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Walker Percy: The Message in the Bottle: How Queer Man Is, How Queer Language Is, and What One Has to Do with the Other

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Walker Percy The Message in the Bottle: How Queer Man Is, How Queer Language Is, and What One Has to Do with the Other

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Profound and passionate essays from one of America’s greatest literary voices. Before winning the National Book Award for fiction in 1962, Walker Percy was an established scholar of science, philosophy, and language. Presented here are his strongest essays in those subjects, offering what he called a “theory of man for a new age.” Ambitious yet readable, encapsulates the philosophical foundations of his groundbreaking novels, perfect for Percy fans and new readers alike. From discussions on the dislocation of man in the twentieth century to theories on why humans talk while other animals do not, thisis an enlightening collection from one of the South’s most celebrated writers.

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What are the symptoms of the deprivation?

6

When the scientific component of the popular wisdom is dressed up in the attic finery of a Judeo-Christianity in which fewer and fewer people believe, and men try to understand themselves as organisms somehow endowed with mind and self and freedom and worth, one consequence is that these words are taken less and less seriously as the century wears on, and no one is even surprised at mid-century when more than fifty million people have been killed in Europe alone. In fact there is more talk than ever of the dignity of the individual.

Do not imagine that what has occurred is a victory of science over religion. In the end science suffers too. As the pure research of the first half century, the revolutionary physics of Planck and Einstein, devolved into the technology of the second half, more and more youths turned their backs on both, the new science and the old God, and sought instead the fragile Utopias of the right place and the right person and the right emotion at the right time.

What happens when these Utopias don’t work?

7

There is a secret about the scientific method which every scientist knows and takes as a matter of course, but which the layman does not know. The layman’s ignorance would not matter if it were not the case that the spirit of the age had been informed by the triumphant spirit of science. As it is, the layman’s ignorance can be fatal, not for the scientist but for the layman.

The secret is this: Science cannot utter a single word about an individual molecule, thing, or creature in so far as it is an individual but only in so far as it is like other individuals. The layman thinks that only science can utter the true word about anything, individuals included. But the layman is an individual. So science cannot say a single word to him or about him except as he resembles others. It comes to pass then that the denizen of a scientific-technological society finds himself in the strangest of predicaments: he lives in a cocoon of dead silence, in which no one can speak to him nor can he reply.

8

At the end of an age, the denizens of the age still profess to believe that they can understand themselves by the theory of the age, yet they behave as if they did not believe it. The surest sign that an age is coming to an end is the paradoxical movement of the most sensitive souls of the age, the artists and writers first, then the youth, in a direction exactly opposite to the direction laid down by the theory of the age.

It was not an accident that in the nineteenth and the early twentieth century, the high-water mark of the old modern age, when the world had been transformed by Western man and the scientific revolution to his own use and people lived peacefully in the ethical twilight of Christianity, man should begin to feel most homeless in the same world where he had expected to feel most at home.

How can the Harvard behaviorist, living in the best of all scientific worlds, begin to understand the behavior of the Harvard undergraduate who comes from the best of all lay worlds, the affluent, informed, democratic, and ethical East (let the professor specify this world, make it as good as he chooses), who nevertheless turns his back on both worlds and prefers to live like Dostoevsky’s underground man?

How can the Unitarian minister, good man that he is, who believes in all the good things of the old modern age, the ethics, the democratic values, the tolerance, the individual freedom, and all the rest — how can he begin to understand his son, who wants nothing so much as out, out from under this good man and good home and the good things professed there? It is of no moment what the son chooses instead — Hare Krishna, Process, revolution, or Zen; to him anything, anything, is better than this fagged-out ethical deadweight of five thousand years of Judeo-Christianity.

9

A theory of man must account for the alienation of man. A theory of organisms in environments cannot account for it, for in fact organisms in environments are not alienated.

Judeo-Christianity did of course give an account of alienation, not as a peculiar evil of the twentieth century, but as the enduring symptom of man’s estrangement from God. Any cogent anthropology must address itself to both, to the possibility of the perennial estrangement of man as part of the human condition and to the undeniable fact of the cultural estrangement of Western man in the twentieth century.

By the very cogent anthropology of Judeo-Christianity, whether or not one agreed with it, human existence was by no means to be understood as the transaction of a higher organism satisfying this or that need from its environment, by being “creative” or enjoying “meaningful relationships,” but as the journey of a wayfarer along life’s way. The experience of alienation was thus not a symptom of maladaptation (psychology) nor evidence of the absurdity of life (existentialism) nor an inevitable consequence of capitalism (Marx) nor the necessary dehumanization of technology (Ellul). Though the exacerbating influence of these forces was not denied, it was not to be forgotten that human alienation was first and last the homelessness of a man who is not in fact at home.

The Judeo-Christian anthropology was cogent enough and flexible enough, too, to accommodate the several topical alienations of the twentieth century. The difficulty was that in order to accept this anthropology of alienation one had also to accept the notion of an aboriginal catastrophe or Fall, a stumbling block which to both the scientist and the humanist seems even more bizarre than a theology of God, the Jews, Christ, and the Church.

So the scientists and humanists got rid of the Fall and reentered Eden, where scientists know like the angels, and laymen prosper in good environments, and ethical democracies progress through education. But in so doing they somehow deprived themselves of the means of understanding and averting the dread catastrophes which were to overtake Eden and of dealing with those perverse and ungrateful beneficiaries of science and ethics who preferred to eat lotus like the Laodiceans or roam the dark and violent world like Ishmael and Cain.

Then Eden turned into the twentieth century.

10

The modern age began to come to an end when men discovered that they could no longer understand themselves by the theory professed by the age.

After the end of the modern age, its anthropology was still professed for a while and the denizens of the age still believed that they believed it, but they felt otherwise and they could not understand their feelings. They were like men who live by reason during the day and at night dream bad dreams.

The scientists and humanists were saying one thing, but the artists and poets were saying something else.

The scientists were saying that by science man was learning more and more about himself as an organism and more and more about the world as an environment and that accordingly the environment could be changed and man made to feel more and more at home.

The humanists were saying that through education and the application of the ethical principles of Christianity, man’s lot was certain to improve.

But poets and artists and novelists were saying something else: that at a time when, according to the theory of the age, men should feel most at home they felt most homeless.

Someone was wrong.

In the very age when communication theory and technique reached its peak, poets and artists were saying that men were in fact isolated and no longer communicated with each other.

In the very age when the largest number of people lived together in the cities, poets and artists were saying there was no longer a community.

In the very age when men lived longest and were most secure in their lives, poets and artists were saying that men were most afraid.

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