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Sally O'Rourke: The Man Who Loved Jane Austen

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Sally O'Rourke The Man Who Loved Jane Austen

The Man Who Loved Jane Austen: краткое содержание, описание и аннотация

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New York artist Eliza Knight certainly did not realize it at the time, but her life changed when she bought the old, beat-up vanity table one lazy Sunday afternoon. Tucked away behind the mirror she found two letters, one sealed, but one already opened: "May 12th, 1810. Dearest Jane, the Captain has found me out. I am being forced to go into hiding immediately. But if I am able, I shall still be waiting at the same spot tonight. Then you will know everything you wish to know. F. Darcy." F. Darcy? Fitzwilliam Darcy, the fictional hero of Jane Austen's "Pride and Prejudice"? Even more mysterious was the other letter, sealed and never read - from Jane to Darcy. Could this man, possibly the most romantic character ever written and the hero of Eliza's favourite novel, have been a real person? Eliza's initial guarded curiosity turns to astonishment as scientific testing confirms the sealed letter was indeed addressed by Jane Austen. But she is completely baffled by the revelation that the other letter, though proven to be from the same time period - was written by an American. Caught between the routine of her present life and the intrigue of these incredible discoveries from the past, Eliza decides to look deeper. Her research leads to a majestic, 200-year-old estate in Virginia's breathtaking Shenandoah Valley where she meets the one man who may hold the answer. But he also has a secret, one he has kept hidden for years. Now, as the real story of Fitzwilliam Darcy unfolds, Eliza finds her life has become a modern-day romance, one that perhaps only Jane Austen herself could have so eloquently written.

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She was just walking back into the living room, balancing a small tray in her hand, when the computer chimed, indicating that the upload cycle was complete.

Before Eliza had reached her desk the computer chimed again and an electronic rendition of the 1950s pop hit “Please Mr. Postman” blasted from the speakers, signaling that her overnight e-mail was waiting to be read. Anxious to be done with the task so she could get started researching the old letters, she settled herself before the computer, buttered a wedge of toast and took a bite, then opened the e-mail folder.

Although she had not forgotten about her message board posting of late the night before, Eliza was anticipating only the usual list of morning mail and Internet updates. So the sender’s address on the first piece of e-mail on the overnight list caused her to catch her breath. She stared at it for several seconds before clicking her mouse.

The e-mail popped instantly onto her screen.

Dear SMARTIST,

A very strange question, “Was Darcy from Pride and Prejudice real?” I happen to be firmly of the opinion that he was. But then I am slightly prejudiced . Why are you interested?

FDARCY@PemberleyFarms.com

Eliza read the strange note with growing consternation. She had genuinely hoped to find someone on the Austenticity site who would take seriously her question about Darcy, thus perhaps providing some indication of the genuineness of her letters, or at least a direction in which she might pursue her planned research.

Now, she reflected, as she raised the cup of scalding coffee to her lips, posting the message had obviously been a big mistake. And she was convinced that she had unwittingly tapped into some previously unsuspected lunatic fringe of Jane Austen fandom.

Wickham suddenly jumped up into her lap, nearly upsetting her coffee and further aggravating her ill-tempered view of the ludicrous message. “Look, Wickham!” she said, grabbing the unruly feline by the scruff of his fat neck and directing his attention to the screen. “It’s a cute little e-mail from Darcy himself, at Pemberley, no less.”

Wickham meowed and struggled to free himself, but Eliza held him firmly in her grip.

“Pemberley was the name of the fictional Darcy’s fabulous estate in Pride and Prejudice ,” she informed the wriggling cat. “Ridiculous, huh?” She looked down at the furry head in her lap and rubbed his ears, then released him. He leaped out of her lap and hit the floor with a heavy thump as she leaned over her keyboard and began to type.

Dear “Darcy,”

I posted my question for a reason, not to indulge your fantasy. Please keep your crackpot opinions to yourself.

SMARTIST@galleri.com

Grinning with satisfaction at having properly told the idiot off, Eliza stabbed the key to send the e-mail. Then she shut down the computer and leaned back to finish her toast and coffee in peace.

