Arnold Bennett - Denry the Audacious

"With a cheque?" Denry demanded, with suave, jolly courtesy. "I don't collect postage stamps."

(And to himself: "She's got her postage stamps back.")

She hesitated. "Stay!" she said. "I 'll tell you what will be better. Can you call to-morrow afternoon? The bank will be closed now."

"Yes," he said, "I can call. What time?"

"Oh," she answered, "any time. If you come in about four, I 'll give you a cup of tea into the bargain. Though you don't deserve it!" After an instant, she added reassuringly: "Of course I know business is business with you. But I 'm glad I 've told you the real truth about your precious Mr. Herbert Calvert, all the same."

And as he walked slowly home Denry pondered upon the singular, erratic, incalculable strangeness of woman, and of the possibly magic effect of his own personality on women.

It was the next afternoon in July. Denry wore his new summer suit, but with a necktie of higher rank than the previous days. As for Ruth, that plain but piquant girl was in one of her more elaborate and foamier costumes. The wonder was that such a costume could survive even for an hour the smuts that lend continual interest and excitement to the atmosphere of Bursley. It was a white muslin, spotted with spots of opaque white, and founded on something pink. Denry imagined that he had seen parts of it before – at the ball; and he had; but it was now a tea-gown, with long languishing sleeves; the waves of it broke at her shoulders sending lacy surf high up the precipices of Ruth's neck. Denry did not know it was a tea-gown. But he knew that it had a most peculiar and agreeable effect on himself and that she had promised him tea. He was glad that he had paid her the homage of his best necktie.

Although the month was July, Ruth wore a kind of shawl over the tea-gown. It was not a shawl, Denry noted, it was merely about two yards of very thin muslin. He puzzled himself as to its purpose. It could not be for warmth, for it would not have helped to melt an icicle. Could it be meant to fulfil the same function as muslin in a confectioner's shop? She was pale. Her voice was weak, had an imploring quality.

She led him, not into the inhospitable wooden academy, but into a very small room which like herself was dressed in muslin and bows of ribbon. Photographs of amiable men and women decorated the pinkish-green walls. The mantelpiece was concealed in drapery as though it had been a sin. A writing-desk as green as a leaf stood carelessly in one corner; on the desk a vase containing some Cape gooseberries. In the middle of the room a small table; on the table a spirit-lamp in full blast, and on the lamp a kettle practising scales; a tray occupied the remainder of the table. There were two easy chairs; Ruth sank delicately into one, and Denry took the other with precautions.

He was nervous. Nothing equals muslin for imparting nervousness in the naïve. But he felt pleased.

"Not much of the Widow Hullins touch about this!" he reflected privately.

And he wished that all rent-collecting might be done with such ease, and amid such surroundings, as this particular piece of rent-collecting. He saw what a fine thing it was to be a free man, under orders from nobody; not many men in Bursley were in a position to accept invitations to four o'clock tea at a day's notice. Further, five per cent. on thirty pounds was thirty shillings; so that if he stayed an hour – and he meant to stay an hour – he would, while enjoying himself, be earning money steadily at the rate of sixpence a minute.

It was the ideal of a business career.

When the kettle, having finished its scales, burst into song with an accompaniment of castanets and vapour, and Ruth's sleeves rose and fell as she made the tea, Denry acknowledged frankly to himself that it was this sort of thing, and not the Brougham Street sort of thing, that he was really born for. He acknowledged to himself humbly that this sort of thing was "life," and that hitherto he had had no adequate idea of what "life" was. For, with all his ability as a card and a rising man, with all his assiduous frequenting of the Sports Club, he had not penetrated into the upper domestic strata of Bursley society. He had never been invited to any house where, as he put it, he would have had to mind his p's and q's. He still remained the kind of man whom you familiarly chat with in the street and club, and no more. His mother's fame as a flannel-washer was against him; Brougham Street was against him; and, chiefly, his poverty was against him. True, he had gorgeously given a house away to an aged widow! True, he succeeded in transmitting to his acquaintances a vague idea that he was doing well and waxing financially from strength to strength! But the idea was too vague, too much in the air. And save by a suit of clothes he never gave ocular proof that he had money to waste. He could not. It was impossible for him to compete with even the more modest of the bloods and the blades. To keep a satisfactory straight crease down the middle of each leg of his trousers was all he could accomplish with the money regularly at his disposal. The town was waiting for him to do something decisive in the matter of what it called "the stuff."

Thus Ruth Earp was the first to introduce him to the higher intimate civilisations, the refinements lurking behind the foul walls of Bursley.

"Sugar?" she questioned, her head on one side, her arm uplifted, her sleeve drooping, and a bit of sugar caught like a white mouse between the claws of the tongs.

Nobody had ever before said "Sugar?" to him like that. His mother never said "Sugar?" to him. His mother was aware that he liked three pieces but she would not give him more than two. "Sugar?" in that slightly weak, imploring voice seemed to be charged with a significance at once tremendous and elusive.

"Yes, please."

"Another?"

And the "Another?" was even more delicious.

He said to himself: "I suppose this is what they call flirting."

When a chronicler tells the exact truth there is always a danger that he will not be believed. Yet in spite of the risk, it must be said plainly that at this point Denry actually thought of marriage. An absurd and childish thought, preposterously rash; but it came into his mind, and – what is more – it stuck there! He pictured marriage as a perpetual afternoon tea alone with an elegant woman, amid an environment of rib-boned muslin. And the picture appealed to him very strongly. And Ruth appeared to him in a new light. It was perhaps the change in her voice that did it. She appeared to him at once as a creature very feminine and enchanting, and as a creature who could earn her own living in a manner that was both original and ladylike. A woman such as Ruth would be a delight without being a drag. And truly, was she not a remarkable woman? – as remarkable as he was a man? Here she was living amid the refinements of luxury. Not an expensive luxury (he had an excellent notion of the monetary value of things) but still luxury. And the whole affair was so stylish. His heart went out to the stylish.

The slices of bread-and-butter were rolled up. There, now, was a pleasing device! It cost nothing to roll up a slice of bread-and-butter – her fingers had doubtless done the rolling – and yet it gave quite a different taste to the food.

"What made you give that house to Mrs. Hullins?" she asked him suddenly, with a candour that seemed to demand candour.

"Oh!" he said, "just a lark! I thought I would. It came to me all in a second, and I did."

She shook her head. "Strange boy!" she observed.

There was a pause.

"It was something Charlie Fearns said, wasn't it?" she enquired.

She uttered the name "Charlie Fearns" with a certain faint hint of disdain, as if indicating to Denry that of course she and Denry were quite able to put Fearns into his proper place in the scheme of things.