Simon Montefiore - Stalin

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Stalin: краткое содержание, описание и аннотация

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This widely acclaimed biography provides a vivid and riveting account of Stalin and his courtiers—killers, fanatics, women, and children—during the terrifying decades of his supreme power. In a seamless meshing of exhaustive research and narrative plan, Simon Sebag Montefiore gives us the everyday details of a monstrous life.
We see Stalin playing his deadly game of power and paranoia at debauched dinners at Black Sea villas and in the apartments of the Kremlin. We witness first-hand how the dictator and his magnates carried out the Great Terror and the war against the Nazis, and how their families lived in this secret world of fear, betrayal, murder, and sexual degeneracy. Montefiore gives an unprecedented understanding of Stalin’s dictatorship, and a Stalin as human and complicated as he is brutal.
Fifty years after his death, Stalin remains one of the creators of our world. The scale of his crimes has made him, along with Hitler, the very personification of evil. Yet while we know much about Hitler, Stalin and his regime remain mysterious. Now, in this enthralling history of Stalin’s imperial court, the fear and betrayal, privilege and debauchery, family life and murderous brutality are brought blazingly to life.
Who was the boy from Georgia who rose to rule the Empire of the Tsars? Who were his Himmler, Göring, Goebbels? How did these grandees rule? How did the “top ten” families live? Exploring every aspect of this supreme politician, from his doomed marriage and mistresses, and his obsession with film, music and literature, to his identification with the Tsars, Simon Sebag Montefiore unveils a less enigmatic, more intimate Stalin, no less brutal but more human, and always astonishing.
Stalin organised the deadly but informal game of power amongst his courtiers at dinners, dances, and singsongs at Black Sea villas and Kremlin apartments: a secret, but strangely cosy world with a dynamic, colourful cast of killers, fanatics, degenerates and adventurers. From the murderous bisexual dwarf Yezhov to the depraved but gifted Beria, each had their role: during the second world war, Stalin played the statesman with Churchill and Roosevelt aided by Molotov while, with Marshal Zhukov, he became the triumphant warlord. They lived on ice, killing others to stay alive, sleeping with pistols under their pillows; their wives murdered on Stalin’s whim, their children living by a code of lies. Yet they kept their quasi-religious faith in the Bolshevism that justified so much death.
Based on a wealth of new materials from Stalin’s archives, freshly opened in 2000, interviews with witnesses and massive research from Moscow to the Black Sea, this is a sensitive but damning portrait of the Genghis Khan of our epoch. * * *

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A candidate Politburo member since 1921, “our Vecha” had been Party Secretary before Stalin but Lenin denounced Molotov for the “most shameful bureaucratism, and the most stupid.” When Trotsky attacked him, he revealed the intellectual inferiority complex he shared with Stalin and Voroshilov: “We can’t all be geniuses, Comrade Trotsky,” he replied. The chips on the shoulders of these home-grown Bolsheviks were mountainous.

Now Second Secretary after Stalin himself, Molotov admired Koba but did not worship him. He often disagreed with, and criticized, Stalin right up until the end. He could outdrink anyone in the leadership—no mean feat among so many alcoholics. He seemed to enjoy Stalin’s teasing, even when he called him the Jewish “Molotstein.”

His saving grace was his devotion to Polina Karpovskaya, his Jewish wife, known by her nom de guerre Zhemchuzhina, “the Pearl.” Never beautiful but bold and intelligent, Polina dominated Molotov, worshipped Stalin and became a leader in her own right. Both devoted Bolsheviks, they had fallen in love at a women’s conference in 1921. Molotov thought her “clever, beautiful and above all a great Bolshevik.”

She was the consolation for the discipline, stress and severity of his crusade, yet Molotov was no automaton. His love letters show how he idolized her like a schoolboy in love. “Polinka, darling, my love! I shan’t hide that sometimes I’m overcome with impatience and desire for your closeness and caresses. I kiss you, my beloved, desired… Your loving Vecha. I’m tied to you body and soul…” Sometimes the letters were wildly passionate: “I wait to kiss you impatiently and kiss you everywhere, adored, sweetie, my love.” She was his “bright love, my heart and happiness, my pleasure honey, Polinka.” 4

* * *

Molotov’s spoiled daughter, Svetlana, and the other Politburo children played in the courtyard but “we didn’t want to live in the Kremlin. We were constantly told by our parents not to be noisy. ‘You’re not in the street now,’ they’d say. ‘You’re in the Kremlin.’ It was like a jail and we had to show passes and get passes for our friends to visit us,” remembers Natasha, the daughter of Andreyev and Dora Khazan. The children constantly bumped into Stalin: “When I was ten with long plaits playing hop, skip and jump with Rudolf Menzhinsky [son of the OGPU chief ], I was suddenly lifted up by strong hands and I wriggled round and saw Stalin’s face with its brown eyes and very intense, strict expression. ‘So who are you?’ he asked. I said ‘Andreyeva.’ ‘Well, go on jumping then!’ Afterwards, Stalin frequently chatted to her, particularly since the Kremlin’s earliest cinema was reached by a staircase near their front door.

