Дмитрий Токарев - Курс на худшее - Абсурд как категория текста у Д.Хармса и С.Беккета

В настоящую библиографию включены только основные работы о Данииле Хармсе и Сэмюэле Беккете. Более подробную информацию можно почерпнуть в книгах: Jaccard J.-Ph. Daniil Harms et la fin de l’avant-garde russe. Bern etc.: Peter Lang, 1991. P. 483–589; Federman R., Fletcher J. Samuel Beckett: his Works and his Critics (An Essay in Bibliography, 1929–1966). Berkeley & Los Angeles: University of California press, 1970; Murphy P. J., Huber W., Breuer R., Schoell K. Critique of Beckett Criticism: A Guide to Research in English, French and German. Columbia, South Caroline: Camden House, 1994.

ЖАККАР Ж.-Ф. Даниил Хармс и конец русского авангарда. СПб., 1995.

КОБРИНСКИЙ А.А. Поэтика «ОБЭРИУ» в контексте русского литературного авангарда (Ученые записки Московского культурологического лицея. 1999. № 4).

САЖИН В.Н. (ред.) Хармсиздат представляет. Сборник материалов. СПб., 1995.

Театр. 1991. № 11.

ЯМПОЛЬСКИЙ М. Беспамятство как исток (Читая Хармса). М., 1998.

CORNWELL N. (ed.) Daniil Kharms and the Poetics of the Absurd: Essays and Materials. London: The Macmillan press, 1991.

MÜLLER B. Absurde Literatur in Russland: Entstehung und Entwicklung. München: Otto Sagner, 1978 (Arbeiten und Texte zur Slawistik, 5).

STONE-NAKHIMOVSKY A. Laughter in the Void. An Introduction to the Writings of Daniil Kharms and Aleksander Vvedenskii (Wiener slawistischer Almanach. Bd. 5. 1982).

ABBOTT Н.Р. The Fiction of Samuel Beckett: Form and Effect. Berkeley: University of California press, 1973.

ABBOTT H.P. Beckett Writing Beckett: The Author in the Autograph. Ithaca & London: Cornell University press, 1996.

ACHESON J., ARTHUR K. Beckett’s Later Fiction and Drama: Texts for Company. Basingstoke & London: Macmillan press, 1987.

ADMUSSEN R. The Samuel Beckett Manuscripts: A Study. Boston: K.G. Hall, 1979.

ALBRIGHT D. Representation and the Imagination: Beckett, Kafka, Nabokov and Schoenberg. Chicago, London: University of Chicago press, 1981.

ALVAREZ A. Beckett. London: Woburn press, 1974.

ANZIEU D. Beckett et le psychanalyste. Paris: Mentha, Archimbaud, 1992.

As No Other Dare Fail: for Samuel Beckett on His 80 thBirthday by His Friends and Admirers. London: J. Calder, 1986.

ASTRO AL. Understanding Samuel Beckett. Columbia: University of South Carolina press, 1990.

AXELROD M.R. The Politics of Style in the Fiction of Balzac, Beckett and Cortazar. Basington (G.B.): Macmillan, 1992.

BADIOU A. Beckett: l’increvable désir. Paris: Hachette, 1995.

BADIOU A. Samuel Beckett: l’écriture du générique et l’amour. Paris: Le Perroquet, 1989.

BAIR D. Samuel Beckett: A Biography, New York: Harcourt, Brace, Jovanovich, 1978. Trad, fr.: Paris: Fayard, 1979.

BARNARD G.C. Samuel Beckett: A New Approach: A Study of His Novels and Plays. London: J. M. Dent & Son, 1970.

BEGAM R. Samuel Beckett and the End of Modernity. Stanford: Stanford University press, 1996.

BEN-ZVI L. Samuel Beckett. Boston: Twayne, 1986.

BEN-ZVI L. (ed.) Women in Beckett: Performance and Critical Perspectives. Urbana & Chicago: Illinois University press, 1990.

BERNAL O. Langage et fiction dans le roman de Beckett. Paris: Gallimard, 1969.

BERNHARD M. Samuel Beckett et son sujet: une apparition évanouissante. Paris: l’Harmattan, 1996.

BISHOP Т., FEDERMAN R. (ed.) Cahiers de L’Herne. «Samuel Beckett». № 31. 1976.

BRATER E. (ed.) Beckett at 80: Beckett in Context. New York & Oxford: Oxford University press, 1986.

BRATER E. Beyond Minimalism: Beckett’s Late Style in the Theater. New York & Oxford: Oxford University press, 1987.

