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Tennessee Williams: A Streetcar Named Desire

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Tennessee Williams A Streetcar Named Desire

A Streetcar Named Desire: краткое содержание, описание и аннотация

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It is a very short list of 20th-century American plays that continue to have the same power and impact as when they first appeared—57 years after its Broadway premiere, Tennessee Williams' A Streetcar Named Desire is one of those plays. The story famously recounts how the faded and promiscuous Blanche DuBois is pushed over the edge by her sexy and brutal brother-in-law, Stanley Kowalski. Streetcar launched the careers of Marlon Brando, Jessica Tandy, Kim Hunter and Karl Malden, and solidified the position of Tennessee Williams as one of the most important young playwrights of his generation, as well as that of Elia Kazan as the greatest American stage director of the '40s and '50s. Who better than America's elder statesman of the theater, Williams' contemporary Arthur Miller, to write as a witness to the lightning that struck American culture in the form of A Streetcar Named Desire? Miller's rich perspective on Williams' singular style of poetic dialogue, sensitive characters, and dramatic violence makes this a unique and valuable new edition of A Streetcar Named Desire. This definitive new edition will also include Williams' essay "The World I Live In," and a brief chronology of the author's life.

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[Some moments later the Negro Woman appears around the corner with a sequined bag which the prostitute had dropped on the walk. She is rooting excitedly through it.]

[Blanche presses her knuckles to her lips and returns slowly to the phone. She speaks in a hoarse whisper.]

BLANCHE:

Operator! Operator! Never mind long-distance. Get Western Union. There isn't time to be--Western--Western Union!

[She waits anxiously.]

Western Union? Yes! I--want to--Take down this message! "In desperate, desperate circumstances! Help me! Caught in a trap. Caught in--" Oh!

[The bathroom door is thrown open and Stanley comes out in the brilliant silk pyjamas. He grins at her as he knots the tasseled sash about his waist. She gasps and backs away from the phone. He stares at her for a count of ten. Then a clicking becomes audible from the telephone, steady and rasping.]

STANLEY:

You left th' phone off th' hook.

[He crosses to it deliberately and sets it back on the hook. After he has replaced it, he stares at her again, his mouth slowly curving into a grin, as he weaves between Blanche and the outer door.

[The barely audible "blue piano" begins to drum up louder. The sound of it turns into the roar of an approaching locomotive. Blanche crouches, pressing her fists to her ears until it has gone by.]

BLANCHE [finally straightening]:

Let me--let me get by you!

STANLEY:

Get by me! Sure. Go ahead.

[He moves back a pace in the doorway.]

BLANCHE:

You--you stand over there!

[She indicates a further position.]

STANLEY [grinning]:

You got plenty of room to walk by me now.

BLANCHE:

Not with you there! But I've got to get out somehow!

STANLEY:

You think I'll interfere with you? Ha-ha!

[The "blue piano" goes softly. She turns confusedly and makes a faint gesture. The inhuman jungle voices rise up. He takes a step toward her, biting his tongue which protrudes between his lips.]

STANLEY [softly]:

Come to think of it--maybe you wouldn't be bad to--interfere with....

[Blanche moves backward through the door into the bedroom.]

BLANCHE:

Stay back! Don't you come toward me another step or I'll--

STANLEY:

What?

BLANCHE:

Some awful thing will happen! It will!

STANLEY:

What are you putting on now?

[They are now both inside the bedroom.]

BLANCHE:

I warn you, don't, I'm in danger!

[He takes another step. She smashes a bottle on the table and faces him, clutching the broken top.]

STANLEY:

What did you do that for?

BLANCHE:

So I could twist the broken end in your face!

STANLEY:

I bet you would do that!

BLANCHE:

I would! I will if you--

STANLEY:

Oh! So you want some rough-house! All right, let's have some rough-house!

[He springs toward her, overturning the table. She cries out and strikes at him with the bottle top but he catches her wrist.]

Tiger--tiger! Drop the bottle top! Drop it! We've had this date with each other from the beginning!

[She moans. The bottle top falls. She sinks to her knees. He picks up her inert figure and carries her to the bed. The hot trumpet and drums from the Four Deuces sound loudly.]

