John Richetti - The Columbia History of the British Novel

Rosa, Salvator, 340, 342, 344, 346

Roscoe, W. C., 410

Rose, Jacqueline, 591 — 92; The Case of Peter Pan, 583 -84

Rossetti, Christina, 957

Rossetti, Dante Gabriel, 373

Rousseau, Jean-Jacques, 19, 192, 990; on children, 582, 591 -92; Confessions, 591; émile, 591; La nouvelle Héloise, 337

Rowe, Elizabeth, 13, 88 Royalty, 311 -13

Rudd, Martha, 505

Rupert, Prince, 40

Rural life, 446 — 47

Rushdie, Salman, 636, 644, 942, 973; on colonialism, 652 -53; Grimus, 1009; Haroun and the Sea of Stories, 1009; Imaginary Homelands, 1009; The Jaguar Smile, 1009; Midnight's Children , 635, 654 — 55, 977 -78, 1009; The Satanic Verses , 647, 653 — 56, 977 -79; Shame , 1009

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Ruskin, John, 391, 433, 725; Modern Painters, 535 — 36; Stones of Venice, 828; on suburban life, 624; Unto This Last, 533

Russell, Bertrand, 726, 734, 820

Russell, Leonard, 896

Sade, Marquis de (Donatien-AlphonseFrançois, Comte de Sade), 947; on Clarissa, 73, 98–99, 100

Sadleir, Michael, 456, 471; Trollope: A Commentary, 472, 474 Sadomasochism, 220

Said, Edward, xiv; Orientalism, 314 -15

Saint-Pierre, Bernardin de: Paul and Virginia, 193 — 94 Saintsbury, George, 20, 382, 474

Salinas, Pedro, 560

Sand, George, 355

Saracens, 316, 318 — 19

Sartre, Jean-Paul, 295

Satire, 63, 112, 127, 203, 213, 436, 451, 536, 568, 867 — 68, 945, 962, 991, 1005; Amis's, 900–903; Fielding's, 107 — 8, 114 — 16, 118 -20, 264; Greene's, 874 — 76; Huxley's, 870 — 72, 1002; Orwell's, 872 — 74, 887 — 90; political, 115, 391; Pym's, 948 — 49, 1007; role of, 128 -31; and sentimentalism, 183 — 84; Smollett's, 133 — 35, 137 — 39, 141 — 42, 145 — 50; Sterne's, 154, 165, 168 — 70, 173 -74, 177 — 78; Swift's, 130, 1012; Thackeray's, 409, 1012; Waugh's, 867 -70, 876 — 87, 890 -94, 1013; Wilson's, 912 — 13

Saturday Review: on Trollope, 460, 469 -70, 472 -73

Savery, Henry: Quintus Servinton, a Tale Founded upon Incidents of Real Occurrence, 568

Saxons, 315

Scandal, 504 — 5

School life, 136, 140

Schreber, Dr., 240 — 41

Schreiner, Olive: From Man to Man, 1009; The Story of an African Farm, 575 -76, 1009; Trooper Peter Halket of Mashonaland, 576; Undine, 1009; Women and Labour, 1009

Science, 20, 616, 703, 945; in sensation novels, 499–501; Snow on, 908 — 10, 1011

Science fiction, 302, 901; Lessing and, 923 — 24, 938; Wells and, 659, 1014

Scotland, 121, 127, 137, 565 — 66; Walter Scott and, 312 — 14

Scott, J. D., 904

Scott, Margaret Charlotte Charpentier, 1009

Scott, Paul, 635; The Day of the Scorpion, 646 — 47, 1009; A Division of the Spoils, 643 — 44, 1009; homoeroticism in novels of, 637, 646; The Jewel in the Crown, 646, 653, 1009; The Raj Quartet, 636 — 37, 643 -47, 1009; The Towers of Silence, 1009; Staying On, 1009; views on empire of, 643 -47

Scott, Sarah: Millennium Hall, 192

Scott, Walter, xviii, 17, 20, 127, 276, 300, 328, 339, 425, 990, 1001, 1005, 1009; The Abbot, 306, 411; Anne of Geierstein, 306; anonymity of, 305 -7; The Antiquary , 305- 6; The Betrothed, 307; The Black Dwarf, 306; The Bridal of Triermain, 305, 1010; The Bride of Lammermoor, 306, 312, 322, 324; Castle Dangerous, 1010; on class politics, 321 -24, 390; Count Robert of Paris, 307; The Fair Maid of Perth, 306; The Fortunes of Nigel, 306; Guy Mannering , 305; Harold the Dauntless, 1010; The Heart of Midlothian , 306, 432; history in works of, 308 -10, 509; on imperialism, 314- 15, 565;