BRATER E. Why Beckett? London: Thames & Hudson, 1989.

BROWN Т., GRENE N. (ed.) Beckett at 80: A Trinity Tribute, Dublin, University press of Dublin, 1986.

BRYDEN M. Women in Samuel Beckett’s Prose and Drama: Her Own Other. Basingstoke & London, Macmillan, 1993.

BURKMAN K.H. (ed.) Myth and Rituals in the Plays of Samuel Beckett. London & Toronto: Associated University presses, 1987.

BUSI F. The Transformations of Godot. Lexington: The University press of Kentucky, 1979.

BUTLER St. J. L. Samuel Beckett and the Meaning of Being: A Study in Ontological Parable. London: Macmillan, 1984.

BÜTTNER G. Samuel Beckett’s Novel «Watt». Philadelphia: University of Pennsylvania press, 1984.

CALDER J. (ed.) Beckett at Sixty: A Festschrift. London: Calder à Boyars, 1967.

CALDER J. (ed.) The Journal of Samuel Beckett Studies. University of Reading. 1976.

CASANOVA P. Beckett l’abstracteur: anatomie d’une révolution littérature. Paris: Seuil, 1997.

CAREY Ph., JEWINSKI E. (ed.) Re-Joyce’n Beckett. New York: Fordham University press, 1992.

CHABERT P. (ed.) Revue d’esthétique. «Beckett». Nº hors série. Toulouse: Privat, 1986.

CHEVIGNEY B. G. (ed.) Twentieth Century Interpretations of «Endgame». Englewood Cliffs, N.J.: Prentice Hall, 1969.

CLÉMENT B. L’œuvre sans qualités: Rhétorique de Samuel Beckett. Paris: Seuil, 1994.

COE R. Beckett. Edinburgh & London: Oliver & Boyd, 1964.

COHN R. Back to Beckett. Princeton, N. J.: Princeton University press, 1973.

COHN R. (ed.) Casebook on «Waiting for Godot». New York: Grove press, 1967.

COHN R. (ed.) Just Play: Beckett’s Theater. Princeton, N.J.: Princeton University press, 1980.

COHN R. (ed.) Samuel Beckett: A Collection of Criticism. New York: McGraw Hill, 1962.

COHN R. Samuel Beckett: The Comic Gamut. New Brunswick, N.J.: Rutgers University press, 1962.

COHN R. (ed.) Modern Drama. Special Issue «Samuel Beckett». December 1966.

COHN R. (ed.) Perspective. Special Issue «Samuel Beckett» № 11. 1959.

CONNOR ST. Samuel Beckett: Repetition, Theory and Text. Oxford: Blackwell, 1988.

COPELAND H. Art and the Artist in the Works of Samuel Beckett. La Haye: Mouton, 1975.

CROUSSY G. Beckett. Paris: Hachette, 1971.

DAVIS R.J., BATLER L. St. J. (ed.) «Make Sens Who May»: Essays on Samuel Beckett’s Later Works. Gerrards Cross, G.B.: Colin Smythe, 1989.

DEARLOVE J.E. Accommodating the Chaos: Samuel Beckett’s Nonrelational Art. Durham: Duke University press, 1982.

DELYE H. Samuel Beckett ou la philosophic de l’Absurde. Aixen-Provence: La Pensee Universitaire, 1960.

DOLL M.A. Beckett and Myth: an Archetypal Approach. Syracuse, N.Y.: Syracuse University press, 1988.

DRECHSLER U. Die Absurde Farce bei Beckett, Pinter und Ionesco. Tübingen: G. Narr, 1988.

DREW A.M. (ed.) Past Crimson, Past Woe: The Shakespeare — Beckett Connection. New York & London: Garland, 1993.

DUROZOI G. Beckett. Paris & Montréal: Bordas, 1972.

EDWARDS M. Eloge de l’attente: T. S. Eliot et Samuel Beckett. Paris: Belin, 1996.

EGEBACK N. L’écriture de Beckett. Copenhague: Akademisk Forlag, 1975.

ELIOPULUS J. Samuel Beckett’s Dramatic Language. La Haye: Mouton, 1975.

ESSLIN M. The Theatre of the Absurd. Garden City, N.Y.: Doubleday & Co., 1961.

ESSLIN M. Meditations: Essays on Brecht, Beckett and the Media. Baton Rouge: Louisiana State University press, 1980.

ESSLIN M. (ed.) Samuel Beckett: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1965.