Harold MacGrath - The Place of Honeymoons

But who was this fellow in the Bavarian hat, who patrolled the sidewalk? He had been watching him when the madman approached. For an hour or more he had walked up and down, never going twenty feet beyond the limousine. He couldn’t see the face. The long dark coat had a military cut about the hips and shoulders. From time to time he saw him glance up at the lighted windows. Eh, well; there were other women in the world besides mademoiselle, several others.

He had to wait only half an hour for her appearance. He opened the door and saw to it that she was comfortably seated; then he paused by the window, touching his cap.

“What is it, François?”

“A gentleman offered me five hundred francs, Mademoiselle, if I would permit him to hide in the car.”

“Five hundred francs? To hide in the car? Why didn’t you call the police?”

“I started to, Mademoiselle, but he ran away.”

“Oh! What was he like?” The prima donna dropped the bunch of roses on the seat beside her.

“Oh, he looked well enough. He had the air of a gentleman. He was tall, with light hair and mustache. But as I had never seen him before, and as Mademoiselle wore some fine jewels, I bade him be off.”

“Would you know him again?”

“Surely, Mademoiselle.”

“The next time any one bothers you, call the police. You have done well, and I shall remember it. Home.”

The man in the Bavarian hat hurried back to the third car from the limousine, and followed at a reasonably safe distance.

The singer leaned back against the cushions. She was very tired. The opera that night had taxed her strength, and but for her promise she would not have sung to the ambassador’s guests for double the fee. There was an electric bulb in the car. She rarely turned it on, but she did to-night. She gazed into the little mirror; and utter weariness looked back from out the most beautiful, blue, Irish eyes in the world. She rubbed her fingers carefully up and down the faint perpendicular wrinkle above her nose. It was always there on nights like this. How she longed for the season to end! She would fly away to the lakes, the beautiful, heavenly tinted lakes, the bare restful mountains, and the clover lawns spreading under brave old trees; she would walk along the vineyard paths, and loiter under the fig-trees, far, far away from the world, its clamor, its fickleness, its rasping jealousies. Some day she would have enough; and then, good-by to all the clatter, the evil-smelling stages, the impossible people with whom she was associated. She would sing only to those she loved.

The glamour of the life had long ago passed; she sang on because she had acquired costly habits, because she was fond of beautiful things, and above all, because she loved to sing. She had as many moods as a bird, as many sides as nature. A flash of sunshine called to her voice; the beads of water, trembling upon the blades of grass after a summer shower, brought a song to her lips. Hers was a God-given voice, and training had added to it nothing but confidence. True, she could act; she had been told by many a great impressario that histrionically she had no peer in grand opera. But the knowledge gave her no thrill of delight. To her it was the sum of a tremendous physical struggle.

She shut off the light and closed her eyes. She reclined against the cushion once more, striving not to think. Once, her hands shut tightly. Never, never, never! She pressed down the burning thoughts by recalling the bright scenes at the ambassador’s, the real generous applause that had followed her two songs. Ah, how that man Paderewski played! They two had cost the ambassador eight thousand francs. Fame and fortune! Fortune she could understand; but fame! What was it? Upon a time she believed she had known what fame was; but that had been when she was striving for it. A glowing article in a newspaper, a portrait in a magazine, rows upon rows of curious eyes and a patter of hands upon hands; that was all; and for this she had given the best of her life, and she was only twenty-five.

The limousine stopped at last. The man in the Bavarian hat saw her alight. His car turned and disappeared. It had taken him a week to discover where she lived. His lodgings were on the other side of the Seine. After reaching them he gave crisp orders to the driver, who set his machine off at top speed. The man in the Bavarian hat entered his room and lighted the gas. The room was bare and cheaply furnished. He took off his coat but retained his hat, pulling it down still farther over his eyes. His face was always in shadow. A round chin, two full red lips, scantily covered by a blond mustache were all that could be seen. He began to walk the floor impatiently, stopping and listening whenever he heard a sound. He waited less than an hour for the return of the car. It brought two men. They were well-dressed, smoothly-shaven, with keen eyes and intelligent faces. Their host, who had never seen either of his guests before, carelessly waved his hand toward the table where there were two chairs. He himself took his stand by the window and looked out as he talked. In another hour the room was dark and the street deserted.

In the meantime the prima donna gave a sigh of relief. She was home. It was nearly two o’clock. She would sleep till noon, and Saturday and Sunday would be hers. She went up the stairs instead of taking the lift, and though the hall was dark, she knew her way. She unlocked the door of the apartment and entered, swinging the door behind her. As the act was mechanical, her thoughts being otherwise engaged, she did not notice that the lock failed to click. The ferrule of a cane had prevented that.

She flung her wraps on the divan and put the roses in an empty bowl. The door opened softly, without noise. Next, she stopped before the mirror over the mantel, touched her hair lightly, detached the tiara of emeralds … and became as inanimate as marble. She saw another face. She never knew how long the interval of silence was. She turned slowly.

“Yes, it is I!” said the man.

Instantly she turned again to the mantel and picked up a magazine-revolver. She leveled it at him.

“Leave this room, or I will shoot.”

Courtlandt advanced toward her slowly. “Do so,” he said. “I should much prefer a bullet to that look.”

“I am in earnest.” She was very white, but her hand was steady.

He continued to advance. There followed a crash. The smell of burning powder filled the room. The Burmese gong clanged shrilly and whirled wildly. Courtlandt felt his hair stir in terror.

“You must hate me indeed,” he said quietly, as the sense of terror died away. He folded his arms. “Try again; there ought to be half a dozen bullets left. No? Then, good-by!” He left the apartment without another word or look, and as the door closed behind him there was a kind of finality in the clicking of the latch.

The revolver clattered to the floor, and the woman who had fired it leaned heavily against the mantel, covering her eyes.

“Nora, Nora!” cried a startled voice from a bedroom adjoining. “What has happened? Mon Dieu , what is it?” A pretty, sleepy-eyed young woman, in a night-dress, rushed into the room. She flung her arms about the singer. “Nora, my dear, my dear!”

“He forced his way in. I thought to frighten him. It went off accidentally. Oh, Celeste, Celeste, I might have killed him!”

The other drew her head down on her shoulder, and listened. She could hear voices in the lower hall, a shout of warning, a patter of steps; then the hall door slammed. After that, silence, save for the faint mellowing vibrations of the Burmese gong.

At the age of twenty-six Donald Abbott had become a prosperous and distinguished painter in water-colors. His work was individual, and at the same time it was delicate and charming. One saw his Italian landscapes as through a filmy gauze: the almond blossoms of Sicily, the rose-laden walls of Florence, the vineyards of Chianti, the poppy-glowing Campagna out of Rome. His Italian lakes had brought him fame. He knew very little of the grind and hunger that attended the careers of his whilom associates. His father had left him some valuable patents – wash-tubs, carpet-cleaners, and other labor-saving devices – and the royalties from these were quite sufficient to keep him pleasantly housed. When he referred to his father (of whom he had been very fond) it was as an inventor. Of what, he rarely told. In America it was all right; but over here, where these inventions were unknown, a wash-tub had a peculiar significance: that a man should be found in his money through its services left persons in doubt as to his genealogical tree, which, as a matter of fact, was a very good one. As a boy his schoolmates had dubbed him “The Sweep” and “Suds,” and it was only human that he should wish to forget.