Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации

Toth J. The Passing of Postmodernism: A Spectroanalysis of the Contemporary. Albany, NY: SUNY press, 2010.

Treleaven Ph. Sizing Us Up // IEEE Spectrum. 2004. 41, no. 4. Pp. 28–31: doi.org/db9tqw (accessed 10.05.2017).

Turker D., Altuntas C. Sustainable Supply Chain Management in the Fast Fashion Industry: An Analysis of Corporate Reports // European Management Journal. 2014. 32. Pp. 837–849.

Turner G. Understanding Celebrity. London: Sage, 2004.

Twenga. E-commerce in the United Kingdom: Facts & Figures 2016. 2016. www.twenga-solutions.com/en/insights/ecommerce-unitedkingdom-facts-figures-2016/ (accessed 04.08.2016).

Udland M. The Internet Is Losing Its Composure over This Dress That Might Be White and Gold or Black and Blue // Business Insider. 2015. February 26. www.businessinsider.com/white-and-gold-black-and-bluedress-2015-2 (accessed 08.06.2017).

Ugrina L. Celebrity Biometrics: Norms, New Materialism, and the Agentic Body in Cosmetic Surgery Photography // Fashion Theory: The Journal of Dress, Body & Culture. 2014. Vol. 18.1. Pp. 27–44.

Unione Industriale Pratese Confindustria Prato. Prato Textile and Fashion Centre and the Prototype of a Manufacturing District // Evolution of the Prato Textile District. Last modified 2014. www.ui.prato.it/unionedigitale/v2/english/presentazionedistrettoinglese.pdf (accessed 22.11.2016).

Vainshtein O. Digital Beauties: Strategies of Self-Presentation and Resistance // Beauty: Exploring Critical Perspectives / Ed. P. Wilhelm, R. Nash. Oxford: Inter-Disciplinary Press, 2016. Pp. 81–93 [electronic book].

Van Dijk J., Poell Th. Understanding Social Media Logic // Media and Communication. 2013. 1, no. 1. Pp. 2–14.

Vanska A., Clark H. (eds) Fashion Curating: In the Museum and Beyond. London; New York: Bloomsbury, 2017.

Veblen Th. Theory of the Leisure Class. Oxford: Oxford University Press, 2007.

Veenstra M. The Australian Fashion Community // Design Online. State Library of Queensland. Published 2012. Last modified 2017. designonline.org.au/content/the-australian-fashion-community/ (accessed 14.08.2017).

Victoria and Albert Museum. About the Balenciaga: Shaping Fashion Exhibition // Victoria and Albert Museum. Last modified 2017. www.vam.ac.uk/articles/about-balenciaga-shaping-fashion (accessed 02.09.2017).

Vinken B. Fashion Zeitgeist: Trends and Cycles in the Fashion System. Oxford; New York: Berg, 2005.

Von Drehle D. Triangle: The Fire That Changed America. New York: Grove Press, 2003.

Webneel. What’s the Secret of My Beauty? Adobe Photoshop Day Cream – 25 after before Photos. webneel.com/webneel/blog/whatssecret-my-beauty-photoshop-after (accessed 07.06.2017).

Webster K. Global Shift: Australian Fashion’s Coming of Age // The Conversation. 2013. November 6. theconversation.com/global-shift-australian-fashions-coming-of-age-19237 (accessed 21.11.2016).

Webster K. The Circular Economy. A Wealth of Flows. Cowes: Ellen MacArthur Foundation, 2017.

Weiser M. The Computer for the 21st Century // Scientific American September. 1991. Pp. 94–100.

Weller S. Fashion as Viscous Knowledge: Fashion’s Role in Shaping Transnational Garment Production // Journal of Economic Geography. 2007. 7, no. 1. Pp. 39–66.

Weller S. Beyond «Global Production Network» Metaphors: Australian Fashion Week’s Trans-sectoral Synergies // Growth and Change. 2008. 39, no. 1. Pp. 104–122.

Weller S. Consuming the City: Public Festivals and Participatory Economies in Melbourne, Australia // Urban Studies. 2013. 50, no. 14. Pp. 2855–2868.

Weller S. Creativity or Costs? Questioning New Zealand’s Fashion Success: A Methodological Intervention // Journal of Economic Geography. 2013. 14, no. 4. Pp. 721–737.

