Christopher Hitchens - The Portable Atheist - Essential Readings for the Nonbeliever

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The Portable Atheist: Essential Readings for the Nonbeliever: краткое содержание, описание и аннотация

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From the #1
best-selling author of
, a provocative and entertaining guided tour of atheist and agnostic thought through the ages—with never-before-published pieces by Salman Rushdie, Ian McEwan, and Ayaan Hirsi Ali.
Christopher Hitchens continues to make the case for a splendidly godless universe in this first-ever gathering of the influential voices—past and present—that have shaped his side of the current (and raging) God/no-god debate. With Hitchens as your erudite and witty guide, you'll be led through a wealth of philosophy, literature, and scientific inquiry, including generous portions of the words of Lucretius, Benedict de Spinoza, Charles Darwin, Karl Marx, Mark Twain, George Eliot, Bertrand Russell, Emma Goldman, H. L. Mencken, Albert Einstein, Daniel Dennett, Sam Harris, Richard Dawkins, and many others well-known and lesser known. And they’re all set in context and commented upon as only Christopher Hitchens—“political and literary journalist extraordinaire” (
).
Atheist? Believer? Uncertain? No matter:
will speak to you and engage you every step of the way.

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Our own conversion came at last. We began to stir against slavery. Hearts grew soft, here, there, and yonder. There was no place in the land where the seeker could not find some small budding sign of pity for the slave. No place in all the land but one—the pulpit. It yielded at last; it always does. It fought a strong and stubborn fight, and then did what it always does, joined the procession—at the tail end. Slavery fell. The slavery text remained; the practice changed, that was all.

During many ages there were witches. The Bible said so. The Bible commanded that they should not be allowed to live. Therefore the Church, after doing its duty in but a lazy and indolent way for eight hundred years, gathered up its halters, thumbscrews, and firebrands, and set about its holy work in earnest. She worked hard at it night and day during nine centuries and imprisoned, tortured, hanged, and burned whole hordes and armies of witches, and washed the Christian world clean with their foul blood.

Then it was discovered that there was no such thing as witches, and never had been. One does not know whether to laugh or to cry. Who discovered that there was no such thing as a witch—the priest, the parson? No, these never discover anything. At Salem, the parson clung pathetically to his witch text after the laity had abandoned it in remorse and tears for the crimes and cruelties it has persuaded them to do. The parson wanted more blood, more shame, more brutalities; it was the unconsecrated laity that stayed his hand. In Scotland the parson killed the witch after the magistrate had pronounced her innocent; and when the merciful legislature proposed to sweep the hideous laws against witches from the statute book, it was the parson who came imploring, with tears and imprecations, that they be suffered to stand.

There are no witches. The witch text remains; only the practice has changed. Hell fire is gone, but the text remains. Infant damnation is gone, but the text remains. More than two hundred death penalties are gone from the law books, but the texts that authorized them remain.

It is not well worthy of note that of all the multitude of texts through which man has driven his annihilating pen he has never once made the mistake of obliterating a good and useful one? It does certainly seem to suggest that if man continues in the direction of enlightenment, his religious practice may, in the end, attain some semblance of human decency.

JOSEPH CONRAD

Author’s Note to The Shadow Line

A dislike or distrust of superstition and the supernatural need not mean there is a deafness to the marvelous and the mysterious. Here Joseph Conrad makes the distinction finely in his preface to one of his most powerful novels.

This story, which I admit to be in its brevity a fairly complex piece of work, was not intended to touch on the supernatural. Yet more than one critic has been inclined to take it in that way, seeing in it an attempt on my part to give the fullest scope to my imagination by taking it beyond the confines of the world of living, suffering humanity. But as a matter of fact my imagination is not made of stuff so elastic as all that. I believe that if I attempted to put the strain of the Supernatural on it, it would fail deplorably and exhibit an unlovely gap. But I could never have attempted such a thing, because all my moral and intellectual being is penetrated by an invincible conviction that whatever falls under the dominion of our senses must be in nature and, however exceptional, cannot differ in its essence from all the other effects of the visible and tangible world of which we are a self-conscious part. The world of the living contains enough marvels and mysteries as it is; marvels and mysteries acting upon our emotions and intelligence in ways so inexplicable that it would almost justify the conception of life as an enchanted state. No, I am too firm in my consciousness of the marvelous to be ever fascinated by the mere supernatural, which (take it any way you like) is but a manufactured article, the fabrication of minds insensitive to the intimate delicacies of our relation to the dead and to the living, in their countless multitudes; a desecration of our tenderest memories; an outrage on our dignity.