SCENE ELEVEN

It is some weeks later. Stella is packing Blanche's things. Sounds of water can be heard running in the bathroom. The portieres are partly open on the poker players--Stanley, Steve, Mitch and Pablo--who sit around the table in the kitchen. The atmosphere of the kitchen is now the same raw, lurid one of the disastrous poker night. The building is framed by the sky of turquoise. Stella has been crying as she arranges the flowery dresses in the open trunk. Eunice comes down the steps from her flat above and enters the kitchen. There is an outburst from the poker table.

STANLEY:

Drew to an inside straight and made it, by God.

PABLO:

Maldita sea to suerte!

STANLEY:

Put it in English, greaseball!

PABLO:

I am cursing your rutting luck.

STANLEY [prodigiously elated]:

You know what luck is? Luck is believing you're lucky. Take at Salerno. I believed I was lucky. I figured that 4 out of 5 would not come through but I would... and I did. I put that down as a rule. To hold front position in this rat-race you've got to believe you are lucky.

MITCH:

You... you... you... Brag... brag... bull... bull.

[Stella goes into the bedroom and starts folding a dress.]

STANLEY:

What's the matter with him?

EUNICE [walking past the table]:

I always did say that men are callous things with no feelings, but this does beat anything. Making pigs of yourselves.

[She comes through the portieres into the bedroom.]

STANLEY:

What's the matter with her?

STELLA:

How is my baby?

EUNICE:

Sleeping like a little angel. Brought you some grapes.

[She puts them on a stool and lowers her voice.] Blanche?

STELLA:

Bathing.

EUNICE:

How is she?

STELLA:

She wouldn't eat anything but asked for a drink.

EUNICE:

What did you tell her?

STELLA:

I--just told her that--we'd made arrangements for her to rest in the country. She's got it mixed in her mind with Shep Huntleigh.

[Blanche opens the bathroom door slightly.]

BLANCHE:

Stella.

STELLA:

Yes, Blanche?

BLANCHE:

If anyone calls while I'm bathing take the number and tell them I'll call right back.

STELLA:

Yes.

BLANCHE:

That cool yellow silk--the boucle. See if it's crushed. If it's not too crushed I'll wear it and on the lapel that silver and turquoise pin in the shape of a seahorse. You will find them in the heart-shaped box I keep my accessories in. And Stella... Try and locate a bunch of artificial violets in that box, too, to pin with the seahorse on the lapel of the jacket.

[She closes the door. Stella turns to Eunice.]

STELLA:

I don't know if I did the right thing.

EUNICE:

What else could you do?

STELLA:

I couldn't believe her story and go on living with Stanley.

EUNICE:

Don't ever believe it. Life has got to go on. No matter what happens, you've got to keep on going.

[The bathroom door opens a little.]

BLANCHE [looking out]:

Is the coast clear?

STELLA:

Yes, Blanche.

[To Eunice]

Tell her how well she's looking.

BLANCHE:

Please close the curtains before I come out.

STELLA:

They're closed.

STANLEY:

--How many for you?

PABLO:

--Two.

STEVE:

--Three.

[Blanche appears in the amber tight of the door. She has a tragic radiance in her red satin robe following the sculptural lines of her body. The "Varsouviana" rises audibly as Blanche enters the bedroom.]

BLANCHE [with faintly hysterical vivacity]:

I have just washed my hair.

STELLA:

Did you?

BLANCHE:

I'm not sure I got the soap out.

EUNICE:

Such fine hair!

BLANCHE [accepting the compliment]:

It's a problem. Didn't I get a call?

STELLA:

Who from, Blanche?

BLANCHE:

Shep Huntleigh....

STELLA:

Why, not yet, honey!

BLANCHE:

How strange! I--

[At the sound of Blanche's voice Mitch's arm supporting his cards has sagged and his gaze is dissolved into space. Stanley slaps him on the shoulder.]

STANLEY:

Hey, Mitch, come to!

[The sound of this new voice shocks Blanche. She makes a shocked gesture, forming his name with her lips. Stella nods and looks quickly away. Blanche stands quite still for some moments--the silver-backed mirror in her hand and a look of sorrowful perplexity as though all human experience shows on her face. Blanche finally speaks but with sudden hysteria.]

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