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Kerry Cohen: Loose Girl: A Memoir of Promiscuity

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Kerry Cohen Loose Girl: A Memoir of Promiscuity

Loose Girl: A Memoir of Promiscuity: краткое содержание, описание и аннотация

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For everyone who was that girl. For everyone who knew that girl. For everyone who wondered who that girl was. Kerry Cohen is eleven years old when she recognizes the power of her body in the leer of a grown man. Her parents are recently divorced and it doesn’t take long before their lassitude and Kerry’s desire to stand out—to be memorable in some way—combine to lead her down a path she knows she shouldn't take. Kerry wanted attention. She wanted love. But not really understanding what love was, not really knowing how to get it, she reached for sex instead. Loose Girl is Kerry Cohen’s captivating memoir about her descent into promiscuity and how she gradually found her way toward real intimacy. The story of addiction—not just to sex, but to male attention— is also the story of a young girl who came to believe that boys and men could give her life meaning. It didn't matter who he was. It was their movement that mattered, their being together. And for a while, that was enough. From the early rush of exploration to the day she learned to quiet the desperation and allow herself to love and be loved, Kerry's story is never less than riveting. In rich and immediate detail, re-creates what it feels like to be in that desperate moment, when a girl tries to control a boy by handing over her body, when the touch of that boy seems to offer proof of something, but ultimately delivers little more than emptiness. Kerry Cohen’s journey from that hopeless place to her current confident and fulfilled existence is a cautionary tale and a revelation for girls young and old. The unforgettable memoir of one young woman who desperately wanted to matter, Loose Girl will speak to countless others with its compassion, understanding, and love.

Kerry Cohen: другие книги автора


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“Yeah?” He turns to me, an intimate, almost friendly look on his face, a look that suggests we are sharing something special. I keep my own face even.

“Stop the car,” I say. Tim smiles, a menacing smile, but he does. I throw open the door and pull away from him, and I hear Liz and Ashley open the door in back. His hand slips away, and I feel the slow release of my muscles, the relief, like air squeaking out from an almost bursting balloon. The sky is lightening. Birds sing a crazed chorus from the trees. Ashley, Liz, and I run up my driveway, looking back a few times to make sure the car leaves, which it does. My mother is asleep, unaware, so we sneak in, using this as our excuse to not speak about what happened. I pull out cots and sleeping bags, and the three of us lie with our eyes closed, our bodies exhausted, but unable to sleep. I cup my hand over my crotch, aware of the ghost of pressure I still feel there. When my mother wakes, I figure, I’ll come up with some story: Ashley’s mother drove us here early so she can clean their house, and now we’re tired because we’ve been up all night telling ghost stories. Some story suggesting we’re still young, untouched, still safe from our own desires and from the world of men.

* * *

As summer turns to fall, my mother makes a decision. She wants to go to medical school. She’s been working as an artist, making jewelry, sculpture, and paintings. But her father was a doctor, and an artist’s hands can morph easily into a surgeon’s. Besides, she needs to find a way to make a living now. She’s used to a particular way of life—a doctor’s daughter, and then an engineer’s wife. Art isn’t going to cut it. This all feels strange, even unlikely, as if my mother has suddenly become someone else. She was always an artist, always eccentric and avant-garde, not a serious doctor in a white coat. My mother’s friends were all unconventional too. They lived in lofts in SoHo and made large, crazy paintings right there in their living rooms. They put on performances in which Tyler and I got to wear red, purple, and blue sheer scarves and prance across the stage. They were often gay and silly—or just plain silly—and I loved them. When my parents were still together they hosted summertime parties, and our house was filled with all those silly, laughing adults. The Rolling Stones and Fleetwood Mac boomed from the speakers my father had moved outside, and Tyler and I twirled around in the warm darkness, dancing and laughing, allowed to stay up late. Because of this, because of how different her life will be as a doctor, I ask her if she’s sure.

“I’ve always wanted to be a doctor,” she tells Tyler and me, as though this were something obvious we had missed.

“You’ll make a great doctor.” Tyler hugs her, always supportive, but I know she feels it too. I can tell by the fear I see, hidden like a squirmy puppy she’s not supposed to have brought home. So Mom starts a yearlong pre-med program at the local college and prepares for her application to medical school. She piles the desk in her bedroom with fat textbooks. She fills pages of notebook paper with her neat drawings of cells and neurons. She closes the door and tells us we have to be quiet so she can study. And she invites an Australian college exchange student to stay in the guest room to help pay the mortgage.

