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Tennessee Williams: A Streetcar Named Desire

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Tennessee Williams A Streetcar Named Desire

A Streetcar Named Desire: краткое содержание, описание и аннотация

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It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s. Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire. This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.

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Wonderful, honey. I don't like a bed that gives much. But there's no door between the two rooms, and Stanley--will it be decent?

STELLA:

Stanley is Polish, you know.

BLANCHE:

Oh, yes. They're something like Irish, aren't they?

STELLA:

Well--

BLANCHE:

Only not so--highbrow?

[They both laugh again in the same way.]

I brought some nice clothes to meet all your lovely friends in.

STELLA:

I'm afraid you won't think they are lovely.

BLANCHE:

What are they like?

STELLA:

They're Stanley's friends.

BLANCHE:

Polacks?

STELLA:

They're a mixed lot, Blanche.

BLANCHE:

Heterogeneous--types?

STELLA:

Oh, yes. Yes, types is right!

BLANCHE:

Well--anyhow--I brought nice clothes and I'll wear them. I guess you're hoping I'll say I'll put up at a hotel, but I'm not going to put up at a hotel. I want to be near you, got to be with somebody, I can't be alone! Because--as you must have noticed--I'm-not very well....

[Her voice drops and her look is frightened.]

STELLA:

You seem a little bit nervous or overwrought or something.

BLANCHE:

Will Stanley like me, or will I just be a visiting in-law, Stella? I couldn't stand that

STELLA:

You'll get along fine together, if you'll just try not to--well--compare him with men that we went out with at home.

BLANCHE:

Is he so--different?

STELLA:

Yes. A different species.

BLANCHE:

In what way; what's he like?

STELLA:

Oh, you can't describe someone you're in love with! Here's a picture of him!

[She hands a photograph to Blanche.]

BLANCHE:

An officer?

STELLA:

A Master Sergeant in the Engineers' Corps. Those are decorations!

BLANCHE:

He had those on when you met him?

STELLA:

I assure you I wasn't just blinded by all the brass.

BLANCHE:

That's not what I--

STELLA:

But of course there were things to adjust myself to later on.

BLANCHE:

Such as his civilian background!

[Stella laughs uncertainly]

How did he take it when you said I was coming?

STELLA:

Oh, Stanley doesn't know yet.

BLANCHE [frightened]:

You--haven't told him?

STELLA:

He's on the road a good deal.

BLANCHE:

Oh. Travels?

STELLA:

Yes.

BLANCHE:

Good. I mean--isn't it?

STELLA [half to herself]:

I can hardly stand it when he is away for a night...

BLANCHE:

Why, Stella!

STELLA:

When he's away for a week I nearly go wild!

BLANCHE:

Gracious!

STELLA:

And when he comes back I cry on his lap like a baby...

[She smiles to herself.]

BLANCHE:

I guess that is what is meant by being in love....

[Stella looks up with a radiant smile.]

Stella--

STELLA:

What?

BLANCHE [in an uneasy rush]:

I haven't asked you the things you probably thought I was going to ask. And so I'll expect you to be understanding about what I have to tell you.

STELLA:

What, Blanche?

[Her face turns anxious.]

BLANCHE:

Well, Stella--you're going to reproach me, I know that you're bound to reproach me--but before you do--take into consideration--you left! I stayed and struggled! You came to New Orleans and looked out for yourself. I stayed at Belle Reve and tried to hold it together! I'm not meaning this in any reproachful way, but all the burden descended on my shoulders.

STELLA:

The best I could do was make my own living, Blanche.

[Blanche begins to shake again with intensity.]

BLANCHE:

I know, I know. But you are the one that abandoned Belle Reve, not I! I stayed and fought for it, bled for it, almost died for it!

STELLA:

Stop this hysterical outburst and tell me what's happened! What do you mean fought and bled? What kind of--

BLANCHE:

I knew you would, Stella. I knew you would take this attitude about it!

STELLA:

About--what?--please!

BLANCHE [slowly]:

The loss--the loss...

STELLA:

Belle Reve? Lost, is it? No!

BLANCHE:

Yes, Stella.

[They stare at each other across the yellow-checked linoleum of the table. Blanche slowly nods her head and Stella looks slowly down at her hands folded on the table. The music of the "blue piano" grows louder. Blanche touches her handkerchief to her forehead.]

STELLA:

But how did it go? What happened?

BLANCHE [springing up]:

You're a fine one to ask me how it went!

STELLA:

Blanche!

BLANCHE:

You're a fine one to sit there accusing me of it!

STELLA:

Blanche!

BLANCHE:

I, I, I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, mother! Margaret, that dreadful way! So big with it, it couldn't be put in a coffin! But had to be burned like rubbish! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths--not always. Sometimes their breathing is hoarse, and sometimes it rattles, and sometimes they even cry out to you, "Don't let me go!" Even the old, sometimes, say, "Don't let me go." As if you were able to stop them! But funerals are quiet, with pretty flowers. And, oh, what gorgeous boxes they pack them away in! Unless you were there at the bed when they cried out, "Hold me!" you'd never suspect there was the struggle for breath and bleeding. You didn't dream, but I saw! Saw! Saw! And now you sit there telling me with your eyes that I let the place go! How in hell do you think all that sickness and dying was paid for? Death is expensive, Miss Stella! And old Cousin Jessie's right after Margaret's, hers! Why, the Grim Reaper had put up his tent on our doorstep!... Stella. Belle Reve was his headquarters! Honey--that's how it slipped through my fingers! Which of them left us a fortune? Which of them left a cent of insurance even? Only poor Jessie--one hundred to pay for her coffin. That was all, Stella! And I with my pitiful salary at the school. Yes, accuse me! Sit there and stare at me, thinking I let the place go! I let the place go? Where were you! In bed with your--Polack!

STELLA [springing]:

Blanche! You be still! That's enough!

[She starts out.]

BLANCHE:

Where are you going?

STELLA:

I'm going into the bathroom to wash my face.

BLANCHE:

Oh, Stella, Stella, you're crying!

STELLA:

Does that surprise you?

BLANCHE:

Forgive me--I didn't mean to--

[The sound of men's voices is heard. Stella goes into the bathroom, closing the door behind her. When the men appear, and Blanche realizes it must be Stanley returning, she moves uncertainly from the bathroom door to the dressing table, looking apprehensively toward the front door. Stanley enters, followed by Steve and Mitch. Stanley pauses near his door, Steve by the foot of the spiral stair, and Mitch is slightly above and to the right of them, about to go out. As the men enter, we hear some of the following dialogue.]

STANLEY:

Is that how he got it?

STEVE:

Sure that's how he got it. He hit the old weather-bird for 300 bucks on a six-number-ticket.

MITCH:

Don't tell him those things; he'll believe it.

[Mitch starts out.]

STANLEY [restraining Mitch]:

Hey, Mitch-come back here.

[Blanche, at the sound of voices, retires in the bedroom. She picks up Stanley's photo from dressing table, looks at it, puts it down. When Stanley enters the apartment, she darts and hides behind the screen at the head of bed.]

STEVE [to Stanley and Mitch]:

Hey, are we playin' poker tomorrow?

STANLEY:

Sure--at Mitch's.

MITCH [hearing this, returns quickly to the stair rail]:

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