Ursula LeGuin: Tales From Earthsea

In Losen's service was a man who called himself Hound, because, as he said, he had a nose for witchery. His employment was to sniff Losen's food and drink and garments and women, anything that might be used by enemy wizards against him; and also to inspect his warships. A ship is a fragile thing in a dangerous element, vulnerable to spells and hexes. As soon as Hound came aboard the new galley he scented something. "Well, well," he said, "who's this?" He walked to the helm and put his hand on it. "This is clever," he said. "But who is it? A newcomer, I think." He sniffed appreciatively. "Very clever," he said.

They came to the house in Boatwright Street after dark. They kicked the door in, and Hound, standing among the armed and armored men, said, "Him. Let the others be." And to Otter he said, "Don't move," in a low, amicable voice. He sensed great power in the young man, enough that he was a little afraid of him. But Otter's distress was too great and his training too slight for him to think of using magic to free himself or stop the men's brutality. He flung himself at them and fought them like an animal till they knocked him on the head. They broke Otter's father's jaw and beat his aunt and mother senseless to teach them not to bring up crafty men. Then they carried Otter away.

Not a door opened in the narrow street. Nobody looked out to see what the noise was. Not till long after the men were gone did some neighbors creep out to comfort Otter's people as best they could. "Oh, it's a curse, a curse, this wizardry!" they said.

Hound told his master that they had the hexer in a safe place, and Losen said, "Who was he working for?"

"He worked in your shipyard, your highness." Losen liked to be called by kingly titles.

"Who hired him to hex the ship, fool?"

"It seems it was his own idea, your majesty."

"Why? What was he going to get out of it?"

Hound shrugged. He didn't choose to tell Losen that people hated him disinterestedly.

"He's crafty, you say. Can you use him?"

"I can try, your highness."

"Tame him or bury him," said Losen, and turned to more important matters.

Otter's humble teachers had taught him pride. They had trained into him a deep contempt for wizards who worked for such men as Losen, letting fear or greed pervert magic to evil ends. Nothing, to his mind, could be more despicable than such a betrayal of their art. So it troubled him that he couldn't despise Hound.

He had been stowed in a storeroom of one of the old palaces that Losen had appropriated. It had no window, its door was cross-grained oak barred with iron, and spells had been laid on that door that would have kept a far more experienced wizard captive. There were men of great skill and power in Losen's pay. Hound did not consider himself to be one of them. "All I have is a nose," he said. He came daily to see that Otter was recovering from his concussion and dislocated shoulder, and to talk with him. He was, as far as Otter could see, well-meaning and honest. "If you won't work for us they'll kill you," he said. "Losen can't have fellows like you on the loose. You'd better hire on while he'll take you."

"I can't."

Otter stated it as an unfortunate fact, not as a moral assertion. Hound looked at him with appreciation. Living with the pirate king, he was sick of boasts and threats, of boasters and threateners.

"What are you strongest in?"

Otter was reluctant to answer. He had to like Hound, but didn't have to trust him. "Shape-changing," he mumbled at last.

"Shape-taking?"

"No. Just tricks. Turn a leaf to a gold piece. Seemingly."

In those days they had no fixed names for the various kinds and arts of magic, nor were the connections among those arts clear. There was-as the wise men of Roke would say later-no science in what they knew. But Hound knew pretty surely that his prisoner was concealing his talents. "Can't change your own form, even seemingly?"

Otter shrugged.

It was hard for him to lie. He thought he was awkward at it because he had no practice. Hound knew better. He knew that magic itself resists untruth. Conjuring, sleight of hand, and false commerce with the dead are counterfeits of magic, glass to the diamond, brass to the gold. They are fraud, and lies flourish in that soil. But the art of magic, though it may be used for false ends, deals with what is real, and the words it works with are the true words. So true wizards find it hard to lie about their art. In their heart they know that their lie, spoken, may change the world.

Hound was sorry for him. "You know, if it was Gelluk questioning you, he'd have everything you know out of you just with a word or two, and your wits with it. I've seen what old Whiteface leaves behind when he asks questions. Listen, can you work with the wind at all?"

Otter hesitated and said, "Yes."

"D'you have a bag?"

Weatherworkers used to carry a leather sack in which they said they kept the winds, untying it to let a fair wind loose or to capture a contrary one. Maybe it was only for show, but every weatherworker had a bag, a great long sack or a little pouch.

"At home," Otter said. It wasn't a lie. He did have a pouch at home. He kept his fine-work tools and his bubble level in it. And he wasn't altogether lying about the wind. Several times he had managed to bring a bit of magewind into the sail of a boat, though he had no idea how to combat or control a storm, as a ship's weatherworker must do. But he thought he'd rather drown in a gale than be murdered in this hole.

"But you wouldn't be willing to use that skill in the King's service?"

"There is no king in Earthsea," the young man said, stern and righteous, "In my master's service, then," Hound amended, patient.

"No," Otter said, and hesitated. He felt he owed this man an explanation. "See, it's not so much won't as can't. I thought of making plugs in the planking of that galley, near the keel-you know what I mean by plugs? They'd work out as the timbers work when she gets in a heavy sea." Hound nodded. "But I couldn't do it. I'm a shipbuilder. I can't build a ship to sink. With the men aboard her. My hands wouldn't do it. So I did what I could. I made her go her own way. Not his way."

Hound smiled. "They haven't undone what you did yet, either," he said. "Old Whiteface was crawling all over her yesterday, growling and muttering. Ordered the helm replaced." He meant Losen's chief mage, a pale man from the North named Gelluk, who was much feared in Havnor.

"That won't do it."

"Could you undo the spell you put on her?"

A flicker of complacency showed in Otters tired, battered young face. "No," he said. "I don't think anybody can."

"Too bad. You might have used that to bargain with."

Otter said nothing.

"A nose, now, is a useful thing, a salable thing," Hound went on. "Not that I'm looking for competition. But a finder can always find work, as they say...You ever been in a mine?"

The guesswork of a wizard is close to knowledge, though he may not know what it is he knows. The first sign of Otter's gift, when he was two or three years old, was his ability to go straight to anything lost, a dropped nail, a mislaid tool, as soon as he understood the word for it. And as a boy one of his dearest pleasures had been to go alone out into the countryside and wander along the lanes or over the hills, feeling through the soles of his bare feet and throughout his body the veins of water underground, the lodes and knots of ore, the lay and interfolding of the kinds of rock and earth. It was as if he walked in a great building, seeing its passages and rooms, the descents to airy caverns, the glimmer of branched silver in the walls; and as he went on, it was as if his body became the body of earth, and he knew its arteries and organs and muscles as his own. This power had been a delight to him as a boy. He had never sought any use for it. It had been his secret.