Antony is extremely handsome, with light brown hair, dark eyebrows, and bright blue eyes. Liz makes a point of spending the night more often, and the two of us follow Antony around, teasing and flirting. He’s twenty-one years old, but he tolerates our behavior. He calls us cute, which we discuss later. Can cute mean sexy? My mother often says I’m cute, and I assumed that meant I looked like a baby. But now I’m not so sure. I examine my features, my freckled nose, big eyes like Mom’s. Maybe cute is one step away from something better, just an angling of the hips or the way I hold my head. I practice different looks in the mirror, seeing what’s possible. Tyler stays away from all of us, bothered by the changes, but I see Antony as an opportunity. This is my chance to learn about men. I do everything I can to entice him. I take a long time walking from my bath back to my room, a towel wrapped around my pubescent body, hoping Antony will catch a glimpse. I wear shirts that hug my small breasts and old nightgowns so thin you can see the outline of my figure. At night, I fantasize he will come to my room, unable to control himself any longer, drawn in by my magnetism, and make love to me. I want to experience that kind of attention. My mother flirts with him too, laughing and flashing him smiles. One night she pours them both glasses of wine and invites him to sit with her on the screened-in porch. I hear them chatting, his voice measured, hers too loud and peppered with giggles. A couple of hours later he goes back to his room and closes the door. I know my mother must be lonely, suddenly without the husband she had for fifteen years. Having someone around must be familiar, comfortable, like the way my father touches his girlfriend now. Sometimes I can see why my mother is so hurt. She was on the other side of those touches once. My father knew her in such an intimate way. But her flirting with Antony seems pathetic, desperate. I’m embarrassed by her need. Worse, I fear my need isn’t all that different. Antony is no more interested in a twelve-year-old girl than he is in a woman in her forties. Like my mother, I want to be known by someone too. But it doesn’t happen for either of us, and after a couple of months, Antony moves out when his student visa expires.

* * *

One morning, not long after Antony has gone, Tyler asks our mother what it feels like to be kissed. We’re getting ready to leave the house for school. Our ride is a teacher who takes all the kids from New Jersey to the school in Riverdale, and he is already waiting at the end of the driveway. I busy myself with the buttons on my coat, not wanting either of them to see that I know the answer to Tyler’s question. My mother smiles.

“It’s a nice feeling,” she says as she wipes a counter. “Soft.”

Tyler wraps a scarf around her neck, listening.

“I can show you.” My mother steps toward Tyler, the sponge still in her hand, and she leans down and kisses her on the mouth. Tyler nods.

“Oh,” she says.

I move toward the door, wanting to get away.

“Kerry?” Mom asks. “Do you want to feel it too?”

I shake my head quickly, avoiding her stare. “Come on,” I tell Tyler. “We’re late.”

“Relax, Kerry,” Mom says, a note of anger in her voice. “Always in such a hurry. You need to learn to relax.”

Another day, I hear my mother and sister in the kitchen. As I approach I slow down to listen.

“You’re growing so much,” Mom says, water running as she washes dishes. “Becoming a woman. You have breasts now.”

“I know, Mom, but—” Tyler protests.

“They have lots of sensations,” Mom goes on. “Did you know that? It can feel nice to have someone touch them.”

This is when I reach the doorway. My sister sits at the counter, her eyes on the TV. My mother steps up behind her and puts her hands on my sister’s breasts. I am briefly aware I could do something. I could storm in and question my mother. I could call Tyler’s name. But then my mother lets her hands fall at her sides, and goes back to the sink. It is just a moment, so quick it could have not happened at all. My sister stares at the television, her body still. My mother at the sink. I step back, away from them, having done nothing. My mother takes her MCAT, sends in her medical school applications, and gets rejected one by one. She calls her father, who speaks with one of his former students, now running the international premed program in the Philippines, and it is set. She will leave in a few months. One evening, I sit at the kitchen counter, doing homework. I can hear my mother and sister talking in another part of the house, sharing something private, as they often do. Their voices rise and fall. And suddenly, they are in the kitchen with me, a whirlwind of movement and energy. Tyler holds something, crying. Mom tries to wrench it from her hand. Tyler grabs a glass and fills it with water from the kitchen tap.

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