeal. Unfortunately, Theo’s narrative voice lurches between the diction of an Edwardian child and that of a modern teen. The ambiguous ending, with its hints at the approaching World War, seems to promise a sequel. A fine bet for a booktalk to classes studying ancient Egypt.
— Margaret A. Chang, Massachusetts College of Liberal Arts, North Adams
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Starred Review “You’d be surprised by how many things come into the museum loaded with curses — bad ones,” says 11-year-old Theodosia, whose parents run London’s Museum of Legends and Antiquities. The twentieth century has just begun, and Theodosia’s mum, an archaeologist, has recently returned from Egypt with crates of artifacts. Only Theodosia can feel the objects’ dark magic, which, after consulting ancient texts, she has learned to remove. Then a sacred amulet disappears, and during her search, Theodosia stumbles into a terrifying battle between international secret societies. Readers won’t look to this thrilling adventure for subtle characterizations (most fit squarely into good and evil camps) or neat end-knots in the sprawling plot’s many threads. It’s the delicious, precise, and atmospheric details (nicely extended in Tanaka’s few, stylized illustrations) that will capture and hold readers, from the contents of Theodosia’s curse-removing kit to descriptions of the museum after hours, when Theodosia sleeps in a sarcophagus to ward off the curses of “disgruntled dead things.” Kids who feel overlooked by their own distracted parents may feel a tug of recognition as Theodosia yearns for attention, and those interested in archaeology will be drawn to the story’s questions about the ownership and responsible treatment of ancient artifacts. A sure bet for Harry Potter fans as well as Joan Aiken’s and Eva Ibbotson’s readers. This imaginative, supernatural mystery will find word-of-mouth popularity.
Gillian Engberg Copyright © American Library Association. All rights reserved

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“At the moment she seems to,” I muttered. “Now, what did you find out?”

“The bloke made ’is way to some digs on Carleton Terrace Gardens.”

“Carleton Terrace! Isn’t that right next to the German Embassy?” Did that mean this skulky fellow was a German? And why would a German be following Mum? Or care so much about her trunks?

The urchin shrugged. “I just follows ’em, miss. I don’t tell ’em where to go.” His eyes darted over my shoulder, then back at me. “We’re even now, right miss?”

“Yes, I suppose—”

“Got to go,” he said, turning to dart back into the crowd.

“Wait a minute,” I said. “How can I find you?”

The urchin grinned, revealing a missing tooth. “I’m usually here most days.” He glanced over my shoulder one more time, then was gone, disappearing into the crowd. I was surprised at how alone I felt all of a sudden. A person could get used to having an ally.

Just then I heard an all too familiar voice behind me. “Does Father know about this?”

Slowly, I turned around. “Henry. You’re home.” I tried to keep the disappointment out of my voice. Well, I tried a little. Why couldn’t he be helpful like Sticky Will?

“Are you so desperate for friends that you’re picking up strays?”

My face grew hot and I clenched my fists to keep from socking him. “I have plenty of friends,” I spluttered.

“Really? Who? A scrawny cat? Flimp? A boring curator you make cow eyes at?”

“I do not make cow eyes at him!”

“Street urchins?”

“Oh, shut up. I do too have friends.” I did. Really. Sticky Will was my ally, wasn’t he? Or was he just a pickpocket hoping for another pasty? Oh, who needs friends anyway? “Where are Mother and Father?”

“Getting my luggage. They told me to run on ahead and see if I could find you.”

Behind him, I saw my parents making their way through the crowd, along with a porter juggling Henry’s luggage. “How many days’ break do you get this winter?” I asked.

“Three weeks,” Henry said. “And if you’re snotty to me, I’ll make sure they put you on a train to school when they send me back.”

The cad.

* * *

After we picked Henry up from the train station we went directly home to our house on Chesterfield Street. It was wonderful to be home! Thick curtains and even thicker carpets kept all the drafts away and there was a fire burning in every room in the house. Cook, relieved to have something to do, made a fabulous dinner of steak and kidney pie, and even Henry wasn’t too much of a bore.

