Brian Lane - Mind Games with a Serial Killer

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Mind Games with a Serial Killer: краткое содержание, описание и аннотация

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Updated and Revised 2015 Edition of the Best-Selling Creative Non-Fiction Crime Story “Cat and Mouse – Mind Games with a Serial Killer”. As seen recently on British TV Show “Born to Kill” In this startling, twisting, turning story of murder, mayhem, and self-discovery, convicted mass murderer and baby killer Bill Suff “The Riverside Prostitute Killer” is your guide to exploring your personal demons.
This is a unique book containing everything that was heretofore known and suspected but meticulously kept “off the record”, as well as details that that only the killer knew until now. There are interviews with principals; transcripts of the illegal police interrogation of Bill; excerpts from the cookbook, poetry, and writings of Bill; a step-by-step reconstruction of the mental chess game between Bill and Brian; and appreciation for how “friendship” with this serial killer led to death for some but salvation for others.
For seven years—1985 to 1992—Bill hid in plain sight while terrorizing three Southern California counties, murdering two dozen prostitutes, mutilating and then posing them in elaborate artistic scenarios in public places—he’d placed a lightbulb in the womb of one, dressed others in men’s clothes, left one woman naked with her head bent forward and buried in the ground like an ostrich; he’d surgically removed the right breasts of some victims, and cut peepholes in the navels of others.
When the newspapers said that the killer only slayed whites and hispanics, Bill ran right out and raped, torutred and killed a pregnant black woman. When a film company came to town to make a fictional movie about the then-uncaught killer, Bill left a corpse on their set. And, as the massive multi-jurisdictional police task force fruitlessly hunted the unknown killer, Bill personally served them bowls of his “special” chili at the annual Riverside County Employees’ Picnic and Cook-off.
William Lester “Bill” Suff. He says he’s innocent, says he’s been framed, says he’s the most wronged man in America, maybe the world. He’s easygoing, genial, soft-spoken, loves to read, write, draw, play music and chat endlessly. He describes himself as a lovable nerd and a hope-less romantic, and he fancies himself a novelist and poet.
Brian first connected with Bill on the basis of writer to writer, and that’s when the mind games began. Even in jail, Bill was the master manipulator, the seducer who somehow always got way. But Brian was determined to lose himself in Bill’s mind, in Bill’s fantasies, to get at the truth of who and what Bill Suff is. Only then would he know the truth of how close we are all to being just like Bill.
Some readers wrote that the book was “personally important and life-changing”, others that it was “the only serial killer book with a sense of humor”, and others that they wished the author dead or worse. The son of one of Suff’s victims held on to the book as life-preserving testimony to the goodness of his fatally flawed mother and the possibility that his own redemption would eventually be in his own hands.
Meanwhile, TV series and movies continuously derive episodes and plots from the unique details of the murders and the spiraling psyches of the characters as laid out in the book.
When it was first released, Brian Alan Lane’s genre-bending bestseller “Mind Games With a Serial Killer” was simultaneously hailed and reviled. “Highly recommended: the creepiest book of the year… A surreal portrait of a murderous mind.” (
) “This book is an amazing piece of work—it’s like Truman Capote on LSD.” (Geraldo Rivera on
) “A masterpiece… that needs to be sought out and savored by all those with a truly macabre sensibility… A post-modernistic
… that could have been concocted by Vladimir Nabokov.” (
) “A new approach to crime… absolutely riveting, utterly terrifying.” (
)

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Indeed , unlike other victims , Cathy had not been re - dressed in someone else’s clothes , no wildly striped men’s socks going up her legs like a clown or a chicken , nor were her arms stuffed inside a T - shirt , no coats over her head or plastic bags over her torso . Cathy had somehow become more personal to the Killer , her death mattered more than the ultimate place she would come to occupy in his mosaic of murder . But , so there was no mistaking the Killer’s work , Cathy had been punctured between the legs with a sharp knife , she’d been stabbed in the chest , and , like several other victims , her right breast had been removed .

With each breast excision , the Killer had gotten better and better , more meticulous , more sure . Cathy had been cleanly sliced right down to the fat , and this time he hadn’t nicked the ribs . Mercifully , she’d been strangled before the heavy cutting began , so there was little blood and much unreality to the scene . And , unlike other victims , she had no cigarette burns on her , nor had her belly button been carved out so he could look inside her and see what ticked . Cathy’s sightless eyes and expressionless face made her seem a mannequin rather than a mother .