Whitelocks S. Blonde Bombshell Who Cut Off Hair to Work as Male Model Reveals How She and Her Husband Now Get Mistaken for a «Gay Couple» // The Daily Mail. 2013. October 30. www.dailymail.co.uk/femail/article-2480168/Elliott-Sailors-female-works-male-model-gets-mistaken-husbandgay-couple.html (accessed 08.06.2017).

Willis-Tropea L. Glamour Photography and the Institutionalization of Celebrity // Photography & Culture. 2011. 4, no. 3. Pp. 261–276.

Willsher K. and agencies. Models in France Must Provide Doctor’s Note to Work // The Guardian AUS. 2015. December 18. www.theguardian.com/world/2015/dec/18/models-doctors-note-prove-not-too-thinfrance (accessed 07.06.2017).

Wilson E. Adorned in Dreams: Fashion and Modernity. London: I. B. Tauris, 1985.

Wilson E. Fashion and Postmodern Body // Chic Thrills: A Fashion Reader / Ed. J. Ash, E. Wilson. Berkeley; Los Angeles: University of California Press, 1992. Pp. 3–17.

Wilson E. Now You Know: The Evolution of Donna Karan’s Seven Easy Pieces // Instyle Magazine. 2015. July. www.instyle.com/news/history-donna-karan-seven-easy-pieces (accessed 12.05.2017).

Wisler J. C. U. S. CEOs of SBUs in Luxury Goods Organizations: A Mixed Methods Comparison of Ethical Decision-Making Profiles // Journal of Business Ethics. 2016.

Wissinger E. A. This Year’s Model: Fashion, Media, and the Making of Glamour. New York: New York University Press, 2015.

Wolf N. The Beauty Myth: How Images of Beauty Are Used against Women. New York: HarperCollins, 1991.

Wolf N. Emily Ratajowski’s Naked Ambition // Harper’s Bazaar. 2016. July 7.

Wolinski N. When Fashion Dresses Up the Imagination // Beaux Arts Magazine. Pamphlet for Dysfashional exhibition. Luxembourg, 2007.

Wollen P. The Concept of Fashion in the Arcades Project // boundary 2 30. 2003. No. 1. Pp. 131–142.

Wrigley N., Lowe M. Reading Retail: A Geographical Perspective on Retailing and Consumption Spaces. London: Arnold, 2002.

Yaeger L. On the Eve of the Comme des Garçons Retrospective, the Notoriously Reclusive Rei Kawakubo Speaks Out // Vogue. 2017. April 14. www.vogue.com/article/rei-kawakubo-interview-comme-des-garcons-2017-met-museum-costume-exhibit/ (accessed 13.05.2017).

Yang Jung-ha, Kincade D. H. Chen-Yu J. H. Types of Apparel Mass Customization and Levels of Modularity and Variety: Application of the Theory of Inventive Problem Solving // Clothing and Textiles Research Journal. 2015. 33, no. 3. Pp. 199–212.

Young L. Growing Your Business. A report to HM Government. London: HMSO, 2013.

Yusoff K., Waterton C. Indeterminate Bodies // Body and Society. 2017. 3, no. 23. Pp. 3–22.

Zborowska A. Deconstruction in Contemporary Fashion Design: Analysis and Critique // International Journal of Fashion Studies. 2015. 2, no. 2. Pp. 185–201.

Zeilser A. We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement. New York: PublicAffairs, 2016.

Zellweger R. We Can Do Better // Huffington Post, The blog. 2016. August 8. www.huffingtonpost.com/renee-zellweger/we-can-dobetter_b_11355000.html (accessed 08.06.2017).

Zhang M. Kate Winslet’s Modeling Contract with L’Oréal Has a «No Photoshop» Clause // PetaPixel. 2016. October 24. petapixel.com/2015/10/24/kate-winslets-modeling-contract-with-loreal-has-a-no-photoshopclause/ (accessed 07.06.2017).

Žiźek S. Living in the End Times. London; New York: Verso, 2011.

ИНТЕРНЕТ-РЕСУРСЫ

2 x 4. Prada Waist Down. 2 x 4. 2x4.org/work/26/prada-waist-down/ (accessed 15.09.2017).

Bubble, Susie. Twitter post by @susiebubble. 2016. September 26 (12:59 a.m.). twitter.com/susiebubble/status/780315796107034624 (accessed 07.06.2017).

De Klerk, Amy. Kardashians to Blame // Harper’s Bazaar (UK). 2017. March 31. www.harpersbazaar.co.uk/beauty/news/a40729/kardashians-to-blame-for-the-number-of-millennial-women-getting-cosmeticprocedures/ (accessed 03.06.2017).