Kerry Cohen - Loose Girl - A Memoir of Promiscuity

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Loose Girl: A Memoir of Promiscuity: краткое содержание, описание и аннотация

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For everyone who was that girl. For everyone who knew that girl. For everyone who wondered who that girl was. Kerry Cohen is eleven years old when she recognizes the power of her body in the leer of a grown man. Her parents are recently divorced and it doesn’t take long before their lassitude and Kerry’s desire to stand out—to be memorable in some way—combine to lead her down a path she knows she shouldn't take. Kerry wanted attention. She wanted love. But not really understanding what love was, not really knowing how to get it, she reached for sex instead.
Loose Girl is Kerry Cohen’s captivating memoir about her descent into promiscuity and how she gradually found her way toward real intimacy. The story of addiction—not just to sex, but to male attention—
is also the story of a young girl who came to believe that boys and men could give her life meaning. It didn't matter who he was. It was their movement that mattered, their being together. And for a while, that was enough.
From the early rush of exploration to the day she learned to quiet the desperation and allow herself to love and be loved, Kerry's story is never less than riveting. In rich and immediate detail,
re-creates what it feels like to be in that desperate moment, when a girl tries to control a boy by handing over her body, when the touch of that boy seems to offer proof of something, but ultimately delivers little more than emptiness.
Kerry Cohen’s journey from that hopeless place to her current confident and fulfilled existence is a cautionary tale and a revelation for girls young and old. The unforgettable memoir of one young woman who desperately wanted to matter, Loose Girl will speak to countless others with its compassion, understanding, and love.

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“I guess Chris and Liz are having a good time,” I say. He keeps his eyes on what he’s doing and shrugs.

“What time is it?” I ask next.

Iggy just shrugs again. “Fuck if I know.”

I bite my lip, feeling stupid. He doesn’t want to talk. So I turn to the TV, some game show, and try not to think too much about what we’ve just done.

By the time Chris and Liz come into the room, it’s late, so we go back toward the playground. Iggy finds a stick on the ground and whacks at tree branches as we walk, trying to knock them down. Every once in a while he exclaims as the stick hits: “Gotcha! Bam!”

Liz tells me she and Chris sixty-nined. She’s proud. Sixty-nining is a new trend, an achievement of sorts, making its way through our school. I don’t tell her what I did with Iggy. It’s not that I regret it. That’s not quite it. I’m just embarrassed. Nobody fools around with Iggy. He’s the town druggie, the one we laugh about when he isn’t there. And then there’s the fact that he hasn’t said a word to me since. My crotch is sore from his fingers, and though it hurts I kind of like it. I like the proof someone’s been there. Someone wanted me enough to touch me. I watch him jump to reach a branch and break it off, and I wonder what he thinks about what happened. If he is thinking about it at all.

* * *

A couple of months later, I have a party. My father is out of town for business, as he commonly is, leaving my sister and me alone. He thinks things will be fine. Tyler has grown withdrawn and silent since my mother left, and he knows nothing about how I spend my time. He defines his approach to parenting as, “If your grades are fine and you look basically OK, then I don’t need to know.” My mother, I am sure, would be appalled. Tyler’s and my bedrooms are at the end of a hallway, and I see my dad many times rush past the hallway without turning his head. He speaks freely about it, as though he has formulated a confident parenting style, but I think both Tyler and I know he’s simply afraid of us. He grew up with two brothers, and we’re teenage girls. As much as I feel boys are foreign to me, he must feel the same about girls. The evening of the party I pray Brian will show up. Chris promised me he told him about it. My father is renovating our kitchen, and there are appliances in boxes—a microwave, a new coffee maker. Tiles are stacked out on the veranda. Liz, Chris, and I pass around a forty of Budweiser as we wait for people to arrive, and I start to get a little buzzed. Iggy shows up early, always eager to get to where the beer and drugs might be. He opens a beer and starts collecting money to get some more.

“You want to go in on this?” he asks me. I nod and go to get some money from my purse. I’ve seen him only twice since the evening we got together, and he has treated me exactly the same as always, with no acknowledgment of what we shared. Mostly, this is a relief. I don’t want any repercussions from that night. But a part of me wants something, anything. A wink, a hand squeeze, something. After all, I’ve never been so intimate with a boy before. When I come back, money in hand, my heart leaps into my throat. Brian stands talking with Iggy, his dark hair hanging into his eyes. He’s here, in my home, talking to the guy I was close with. In my crushed-out mind, it’s almost as though we’ve been close too. I hand Iggy my money.