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Scott, Walter (continued) influence of, 432 — 33; Ivanhoe , 306, 312, 315 — 17, 322, 566; Kenilworth, 306; The Lady of the Lake, 305, 1010; The Lay of the Last Minstrel, 305, 307, 1010; A Legend of Montrose, 306; life of, 304 — 5; The Lord of the Isles, 1010; on magic and witchcraft, 322- 25; Marmion, 1010; The Minstrelsy of the Scottish Border, 305, 1010; The Monastery, 306; Old Mortality, 306, 308, 321; Orientalism in works of, 315- 19; patriarchy as theme of, 311 — 12; Peveril of the Peak, 306; The Pirate, 306; Quentin Durward, 306; race consciousness of, 317 -19; Redgauntlet, 306, 316; Rob Roy , 306, 311; Rokeby, 305; St. Ronan's Well, 306; St. Valentine's Day, 1010; and Scotland, 312- 14; Siege of Malta, 307; supernatural tales in, 320 — 21; Tales of My Landlord , 306; Tales of the Crusaders, 306- 7; The Talisman, 307, 315- 16, 318 — 20; and Universal History, 302 — 4, 308, 312 -14; Waverley, 305, 309 -12, 315, 317, 324, 566, 1010; Waverley Novels, 301, 303 -5, 308- 15, 321 -25; Woodstock, 306

Scriblerus Club, 108, 112

Scriblerus Secundus, 108

Scudéry, Madeleine de, 51, 88

Sea stories, 127

Second Reform Act, 495, 500

Sedgwick, Eve Kosofsky, 239, 244; Between Men, 240 — 41

Seduction, 88, 93; in amatory fiction, 68–69; and prostitution, 77–78; as theme, 51–52, 54–55, 68–69, 91 — 92

Seeing. See Vision

Seeley, John: The Expansion of England, 562

Self-consciousness, 717, 974 — 75; in dreams, 600–601; in seeing, 536 — 37, 545; and sexuality, 543 — 44

Self-doubt, 708 — 9

Selfhood, 151 -52

Self-reflection, 37–38

Sensation novels, 479 — 81, 506, 995; as art form, 484 — 85; authors of, 504 -5; Brontë's impact on writers of, 363 — 64; imperialism in, 502 — 3; science in, 498–502; thematics of, 482 — 95; women and, 495- 98

Sensibility, 682; excess, 337 -38; gender and, 250 -52; role of, 165 — 66, 193; in society, 80–81; in Sterne's novels, 184 -85; in Tristram Shandy, 166 -68; in Wollstonecraft's novels, 258 — 59, 265

Sentiment: role of, 192 -93

Sentimentalism, 182, 187, 189, 191, 197; in Conrad's work, 690 -91; humor and, 183 — 84; role of, 192- 94

Sentimental novels, 181 — 82, 249; character changes in, 189- 90; education and, 190 -91; gender roles in, 195 — 97; and Gothic novels, 224 -25; heroes in, 186 -88; individualism in, 191 -92; origins of, 183 -84; religion and, 184 -85

Serial publication, 144, 552, 1003, 1012; of Dickens's works, 395 — 96, 996; of Trollope's work, 456, 463 — 65

Services: information, 109, 115

Seven Years' War, 149

Sévigné, Mme de, 88–89

Sex and sexuality, 6, 46, 75, 85, 89, 91, 149, 175, 188, 221, 233, 235, 239, 241, 261, 426, 510, 534, 543 -44, 620, 681, 751, 792, 901, 940; in amatory fiction, 52–59; children and, 591 -92, 605; and class, 535, 539, 542, 544 — 45, 551 -54; and death,

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843 — 44; female, 225 — 26, 345, 347 — 48, 357, 394; femininity and, 776 — 77; in Joyce's work, 782 — 85; Lawrence's views of, 729, 731, 737 — 39; in Lessing's works, 931 — 32; male, 377 — 78, 722; and race, 688 — 89; and rape, 61, 67, 69; and religion, 722- 24; in Scott's novels, 646 — 47; Sterne's views on, 176 -77; subversion and, 58–59, 92, 237; in Wells's novels, 670 — 71; women's, 202, 204 — 7, 218, 718 — 20, 793

Sexual aggression, 220 — 23, 253

Sexual desire, 634, 931; in amatory fiction, 54–55, 61; in Gothic novels, 234 — 35, 239; in Hardy's works, 534, 538 — 41; love and, 61, 339; surveillance and, 241 — 42

Sexual relationships: in amatory fiction, 53, 67–68

Shakespeare, William, 303, 398; Antony and Cleopatra, 312; As You Like It, 312; Hamlet, 398; Henry IV, 311; King Lear, 398, 948 — 49; Macbeth, 312, 322; The Tempest, 577; Troilus and Cressida, 312

Shame, 550 — 51

Shaw, George Bernard, 706

Shelley, Mary, 302, 331, 340, 999, 1015; domestic ideology of, 346 -49; "Epipsychidion," 345, 822; Falkner , 349; Frankenstein, or, The Modern Prometheus, 231, 239, 242 — 43, 328, 346 -49, 616, 1010; The Last Man , 349, 1010; Lodore , 349, 1010; Mathilda, 349; Valperga, 1010