But there was no studio audience beyond the camera, no technicians working busily out of range. Though the lights flooded down with the familiar heat, there was no show in progress.
She'd come to meet Angela, Deanna remembered.
Her vision wavered again, like water disturbed by a pebble, and she blinked to clear it. It was then her gaze latched on to the two images on the monitor. She saw herself, pale and glazed-eyed. Then she saw, with horror, the guest sitting in the chair beside hers.
Angela, her pink silk suit decorated with pearl buttons. Matching strands of pearls around her throat, clustered at her ears. Angela, her golden hair softly coiffed, her legs crossed, her hands folded together over the right arm of the chair.
It was Angela. Oh yes, there was no mistaking it. Even though her face had been destroyed.
Blood was splattered over the pink silk and joined by more that ran almost leisurely down from where that lovely, canny face should be.
It was then Deanna began to scream.
Chicago, 1990
In five, four, three…
Deanna smiled at the camera from her corner of the set of Midday News. "Our guest this afternoon is Jonathan Monroe, a local author who has just published a book titled I Want Mine." She lifted the slim volume from the small round table between the chairs, angling it toward Camera Two. "Jonathan, you've subtitled this book Healthy Selfishness. What inspired you to write about a trait most people consider a character flaw?"
"Well, Deanna." He chuckled, a small man with a sunny smile who was sweating profusely under the lights. "I wanted mine."
Good answer, she thought, but it was obvious he wasn't going to elaborate without a little prompting. "And who doesn't, if we're honest?" she said, trying to loosen him up with a sense of comradeship. "Jonathan, you state in your book that this healthy selfishness is quashed by parents and caregivers, right from the nursery."
"Exactly." His frozen, brilliant smile remained fixed while his eyes darted in panic.
Deanna shifted subtly, laying her hand over his rigid fingers just under camera range. Her eyes radiated interest, her touch communicated support. "You believe the demand of adults that children share toys sets an unnatural precedent." She gave his hand an encouraging squeeze. "Don't you feel that sharing is a basic form of courtesy?"
"Not at all." And he began to tell her why. Though his explanations were delivered in fits and starts, she was able to smooth over the awkwardness, guiding him through the three-minute-fifteen-second spot.
"That's I Want Mine, by Jonathan Monroe," she said to the camera, winding up. "Available in your bookstores now. Thank you so much for joining us today, Jonathan."
"It was a pleasure. As a side note, I'm currently working on my second book, Get Out of My Way, I Was Here First. It's about healthy aggression."
"Best of luck with it. We'll be back in a moment with the rest of the Midday News." Once they were in!commercial, she smiled at Jonathan. "You were great. I appreciate your coming in."
"I hope I did okay." The minute his mike was removed, Jonathan whipped out a handkerchief to mop his brow. "First time on TV."
"You did fine. I think this will generate a lot of local interest in your book."
"Really?"
"Absolutely. Would you mind signing this for me?"
Beaming again, he took the book and pen she offered. "You sure made it easy, Deanna. I did a radio interview this morning. The DJ hadn't even read the back blurb."
She took the autographed book, rising. Part of her mind, most of her energy, was already at the news desk across the studio. "That makes it hard on everyone. Thanks again," she said, offering her hand. "I hope you'll come back with your next book."
"I'd love to." But she'd already walked away, maneuvering nimbly over snaking piles of cable to take her place behind the counter on the news set. After slipping the book under the counter, she hooked her mike to the lapel of her red suit.
"Another screwball." The comment from her co-anchor, Roger Crowell, was typical.
"He was very nice."
"You think everyone's very nice." Grinning, Roger checked his hand mirror, gave his tie a minute adjustment. He had a good face for the camera — mature, trustworthy, with distinguished flecks of gray at the temples of his rust-colored hair. "Especially the screwballs."
"That's why I love you, Rog."
This caused snickering among the camera crew. Whatever response Roger might have made was cut off by the floor director signaling time. While the TelePrompTer rolled, Roger smiled into the camera, setting the tone for a soft segment on the birth of twin tigers at the zoo.
"That's all for Midday. Stay tuned for Let's Cook! This is Roger Crowell."
"And Deanna Reynolds. See you tomorrow." As the closing music tinkled in her earpiece, Deanna turned to smile at Roger. "You're a softy, pal. You wrote that piece on the baby tigers yourself. It had your fingerprints all over it."
He flushed a little, but winked. "Just giving them what they want, babe."
"And we're clear." The floor director stretched his shoulders. "Nice show, people."
"Thanks, Jack." Deanna was already unhooking her mike.
"Hey, want to get some lunch?" Roger was always ready to eat, and countered his love affair with food with his personal trainer. There was no disguising pounds from the merciless eye of the camera.
"Can't. I've got an assignment." Roger rose. Beneath his impeccable blue serge jacket, he wore a pair of eye-
popping Bermuda shorts. "Don't tell me it's for the terror of Studio B."
The faintest flicker of annoyance clouded her eyes. "Okay, I won't."
"Hey, Dee." Roger caught up with her on the edge of the set. "Don't get mad."
"I didn't say I was mad."
"You don't have to." They walked down the single wide step from the glossy set to the scarred wood floor, skirting around camera and cable. They pushed through the studio doors together. "You are mad. It shows. You get that line between your eyebrows. Look." He pulled her by the arm into the makeup room. After flicking on the lights, he stood behind her, his hands on her shoulders as they faced the mirror. "See, it's still there."
Deliberately, she eased it away with a smile. "I don't see anything."
"Then let me tell you what I see. Every man's dream of the girl next door. Subtle, wholesome sex." When she scowled, he only grinned. "That's the visual, kid. Those big, trust-me eyes and peaches and cream. Not bad qualities for a television reporter."
"How about intelligence?" she countered. "Writing ability, guts."
"We're talking visuals." His smile flashed, deepening the character lines around his eyes. No one in television would dare refer to them as wrinkles. "Look, my last co-anchor was a Twinkie. All blow-dried hair and bonded teeth. She was more worried about her eyelashes than she was punching the lead."
"And now she's reading the news at the number-two station in LA." She knew how the business worked. Oh yes, she did. But she didn't have to like it. "Rumors are, she's being groomed for network."
"That's the game. Personally, I appreciate having someone at the desk with a brain, but let's not forget what we are."
"I thought we were journalists." "Television journalists. You've got a face that was made for the camera, and it tells everything you're thinking, everything you're feeling. Only problem is, it's the same off camera, and that makes you vulnerable. A woman like Angela eats little farm girls like you for breakfast."
"I didn't grow up on a farm." Her voice was dry as a Midwest dust bowl.
"Might as well have." He gave her shoulders a friendly squeeze. "Who's your pal, Dee?"
She sighed, rolled her eyes. "You are, Roger."
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