Konstantin Krokhmal - Gardener. Secrets of the Ottoman house

Иллюстратор Konstantin Krokhmal

Дизайнер обложки Konstantin Krokhmal

Фотограф Konstantin Krokhmal

© Konstantin Krokhmal, 2017

© Konstantin Krokhmal, иллюстрации, 2017

© Konstantin Krokhmal, дизайн обложки, 2017

© Konstantin Krokhmal, фотографии, 2017

ISBN 978-5-4485-5252-6

Создано в интеллектуальной издательской системе Ridero

Many know me as a public figure, an auto expert, a journalist, a participant in television and radio programs. Today I am opening up for you on a newer side, as a writer. Possessing a huge amount of information, historical facts, I do not use them in full, except that I sometimes quote the classics in speeches before citizens, on television, radio, etc. Only a few of my close associates know my hobby – to write stories and novels. I write in the new, and more correctly, in a transformed style of an active story based on a real story or a little-known historical fact. I try to describe the events in an exciting manner from the first lines of the narrative. I would call my style a story-track or a story-composition.

I have long wondered why we listen to the song we liked a few times in a row. Why does not it bother us?

And all because a good song every time gives us a feeling of familiar novelty.

Have you re-read a story or a story for a long time?

In my opinion, an interesting and intelligent book should be read several times in a row, fueled by emotions and getting a charge of energy. I hope that this my story «The Gardener» will take a place in your library and will be among the books that will want to reread, reside and empathize with its heroes.

I specially designate and describe my characters with special touches, and already you, my dear reader, visualize the image of the hero and imagine exactly how it looks. I give a guide, and already the integrity of the picture is formed in everyone’s own, according to your imagination.

In my works, I do not claim 100% historical certainty, but only try to reconstruct events, and I myself live with my characters specific life situations.

I specially write compact, but capacious stories. My goal is to make them dynamic, easy to read and kept in suspense until the very last line. The ending of most of the works will surprise you.

I purposefully try to include in my stories a maximum of facts, so that you can add to the baggage of your knowledge, for knowledge, like health, is never superfluous.

I do not cunning, saying that my stories have a good therapeutic effect, in order to tap into those parts of the brain that are responsible for the flexibility of thought. Checked experimentally: I want to reread my works, and they give a charge of mental activity.

In my opinion, these stories are ideal for preparing a script and shooting an exciting movie. If among the readers there is a knowledgeable person, I will be glad to cooperate.

In the story there is a special terminology of that time, of that era, and at the end of the book in the Notes section, detailed explanations are given so that you can more fully understand the details of the narrative.

In my table there is a large number of similar works of various themes: from serfdom to World War II and the modern era. All of them are planned for publication, as they are ready for printing.

I will be glad if you liked my book, and you have spent your time and have learned a lot of new things.

Enjoy reading!

With sincere respect for you, my dear readers!

Yours, Konstantin Krokhmal.

web-site: krohmal.ru

– —

One is the gardener, the other is the Vizier. The capricious will of the Great Sultan reduces them one by one, and they begin a deadly race for survival. Who of them is a hunter, and who is a victim, will decide Fate. All this happens under the unflinching gaze of the Lord of the Osman and thousands of secret spectators.

Who will win? A human machine trained to kill, or a civil servant who has passed through all circles of hell, who has many years of experience of survival in difficult situations behind his back?

The result of the duel you will learn, after reading my new book «The Gardener», which is based on real historical events.

I wish you a successful hunt!

Konstantin Krokhmal, the author.

Semi-bent scissors, which resembled two medium sized knives, fastened in the middle, slowly stuck into the green flesh of a plant with triangular sharp spikes. A long stalk cut off at an angle, with a huge half-blown scarlet bud, fell into an outstretched broad palm in a worn leather glove. Picked up like a real juggler, the flower, turning in the palm of his hand, smoothly moved into a nearby bronze jug, almost completely filled with the same red roses.

– Here they are, beauties, exactly 41 pieces, – the man with a strong look whispered softly in a velvety voice and, looking up, looked at the dome, which was painted in a bright red color, with a burning crescent moon peeping out from the high, flat wall that had been recently painted in White color.

The Sultan’s Topkapi Palace 1 in Istanbul met the next dawn.

– Today is a great day, today is the birthday of the Lord, may Allah keep his soul! – he already spoke louder, taking off his gloves and neatly laying the scissors in a small wooden box with a wide leather belt.

Then the man looked cautiously around, as if frightened of someone.

But there was not a soul around. In Harem, located in a special building, the entrance to which was at the end of the second courtyard of the richly decorated «Gate of Happiness» 2 , woke up late, despite the huge number of women. It was the most inaccessible yard for strangers. To see even one of the many concubines was deadly dangerous. Any outsider, who even glanced at the Sultan’s concubine with one eye, was executed on the spot.

The gardener hurriedly hung the belt with a drawer over his shoulder, took a jug of roses with both hands and headed for the exit from the garden. He carefully concealed from his outsiders his secret that, despite the strict prohibition, he was very fond of talking. Yes, it’s hard to believe that life in such a luxurious palace could be very heavy and gloomy. Even the great Sultan Selim the Terrible 3 was compelled to obey the ancient custom and speak extremely seldom, since verbosity was considered very indecent, and for communication a special form of language was introduced-the system of nods and gestures. So it was established long ago, and the ruler of a huge empire was forced to spend most of his time in complete silence. He repeatedly tried to abolish this restriction, but his viziers flatly refused to lift the ban on conversations, arguing the inviolability of the canons established earlier.