You can’t look at dead bodies and talk about them or write about them if you think they’re real. You have to tell yourself they’re not people now, and they never ever were. Then, if you can distance sufficiently while nonetheless remaining focused, you can actually begin to see the victims through a killer’s eyes.

I remember when my comatose brother went cyanotic and the life force left him—he was technically alive but he was gone, and although he still had a human shape he was no longer a human being. His nurse in Neurological Intensive Care had made the break from him before she’d even known him—after he died, I chanced to see her daily log. In every entry she referred to him as an “it”.

More dramatic, simultaneously terrifying and comforting, was my mother at her funeral. I’d wanted to see her one last time, so I insisted on an open casket, until I saw her and realized it wasn’t her, not anymore. Her soul had moved on, and mortuary makeup had turned her into someone else’s hideously mistaken version of what she’d been. Had she still looked alive, I think I would have had to have killed myself.

Having seen her, I postponed the interment so she could be cremated and then buried. My father indulged me because he knew I was hanging on by a single emotional thread. I just didn’t want her buried looking like that. We don’t bury our loved ones so that we can forget them, we bury our memories of them so that we know where to find them when we want to remember. When I was to visit the cemetery, I needed to be able to see my mother as she had lived.

On the other hand, the serial killer doesn’t see his victims for what was in life, only for what is in death, which is the killer’s own eternal creation. I go to the cemetery and have to jog my fading memory of the past, while the serial killer exists easily in the present. He wanted the woman dead—that’s when she would become his. He saw her dead before he ever met her. Alive, she was always an “it”—one potential victim could easily have been interchanged with another, so many potential victims never became victims at all, thanks to sheer circumstance—but dead, each victim is finally and irretrievably distinct. And now, since it’s always the present, she exists for him forever—she’s dead, but she’s very much alive.

Cathy McDonald knew she was going to die. The Killer had her bound hand and foot in the back of his van, and he was driving her some-place, and she knew she wasn’t coming back.

But she had to try to save herself—she owed that to her children, the ones waiting at home and the one she carried in her womb.

So, when the Killer parked by this desolate field, when he climbed into the back of the van and hovered over her, his eyes burning with hate, she swallowed hard and tried to speak to him.

She told him she would do whatever he wanted. This would not come as news to him, of course, since she was hardly in a position to resist, but she thought maybe he wanted to hear the words. Maybe he’d even believe that she was submitting by choice rather than by force.

But the Killer didn’t take heed—he was too busy preparing his gar-rote, unwrapping his knife, cutting off her clothes.

Now she begged—she told him about her children, about her pregnancy. She was lucid and she was direct, and this he heard. The other women, they were all too drugged up to be so conversant, nothing they said amounted to much, but this one was intelligent and sensible, and he could listen because he wasn’t so full of rage against her as he’d been with the others. The others had made him mad—some were women he’d known, women he’d loved, not random as the police thought—but this one, this black woman he was killing partly because he needed some relief tonight and partly because he needed to kill a black woman in order to thumb his nose at the police and their profiles.

Yeah, the Killer had read the newspaper. How dare they say he only killed white women? He could kill any damn woman he pleased. This would tell the police that they ought to give up, that they were to blame. This black woman wouldn’t have died if the police hadn’t done that profile.

For the Killer knew he’d been careful not to leave enough evidence anywhere at any time that could tie him to the killings, so he couldn’t be found out and he couldn’t be stopped unless he was caught in the act. To catch him they’d have to predict where he’d be and then be there waiting for him to show. But he was unpredictable. Killing this black woman would prove it. Maybe next time he’d kill someone orange, or green, or purple. Maybe he’d kill someone white and paint her purple.

And now that he had Cathy McDonald writhing at his feet, smooth dark flesh glistening, muscles striated, eyes wide and round like coals, he started to wonder, to really consider: does black skin look the same on the inside as out? Just how far did that pigmented skin extend? Black men had black penises; did Cathy have a black vagina, a black clitoris, black labial lips and folds? What was pink and what was black down there, and was it all hung the same as with white women?

These were questions he’d never pondered before, but then he’d never been alone with and in control of a black woman before. Sure, he’d “slept” with black hookers from time to time, but when it was business rather than murder they barely took the time to undress, let alone let you explore their bodies. Twenty dollars only bought you an orgasm, and that only if you were quick about it.

But tonight the Killer would have all the time he wanted with this mysterious black minx, and he could answer any questions that came to mind. Whatever he wanted to know, he could find out with a little probing, a little peeking, a little cutting with his knife.

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