Wickham had found his way up onto the drawing board while she had been typing and was sprawled out enjoying the morning sunlight. Together they watched a rusting Japanese container ship navigating past the window.

“I can’t get over that weirdo on the Internet,” she said, exchanging waves with half a dozen grinning crewmen perched on the ship’s bridge railings. “But then I guess the world is full of weirdos.” She reached out to stroke Wickham’s fur and smiled as she shook her head.

“Darcy at Pemberley!” she sighed. “I’ll bet he wanders around with a walking stick and a top hat.”

Getting to her feet, Eliza cleared the breakfast tray and carried it back into the kitchen. “All I can say, Wickham,” she called back into the other room, “is that it’s a good thing you insisted I keep looking last night until I found a place where I could do some serious research.”

Chapter 5

When Eliza was twelve, her seventh-grade English teacher had brought her whole class into the city from their distant Long Island suburb to visit the New York Public Library on Fifth Avenue in Manhattan.

She had not been back inside the wonderful old building since that day.

Now she alighted from a taxi and looked up at the famous stone lions guarding the main entrance. Above the huge doors a blue silk banner edged in gold fluttered gaily in the breeze. Across it, in elegant script letters a foot tall, was emblazoned the title: THE WORLD OF JANE AUSTEN, A WOMAN OF TWO CENTURIES.

Eliza smiled. For on the Web the night before she had accidentally discovered a notice for the special exhibit. And though she was not entirely certain that a display of the famed English author’s books would be all that helpful in her research, she had reasoned that the library exhibit would at least provide her with a good starting point.

So, clutching her shoulder bag to her side, she climbed the broad steps and entered the library, not exactly certain what she would find within.

From the echoing lobby she followed a series of neatly labeled blue-and-gold placards past the cathedral-like vault of the main reading room and down an echoing, marble-floored corridor that had not been on the seventh-grade tour.

To her great surprise, as she neared the far end of the corridor Eliza heard the sounds of lively music coming from the large, high-ceilinged exhibit room that turned out to be her destination. Her surprise was compounded as she peered into the huge space and saw that it was crowded with visitors.

In the fashion of latter-day museum extravaganzas, the library exhibit room had been converted into a multimedia entertainment setup that surrounded the Jane Austen books and other artifacts on display with moving kaleidoscopes of light, color and sound.

Stepping into the large, airy room, Eliza found herself nodding in artistic approval of a mood-setting wall-sized projection. The video appeared to have been filmed from a carriage rolling along a leafy drive toward the great English manor house the author had employed as the setting for her novel Mansfield Park . Adding to the charming pastoral effect created by the unfolding scenery on the wall, an accompanying surround sound soundtrack featured the music of a string quartet, backed by the sounds of hoofbeats, snorting horses and the crunch of steel-clad wheels on gravel.

Turning away from the thematic eye candy, Eliza saw that the room was alive with video, each display of rare or notable editions of Jane Austen novels accompanied by superb, digital-quality monitors playing scenes from film or television adaptations of the works.

Elsewhere, a few personal articles thought to have belonged to the famed author were enhanced by other video presentations that featured running commentaries by distinguished British authors and actors.

“I am all astonishment!” Eliza smilingly murmured to no one in particular.

She worked her way slowly through the exhibit hall, looking at everything, but noting with growing disappointment that none of it appeared to be particularly helpful in determining whether her letters were authentic.

Then, unexpectedly, she happened on a small display case containing an original letter written in 1801 by Jane Austen to her sister, Cassandra.

“Fabulous!” she exclaimed, feeling she was at last getting somewhere.

Opening the top of her shoulder bag a few inches, Eliza carefully compared the handwritten address on the sealed letter she had found in the vanity mirror to the Austen letter displayed behind half an inch of bulletproof plastic.

Although the library’s letter was larger than the one in Eliza’s purse and the paper entirely different, the neat, unremarkable handwriting on both appeared similar to her untrained eye. However, she also saw at a glance that even a clumsy forger could probably have achieved the superficial resemblance between the two documents.

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