Emily Giffin - Baby proof

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Claudia and Ben seem to be the perfect couple. Ever since their first date, when they discovered that neither saw children in their future, the path of their relationship seems destined to succeed. They envisage a life filled with freedom, possibility and exploration. Claudia and Ben are together because they want to be, not because children are caging them with eighteen years of obligation. But things don't always stay the same. Ben's best friend and his wife get pregnant, and suddenly Ben changes his mind. He does want children after all. This is the story of a couple at a crossroads - and a woman who must decide what she wants most in life. BABY PROOF explores searing emotional consequences and impossible dilemmas with sensitivity and wit, depth and lashings of heart.

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six

I can't decide whether the next few weeks pass too quickly or impossibly slowly. In some ways, it feels like Ben and I are breaking up overnight, way too easily. I keep thinking that only shallow celebrities end their marriages as easily as we are. Or young, stupid kids who get hitched on a whim and change their minds as soon as the hot-and-heavy period ends, thinking nothing of the sacredness of their vows and believing that do-overs in life are simply a given.

In other ways, though, the days leading up to our divorce seem to take a lifetime. I wake up every morning with the sick realization that my life is unraveling. That I will never really be happy again. Despite my best efforts to stay busy and distracted, I feel like I'm being punched in the stomach a dozen times a day. I find myself praying that Ben will change his mind.

In the meantime, I decide to move in with Jess. Living with her is a bit of a comfort, but it also feels like a setback. It's almost like moving back in with your parents once you've left home. I'm reverting to an earlier point in my life, and that never feels like a good thing. I recognize that it's a temporary measure-that eventually I will get my own place-but I still feel like somewhat of a loser. I also feel guilty for invading Jess, although she insists that she's thrilled to have me back. I offer to pay her-which is an awkward arrangement considering that she owns her apartment. She tells me not to be ridiculous and that she's never home anyway. "Besides, what are friends for, Claudia-if they can't pick up the pieces a man has left behind?" she says.

Still, I make a point to pay for our groceries and food deliveries. I also try to do more of my late-night reading at the office so that Jess still has some time in her apartment alone. I have always worked a lot of hours, but I've never been this inspired, this on top of things. I catch up on all of my reading and scratch through to-dos that have been languishing for months. Even my desk is neat for the first time in years, which my longtime assistant, Rosemary, marvels over.

"What's the special occasion?" she asks me.

"I'm getting a divorce," I tell her.

"I'm sorry," she says, which will be the extent of her commentary. Rosemary is as discreet as she is neat.

"Don't be," I say. "My office needed this."

Of course I am kidding, but I do find that throwing myself into my job and working crazy hours is therapeutic. I tell myself that there are benefits that come with being single again. I will be like a person who loses a loved one and, in turn, sets up a foundation. I will find the good in this loss. I will make something happen that wouldn't have happened otherwise. I tell myself to dream big, aim high. Maybe someday I will have my own imprint- Claudia Parr Books . Something that wouldn't have happened if I had had a baby with Ben. Something that might not have happened if I had stayed with Ben, even without a baby. I rather like the thought of Ben perusing the shelves of bookstores and seeing the spine of a book emblazoned with my name. Maybe I'll even acquire a coffee table book on architecture. Then he'd be sure to see it.

Meanwhile, during those early weeks apart, Ben and I talk very little, and when we do, neither of us says too much. There are a lot of awkward silences, fumbling questions about mail and bills and our respective schedules. It's clear that we don't want to be back at the apartment at the same time. We toss around a few "How are yous?," both of us answering curtly and quickly that we are fine, just fine. We are both prideful, stubborn, and eerily distant. It occurs to me that maybe we are both stonewalling, stalling, calling the other's bluff. At least I hope that's what is happening, but deep inside, I know we are becoming irreversibly estranged, and I can tell Ben knows it, too.

At the end of one conversation, Ben sighs and says, "I just want you to be happy, Claudia. That's all."

It is a total non sequitur as I've just told him that I checked the messages at the apartment, and his aunt called twice.

"Right," I say under my breath.

"Come again?" he says, an expression that has always annoyed me. Ben only uses it when he knows exactly what I said, but doesn't like it.

"Clearly that's not the only thing you want," I say, picturing him with a squalling newborn.

He says nothing back, and as we both register that there is nothing he can say to this, I feel a strange little rush of victory and satisfaction. It's always a good feeling when you can produce just the right one-liner to prove your point so tidily.

"Well, see ya," I say, to drive it home.

"Yep," Ben says flippantly. "See ya."

I hang up and promptly schedule another visit with my lawyer, Nina Raden. Nina is striking, hard-edged, and abrasive, the kind of creature you envision when you hear Billy Joel's "She's Always a Woman." Her lips are pumped up with collagen, and she smiles a lot, which is in stark contrast to her obvious desire to make my divorce as contentious as possible. I can tell her bread and butter comes from playing cheerleader to wronged women all over Manhattan. I'd wager that she's said, "Let's get the bastard" more times than she's said, "Good morning."

During our second session, I have to tell her three times that I do not want to hire a private investigator, and that I'm sure there isn't another woman in Ben's life. She clearly is unaccustomed to breakups in our peculiar genre.

"You can never be sure of that," she tells me.

"I'm pretty darn sure," I say. "Unless, per chance, he has already selected a vessel to carry his baby."

She gives me a long look that says, That's exactly what he has queued up . Then she licks her thumb and flips to a fresh page in her notebook. She tells me that, based on what I told her in our first meeting, our grounds for divorce will be "constructive abandonment." It is a term that makes me sad as much for its formal sound as for the actual meaning.

I nod as Nina becomes all hyped up about our assets, telling me I should go for the gold, ask for the moon. She gestures a lot, her thick, enamel bracelets sliding up and down her long, slender arm. I give her a blank stare, insisting that Ben and I don't have all that much to divide. "We've only been married three years. And we rent, remember?" I say, grateful that Ben and I never took the plunge into New York real estate.

"Okay. Okay. But what about cars? Furnishings? Rugs? Art? Crystal? Stock? Time-shares?" she says, her palms facing up. Her Botoxed face strains to frown but can't quite get there.

I shrug. "We have a '99 Honda Civic. It's a piece of junk."

She gives me an exasperated look that says I can do better.

"I'll work on it," I say.

"Good. Good," she says, glancing at her watch. "In my experience, you only regret asking for too little."

"Uh-huh," I say.

"So shoot me an e-mail with anything-anything at all that you can come up with. I'll attach a list of all assets in Schedule A to the Separation Agreement."

I have never thought of our "stuff" as assets. I never thought Ben and I would be dividing anything; I thought we'd always be about sharing everything. Still, I decide to take my homework assignment seriously. I call my soon-to-be ex-husband and tell him I need to be at the apartment for a few hours that evening. Ben says fine, he has to work late anyway.

That evening, I walk through our apartment, poking through cabinets and drawers as I drink a bottle of wine and take notes on a sheet of paper. The whole exercise feels surreal, almost as if I'm seeing certain items for the first time. As I inspect all of our joint belongings, I realize with a mix of relief and pride that I want almost nothing. I try, but I just can't get myself too worked up about furniture, linens, and silver. I do linger briefly on our only expensive piece of art-a gorgeous Geoffrey Johnson cityscape in warm sepia tones. I love it and can't imagine not being able to look at it again, but Ben and I bought it together for our second anniversary, so I don't want that daily reminder.

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