“Hey,” I say to Brian.

“Hey,” he says back.

My body tingles.

“We’re going to take off to get the beer,” Iggy says. “Want to come?”

It’s my party, my home, and people are starting to arrive in droves. But I don’t hesitate. This is my chance to be with Brian.

“Sure,” I say.

We take the elevator to the lobby and walk to Iggy’s car, an old Buick. Brian holds the seat forward as I climb in back, hoping he’s checking out my butt. Then he gets in and messes with Iggy’s stereo. The car smells predictably like stale smoke and decaying upholstery. I watch Brian from the backseat, desperate for him to notice me.

“I’m so stupid to leave my own party,” I blurt. Brian doesn’t say anything, and I immediately regret having spoken. I think of the rules. Boys like girls who are quiet, mysterious, who suggest but don’t blurt. I know this, but it’s still so hard for me. The desperation I feel is always too there, too much. I don’t know how to quiet it, a yappy dog that just won’t shut up. At the convenience store, Iggy jumps out, the motor still running, leaving Brian and me alone. Brian turns up the radio as a Jimi Hendrix song starts.

“I love this song,” I say. Brian glances back at me, and I close my eyes and move my shoulders suggestively to the music.

“You like Jimi Hendrix?” he asks.

“Love him,” I say, which is only sort of true. “I can put him on when we get back to my place.”

“Cool.” Brian nods. My head is light, full of excitement. I’m making a connection with Brian.

When we arrive at my apartment, it is full with people I mostly don’t know, many of them way too old to be at a fourteen-year-oldgirl’s party. But I don’t care. Brian was talking to me. I go straight to the stereo, which someone else has commandeered, find my father’s Hendrix album, and put it on the turntable. The guy who was working the stereo looks down at me, pissed.

“This is my apartment,” I say. He backs off. Once the music starts, I beeline back to Brian. Liz, looking worried, stops me.

“Do you know any of these people?” she asks.

“I’ll deal with it later,” I say.

“But, Kerry, they’re in your dad’s room. They’re all over. Chris and I can’t control them.”

“I’ll figure something out,” I say. Anxiety shoots through me. I know Liz is right. I know I need to take control of the situation. But … Brian.

This is my chance with Brian.

I continue toward him. He opens a beer, takes a long sip, and I watch his Adam’s apple move. I follow his lead, open a beer myself, and down a few sips. Just enough to make me fearless. “Come with me,” I say to him.

I grab his arm and pull him through the crowd of people into my father’s room. There are five people in there, none of whom I recognize. One has a mustache and he’s rifling through my father’s drawer.

“Hey,” I say. “What are you doing?” The guy looks up and shuts the drawer. He shrugs and he and the others amble out. “Nobody’s allowed in here,” I say as I shut the door behind them, trying not to think about the fact that my father keeps personal things in his drawers, things like drugs and, I was pretty sure, a gun. I turn to look back at Brian. Brian, Brian. I am in here alone with Brian.

He looks at me, his expression mild. I move quickly, before I lose my nerve, and I push him toward my father’s bed. He raises his eyebrows with surprise, but before he can say or do anything I press my lips to his. I force him onto the bed, one leg on either side of his hips. I lose myself, letting myself be a girl I assume boys want, sexual and willing, a girl who will sixty-nine.

“Hey,” he says.

I say nothing, just push at his shirt, tug at his pants. I kiss his chest and neck, ravenous as a wild dog. I need to get in there, to show him I’m desirable. I think of Iggy and how he led my hand there. I don’t know a lot about boys, but it’s common knowledge they’re slaves to their penises. I want to show Brian what I know, teach him to want me through my hands. I am vaguely aware of the muffled noises of the party on the other side of the door. Music reverberates through the wall. I allow it to guide me, give me a rhythm as I work my way down his body. But Brian pushes me off.

“Jesus,” he says. He straightens his shirt, checks his pants. He gives me a look, a look like I’ve gone over the edge, like I’m a crazy girl, like the one Chris talked about that night, one of the girls the boys stayed away from. I look back, chest tight, ashamed, horrified, wanting to say something. Something that will tell him he misunderstood. I’m not crazy. I just like him. Maybe a little too much. But he turns away and walks out of the room.

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