Simon Montefiore - Stalin

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Stalin: краткое содержание, описание и аннотация

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This widely acclaimed biography provides a vivid and riveting account of Stalin and his courtiers—killers, fanatics, women, and children—during the terrifying decades of his supreme power. In a seamless meshing of exhaustive research and narrative plan, Simon Sebag Montefiore gives us the everyday details of a monstrous life.
We see Stalin playing his deadly game of power and paranoia at debauched dinners at Black Sea villas and in the apartments of the Kremlin. We witness first-hand how the dictator and his magnates carried out the Great Terror and the war against the Nazis, and how their families lived in this secret world of fear, betrayal, murder, and sexual degeneracy. Montefiore gives an unprecedented understanding of Stalin’s dictatorship, and a Stalin as human and complicated as he is brutal.
Fifty years after his death, Stalin remains one of the creators of our world. The scale of his crimes has made him, along with Hitler, the very personification of evil. Yet while we know much about Hitler, Stalin and his regime remain mysterious. Now, in this enthralling history of Stalin’s imperial court, the fear and betrayal, privilege and debauchery, family life and murderous brutality are brought blazingly to life.
Who was the boy from Georgia who rose to rule the Empire of the Tsars? Who were his Himmler, Göring, Goebbels? How did these grandees rule? How did the “top ten” families live? Exploring every aspect of this supreme politician, from his doomed marriage and mistresses, and his obsession with film, music and literature, to his identification with the Tsars, Simon Sebag Montefiore unveils a less enigmatic, more intimate Stalin, no less brutal but more human, and always astonishing.
Stalin organised the deadly but informal game of power amongst his courtiers at dinners, dances, and singsongs at Black Sea villas and Kremlin apartments: a secret, but strangely cosy world with a dynamic, colourful cast of killers, fanatics, degenerates and adventurers. From the murderous bisexual dwarf Yezhov to the depraved but gifted Beria, each had their role: during the second world war, Stalin played the statesman with Churchill and Roosevelt aided by Molotov while, with Marshal Zhukov, he became the triumphant warlord. They lived on ice, killing others to stay alive, sleeping with pistols under their pillows; their wives murdered on Stalin’s whim, their children living by a code of lies. Yet they kept their quasi-religious faith in the Bolshevism that justified so much death.
Based on a wealth of new materials from Stalin’s archives, freshly opened in 2000, interviews with witnesses and massive research from Moscow to the Black Sea, this is a sensitive but damning portrait of the Genghis Khan of our epoch. * * *

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For the children of the leaders who were not arrested, there had never been a time of greater joy and energy. The jazz craze was still sweeping the country: Alexandrov’s latest musical, Volga, Volga , came out in 1938 and its tunes were played over and over again in the dance halls. At parties for the diplomatic corps, the killers danced to the new sounds: Kaganovich hailed jazz as “above all the friend of the jolly, the musical organizer of our high-spirited youth.” Kaganovich wrote a jazz guide leaflet with his friend Leonid Utesov, the jazz millionaire, entitled How to Organize Railway Ensembles of Song and Dance and Jazz Orchestras in which “The Locomotive” commanded that there should be a “ dzhaz ” band at every Soviet station. They certainly needed cheering up.

“It was truly a time of huge hope and joy for the future,” remembers Stepan Mikoyan. “We were perpetually excited and happy—the new Metro opened with its chandeliers, the giant Moskva Hotel, the new city of Magnitogorsk, and all sorts of other triumphs.” The propaganda machine sung of heroes of labour like the super-miner Stakhanov, of aviation, of exploration. Voroshilov and Yezhov were hailed as “knights” in ballads. The movies had names like Tales of Aviation Heroes . “Yes, it was an age of heroes!” reminisces Andreyev’s daughter Natasha. “We were not afraid then. Life was full—I remember smiling faces and climbing mountains, heroic pilots. Not everyone was living under oppression. We knew as children the first thing to be done was to make people strong, to make a New Man, and educate the people. At school, we learned how to use different tools, we went into the countryside to help with the harvest. No one paid us—it was our duty.”

The NKVD were heroes too: on 21 December, the “Organs” celebrated their twentieth anniversary at a Bolshoi gala. Beneath flowers and banners of Stalin and Yezhov, Mikoyan, in a Party tunic, declared: “Learn the Stalinist style of work from Comrade Yezhov just as he learned it from Comrade Stalin.” But the crux of his speech was: “Every citizen of the USSR should be an NKVD agent.”

The country celebrated the anniversary of Pushkin’s death as well as the anniversary of the Georgian poet Rustaveli which was organized by Beria and attended by Voroshilov and Mikoyan. Stalin was deliberately fusing traditional Russian culture with Bolshevism as Europe lurched closer to war. The Soviets were now fighting the Fascists by proxy in the Spanish Civil War, sparking a craze for Spanish songs and Spanish caps, “blue with red edging on the visor,” and big berets, “tilted at a rakish angle.” Women wore Spanish blouses. “If Tomorrow Brings War” was one of the most popular tunes. All the children of the leaders wanted to be pilots or soldiers.