Then, after dinner who should show up but Uncle Andrew, Mum’s brother and my favorite uncle in all the world. Of course, the townhouse was much too cramped for all of us so Mum and Dad made a last-minute decision to go to the country. We all packed like madmen, bundled up, and piled into a carriage that carried us off to our home in Surrey. I have to say, I think it was the best Christmas ever! Except for the rain.

The only awkward bit was when Mother and Father opened their presents from me. They tried to be polite, but I saw the puzzled looks they exchanged when they thought I wasn’t looking. I’d made them each an amulet. Of protection. To be worn when we’re at the museum. Honestly. You’d think they’d have sorted this stuff out by now.

Uncle Andrew showed me how to throw knives that afternoon. We didn’t tell Mum. She got angry enough last year when he showed me how to shoot clay pigeons with a shotgun. I landed flat on my backside in the muddy slush with a bruise the size of a pudding on my right shoulder. But I blew that clay pigeon to smithereens. I don’t know why Mum got so upset. According to Uncle Andrew she’s a crack shot herself. But she says I’m too young. What I’d like to know is how old does a person have to be before they get to do all the fun stuff?

The Same but Different

USUALLY WHEN I RETURN TO THE MUSEUM after a long absence it feels like Im - фото 13

USUALLY WHEN I RETURN TO THE MUSEUM after a long absence, it feels like I’m being welcomed by an old friend. All the creaks and groans seem cheerful. As if the wraiths and spirits are relieved to have me back, as if they liked having someone around who was aware of their existence.

But not today.

Today, the minute I stepped foot into the building, it felt different. Colder. More still. As if everything were holding its breath. I gazed around the vast main hall, peering up into the small balconies and archways that lined the stone walls, but saw nothing out of the ordinary.

It was unsettling, to say the least.

When I set my valise down on the tiled floor, the soft click echoed down the chamber and disappeared into utter silence. Father started to walk around me, but I put out my hand to stop him. “Do you notice anything?”

He scowled at me, then concentrated a moment. “No,” he said, rather crisply. “Nothing. The only thing I notice is that you’re about to go off on one of your tangents. I’m warning you, Theodosia.”

Father turned toward the stairs and tripped over my valise. “What in heaven’s name is that?”

“Just a few things I brought with me. Supplies, that sort of thing.” Clean clothes, to be exact. Just in case we got stuck at the museum for days on end again.

“Hmph,” he growled, then strode out of the foyer toward the stairs that led up to his workroom.

I heaved a sigh, then looked away from Father to find Henry grinning at me. “You made a good impression on him, there, Theo.”

I glared at him. “Yes, almost as good an impression as you made when you tried to light the gaslight at home with your finger and nearly burned your hand off.”

Henry kicked halfheartedly at my bag. “It was supposed to be an experiment. On static electricity.”

Henry looked so dejected I was almost sorry I’d brought it up. But really, I didn’t need Henry to remind me how iffy my position was. It wouldn’t take much for Father to decide I was suffering from nerves or some equal nonsense and pack me off to some cold gray school to cure me of them.

I left Henry in the foyer studying his bandaged finger and went up to the second floor to stash my case in my closet. Then I went up to the third floor and the Ancient Egypt Exhibit, curious to see if I could work out what was making the museum feel so wrong. Besides, if I pretended I wasn’t really looking for Isis, maybe I’d have a chance of finding her.

When I was halfway up the stairs, a voice behind me made me jump.

“So what is wrong?” It was Henry.

“As if I’d tell you, you little beast. You’d be off to Father in a minute flat, tattling and trying to get me locked up in another of those hideously boring schools.”

“They’re not so hideous. They’ve got sports, you know. Besides, maybe I won’t tattle. Not if you make it worth my while,” he said.

I stopped and whirled around to face him. “And why would I want to do that?”

“If you tell me what’s wrong, I’ll even try to help you work out what’s going on.”

“I don’t need your help to work out anything.”

Henry’s face fell and I immediately felt awful. Then I had a brilliant idea. What if the reason Henry hated the museum was because he could sense all the black magic? He was my brother, after all. Shouldn’t we share the same traits, just like we share the same eye color (hazel, if you’re wondering)? “Actually, there is something you can help me with,” I told him. “But keep your voice down and your hands in your pockets.”

He muttered something about bossing not being part of the deal and shuffled along after me.

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