Whatever my native modesty may be it will never condescend so low as to seek help for my imagination within those vain imaginings common to all ages and that in themselves are enough to fill all lovers of mankind with unutterable sadness. As to the effect of a mental or moral shock on a common mind, it is quite a legitimate subject for study and description. Mr. Burns’ moral being receives a severe shock in his relations with his late captain, and this in his diseased state turns into a mere superstitious fancy compounded of fear and animosity. This fact is one of the elements of the story, but there is nothing supernatural in it, nothing so to speak from beyond the confines of this world, which in all conscience holds enough mystery and terror in itself.

Perhaps if I had published this tale, which I have had for a long time in my mind, under the title of “First Command” no suggestion of the Supernatural would have been found in it by any impartial reader, critical or otherwise. I will not consider here the origins of the feeling in which its actual title, “The Shadow-Line,” occurred to my mind. Primarily the aim of this piece of writing was the presentation of certain facts, which certainly were associated with the change from youth, carefree and fervent, to the more self-conscious and more poignant period of maturer life. Nobody can doubt that before the supreme trial of a whole generation I had an acute consciousness of the minute and insignificant character of my own obscure experience. There could be no question here of any parallelism. That notion never entered my bead. But there was a feeling of identity, though with an enormous difference of scale—as of one single drop measured against the bitter and stormy immensity of an ocean. And this was very natural too. For when we begin to meditate on the meaning of our own past it seems to fill all the world in its profundity and its magnitude. This book was written in the last three months of the year 1916. Of all the subjects of which a writer of tales is more or less conscious within himself this is the only one I found it possible to attempt at the time. The depth and the nature of the mood with which I approached it is best expressed perhaps in the dedication which strikes me now as a most disproportionate thing—as but another instance of the overwhelming greatness of our own emotion to ourselves.

This much having been said, I may pass on now to a few remarks about the mere material of the story. As to locality it belongs to that part of the Eastern Seas from which I have carried away into my writing life the greatest number of suggestions. From my statement that I thought of this story for a long time under the title of “First Command” the reader may guess that it is concerned with my personal experience. And as a matter of fact it is personal experience seen in perspective with the eye of the mind and coloured by that affection one can’t help feeling for such events of one’s life as one has no reason to be ashamed of. And that affection is as intense (I appeal here to universal experience) as the shame, and almost the anguish with which one remembers some unfortunate occurrences, down to mere mistakes in speech, that have been perpetrated by one in the past. The effect of perspective in memory is to make things loom large because the essentials stand out isolated from their surroundings of insignificant daily facts which have naturally faded out of one’s mind. I remember that period of my sea-life with pleasure because begun inauspiciously it turned out in the end a success from a personal point of view, leaving a tangible proof in the terms of the letter the owners of the ship wrote to me two years afterwards when I resigned my command in order to come home. This resignation marked the beginning of another phase of my seaman’s life, its terminal phase, if I may say so, which in its own way has coloured another portion of my writings. I didn’t know then how near its end my sea-life was, and therefore I felt no sorrow except at parting with the ship. I was sorry also to break my connection with the firm who owned her and who were pleased to receive with friendly kindness and give their confidence to a man who had entered their service in an accidental manner and in very adverse circumstances. Without disparaging the earnestness of my purpose I suspect now that luck had no small part in the success of the trust reposed in me. And one cannot help remembering with pleasure the time when one’s best efforts were seconded by a run of luck.

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