“Even we children knew that war was coming,” recalls Stalin’s adopted son Artyom, “and we had to be strong not to be destroyed. One day, Uncle Stalin called we boys and said, ‘What would you like to do with your life?’” Artyom wanted to be an engineer. “No, we need men who understand the artillery.” Artyom and Yakov, already an engineer, both joined the artillery. “This was the only privilege I ever received from my Uncle Stalin,” says Artyom. But aviators were the élite: more magnates’ children joined “Stalin’s falcons” than any other service: Vasily trained as a pilot, alongside Stepan Mikoyan and Leonid Khrushchev. 2

Yet the families of the leaders endured a special experience during that time. For the parents, it was a daily torment of depression, uncertainty, exhilaration, anxiety as friends, colleagues and relatives were arrested. Yet to read Western histories and Soviet memoirs, one might believe that this new Bolshevik élite were convinced that all those arrested were innocent. This reflects the postdated guilt of those whose fathers took part in the slaughter.

The truth was different. Zhdanov told his son Yury that Yezhov was right even in the most unlikely cases: “The devil knows! I’ve known him many years but then there was Malinovsky!” he said, referring to the notorious Tsarist spy. Andreyev knew there were Enemies but thought they had to be “thoroughly checked” before they were arrested. Mikoyan had his reservations on many arrests but his son Sergo knew his father was, in his words, a “Communist fanatic.” The wives were if anything more fanatical than the husbands: Mikoyan recalled how his wife utterly believed in Stalin and was least likely to question his actions. “My father,” says Natasha Andreyeva, “believed wreckers and Fifth Columnists were destroying our State and had to be destroyed. My mother was utterly convinced. We prepared for war.”

The magnates never discussed the Terror before the children who lived in a world of lies and murder. The “reluctance to reveal one’s thoughts even to one’s son was the most haunting sign of these times,” remembered Andrei Sakharov the physicist. Yet the children naturally noticed when their uncles and family friends disappeared, leaving unspeakable and unaskable voids in their lives. The Mikoyan children heard their parents and uncles whispering about the arrests in Armenia, but their father sometimes could not stop himself exclaiming, “I don’t believe it!” Andreyev “never mentioned it to us—it was our parents’ business,” recalls Natasha Andreyeva. “But if someone important was arrested, my father would call to Mama, ‘Dorochka, can you speak with me for a minute.’” Indeed, Dora told her family she could identify Enemies by looking into their eyes. They whispered behind the kitchen door. Whenever his wife asked him something dangerous, Mikoyan replied: “Shut up.” Before his death, Ordzhonikidze quietened his wife with a firm “Not now!” Parents were constantly going for walks in the woods or round the Kremlin. 3

The inhabitants of the House on the Embankment, the hideous luxury building for younger leaders including the Khrushchevs, most of the People’s Commissars and Stalin’s cousinhood, like the Svanidzes and Redens, waited each night for the groan of the elevators, the knock on the doors, as the NKVD arrived to arrest their suspects. [126] Nadezhda Mandelstam wrote beautifully of how she and her husband had lain awake in the Writers’ Union building until the lift had passed their floor. As Trifonov relates in his novel House on the Embankment , every morning the uniformed doorman told the other inhabitants who had been arrested during the night. Soon the building was filled with empty apartments, doors ominously sealed by the NKVD. Khrushchev worried about the gossiping women in his family, furious when his peasant mother-in-law spent her time chattering downstairs, knowing well how loose talk cost lives.

Parents kept bags packed for prison and Mauser and Chagan pistols under their pillows, ready to commit suicide. The cleverer ones arranged a schedule for their children in case they were arrested: the mother of Zoya Zarubina, the stepdaughter of a Chekist, showed her how to gather warm clothes and take her little sister, aged eight, to a distant relative in the countryside. 4

The children noticed frequent house-moving because every execution created a vacant apartment and dacha which were eagerly occupied by survivors and their aspirational Party housewives, ambitious for grander accommodation. Stalin exploited this way of binding the leaders to the slaughter. Yezhov’s family moved into Yagoda’s apartments. Zhdanov received Rudzutak’s dacha, Molotov acquired Yagoda’s and later Rykov’s. Vyshinsky was the most morbidly avaricious of all: he had always coveted the dacha of Leonid Serebryakov: “I can’t take my eyes off it… You’re a lucky man, Leonid,” he used to say. Days after Serebryakov’s arrest on 17 August 1936, the Procurator demanded the dacha for himself, even managing to get reimbursed for his old house and then receive 600,000 roubles to rebuild the new one. This vast sum was approved on 24 January 1937, the very day Vyshinsky cross-examined Serebryakov in the Radek trial. [127] After Stalin’s death, the Serebryakovs managed to get half the property returned to them but the Vyshinskys kept the other half. Thus today, sixty years after their father was shot by their neighbour, the Serebryakovs spend each weekend next to the Vyshinskys. Woe betide anyone who refused these ill-starred gifts: Marshal Yegorov unwisely rejected the dacha of a shot comrade. “The souls of former owners,” wrote Svetlana Stalin, “seemed to linger within those walls.” 5“We were never afraid in 1937,” explains Natasha Andreyev, because she believed absolutely that the NKVD only arrested Enemies. Therefore she and their parents would never be arrested. Stepan Mikoyan “wasn’t worried but only later did I realize my parents lived in constant apprehension.” Furthermore, Politburo members were sent all the interrogation records. Stepan used to creep in and peep at the extraordinary revelations of their own family friends who turned out to be Enemies. Every household had its “expunger”: in the Mikoyan household, Sergei Shaumian, adopted son of a late Old Bolshevik, went through all the family photograph albums erasing the faces of Enemies as they were arrested and shot, a horrible distortion of the colouring-in books that most children so enjoy. 6

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