Often Stalin’s dinner was simply a continuation of his meetings with workaholic comrades: soup was placed on the sideboard, guests could help themselves and they frequently worked until 3 a.m., recalls Stalin’s adopted son Artyom. “I saw Molotov, Mikoyan and Kaganovich all the time.” Stalin and Nadya often dined with the other Kremlin couples. “Dinners were simple,” wrote Mikoyan in his memoirs. “Two courses, a few starters, sometimes some herring… Soup for first course then meat or fish and fruit for dessert—it was like anywhere else then.” There was a bottle of white wine and little drinking. No one sat at table for more than half an hour. One evening, Stalin who took a serious interest in political image, emulated Peter the Great’s barbering exploits: “Get rid of that beard!” he ordered Kaganovich, asking Nadya, “Can I have some scissors? I’ll do it myself.” [14] Of course Kaganovich kept the moustache which remained fashionable. Even facial hair was then based on the leader cult: if a client wanted a goatee with beard and moustache, he would ask his barber for a “Kalinin” after the Politburo member. When Stalin ordered another leader, Bulganin, to chop off his beard, he compromised by keeping a “Kalinin” goatee. Kaganovich did it there and then. Such was the entertainment at Stalin and Nadya’s for dinner.

The wives were influential. Stalin listened to Nadya: she had met a big-eared rotund young hobbledehoy, a fitter on the mines of the Donets, Khrushchev, at the Academy where he was energetically crushing the opposition. She recommended him to Stalin who launched his career. Stalin regularly had the young official to dinner with Nadya. Stalin always liked Khrushchev, partly because of Nadya’s recommendation. This was, remembered Khrushchev, “how I survived… my lottery ticket.” He simply could not believe that here was Stalin, the demigod he worshipped, “laughing and joking” with him so modestly.

Nadya fearlessly approached Stalin about injustices: when an official, probably a Rightist, was sacked from his job, she pleaded for his career and told Stalin that “these methods should not be used with such workers… it’s so sad… He looked as if he’d been killed. I know you really hate me interfering but I think you should interfere in this case which everyone knows is unfair.” Stalin unexpectedly agreed to help and she was thrilled: “I’m so glad you trust me… it’s a shame not to correct a mistake.” Stalin did not take such interference kindly from anyone else but he seemed to be able to take it from his young wife.

Polina Molotova was so ambitious that when she decided her boss as Commissar for Light Industry was not up to the job, she asked Stalin during dinner if she could create a Soviet perfume industry. Stalin called in Mikoyan and placed her TeZhe perfume trust under him. She became the Tsarina of Soviet fragrance. Mikoyan admired her as “capable, clever, and vigorous” but “haughty.” 5

* * *

Except for the snobbish Molotovs, these potentates still lived simply in the palaces of the Kremlin, inspired by their devout revolutionary mission with its obligatory “Bolshevik modesty.” Corruption and extravagance were not yet widespread: indeed, the Politburo wives could barely afford to dress their children and the new archives show that Stalin himself sometimes ran out of money.

Nadya Stalin and Dora Khazan, the ascendant Andreyev’s wife, daily caught the tram to the Academy. Nadya is always held up as a paragon of modesty for using her maiden name but Dora did the same: it was the style of the times. Sergo banned his daughter taking his limousine to school: “too bourgeois!” The Molotovs on the other hand were already notoriously unproletarian: Natalya Rykova heard her father complain that the Molotovs never invited their bodyguards to eat at table with them.

At Stalin’s, Nadya was in charge: Svetlana says that her mother managed the household on “a modest budget.” They prided themselves on their Bolshevik austerity. Nadya regularly exhausted her housekeeping money: “Please send me 50 roubles because I only get my money on 15 October and I’ve got none.”

“Tatka, I forgot to send the money,” replied Stalin. “But I’ve now sent it (120 roubles) with colleagues leaving today… Kiss you, Joseph.” Then he checked she had received it. She replied: “I got the letter with the money. Thanks! Glad you’re coming back! Write when you’re arriving so I can meet you!” 6

On 3 January 1928, Stalin wrote to Khalatov, the chief of GIZ (the State Publishing House): “I’m in great need of money. Would you send me 200 roubles!” [15] Stalin followed the same principle with his clothes: he refused to replace his meagre wardrobe of two or three much-darned tunics, old trousers and his favourite greatcoat and cap from the Civil War. He was not alone in this sartorial asceticism but he was aware that, like Frederick the Great whom he had studied, his deliberately modest old clothes only accentuated his natural authority. As for his boots, the cobbler’s son always took care to cultivate his martial air: he commissioned a special pair in Tsaritsyn in 1918 and later had them made in soft leather. When he got corns, he cut holes in the leather. Stalin cultivated his puritanism out of both conviction and taste: when he found new furniture in his apartment, he reacted viciously: “It seems someone from housekeeping or the GPU bought some furniture… contrary to my order that old furniture is fine,” he wrote. “Discover and punish the guilty! I ask you to remove the furniture and put it in storage!” 15

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