Gayle Forman - Just One Year

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Just One Year: краткое содержание, описание и аннотация

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Just One Day. Just One Year. Just One Read. Before you find out how their story ends, remember how it began....
When he opens his eyes, Willem doesn’t know where in the world he is—Prague or Dubrovnik or back in Amsterdam. All he knows is that he is once again alone, and that he needs to find a girl named Lulu. They shared one magical day in Paris, and something about that day—that girl—makes Willem wonder if they aren’t fated to be together. He travels all over the world, from Mexico to India, hoping to reconnect with her. But as months go by and Lulu remains elusive, Willem starts to question if the hand of fate is as strong as he’d thought. . . .
The romantic, emotional companion to
, this is a story of the choices we make and the accidents that happen—and the happiness we can find when the two intersect.

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My head is hazy with lack of sleep. The party went until four. I fell asleep around five. The sun was already up. Slowly, yesterday’s conversation with my mother comes back to me. The offer she made. How much I wanted it. Or thought I did. Some things you don’t know you want until they’re gone. Other things you think want, but don’t understand you already have them.

“Ma,” I say. “I’m not coming back to India.”

“You’re not?” There’s curiosity in her voice, and disappointment, too.

“I don’t belong there.”

“You belong where I belong.”

It’s a relief, after all this time, to hear her say so. But I don’t think it’s true. I’m grateful that she has made a new home for herself in India, but it’s not where I’m meant to be.

Go big and go home .

“I’m going to act, Ma,” I say. And I feel it. The idea, the plan, fully formed since last night, maybe since much longer. The urgency to see Kate, who never did show up at the party, courses through me. This is one chance I’m not going to let slip through my fingers. This is something I need. “I’m going to act,” I repeat. “Because I’m an actor.”

Yael laughs. “Of course you are. It’s in your blood. Just like Olga.”

The name is instantly familiar. “Olga Szabo, you mean?”

There’s a pause. I can feel her surprise crackle through the line. “Saba told you about her?”

“No. I found the pictures. In the attic. I meant to ask you about them but I didn’t, because I’ve been busy . . .” I trail off. “And because we never really talked about these things.”

“No. We never did, did we?”

“Who was she? Saba’s girlfriend?”

“She was his sister,” she replies. And I should be surprised, but I’m not. Not at all. It’s like the pieces of a puzzle slotting together.

“She would have been your great aunt,” Yael continues. “He always said she was an incredible actress. She was meant to go to Hollywood. But then the war came and she didn’t survive.”

She didn’t survive. Only Saba did.

“Was Szabo her stage name?” I ask.

“No. Szabo was Saba’s surname before he emigrated to Israel and Hebreified it. Lots of Europeans did that.”

To distance himself, I think. I understand that. Though he couldn’t really distance himself. All those silent films he took me to. The ghosts he held at bay, and held close.

Olga Szabo, my great aunt. Sister to my grandfather, Oskar Szabo, who became Oskar Shiloh, father of Yael Shiloh, wife of Bram de Ruiter, brother of Daniel de Ruiter, soon to be father of Abraão de Ruiter.

And just like that, my family grows again.

Fifty-one

W hen I emerge from my bedroom, Broodje and Henk are just waking up and are surveying the wreckage like army generals who have lost a major ground battle.

Broodje turns to me, his face twisted in apology. “I’m sorry. I can clean it all later. But we promised we’d meet W at ten to help him move. And we’re already late.”

“I think I’m going to be sick,” Henk says.

Broodje picks up a beer bottle, two-thirds full of cigarette butts. “You can be sick later ,” he says. “We made a promise to W.” Broodje looks at me. “And to Willy. I’ll clean the flat later. And Henk’s vomit, which he’s going to keep corked for now.”

“Don’t worry about it,” I say. “I’ll clean it all. I’ll fix everything!”

“You don’t have to be so cheerful about it,” Henk says, wincing and touching his temples.

I grab the keys from the counter. “Sorry,” I say, not sorry at all. I head to the door.

“Where are you going?” Broodje.

“To take the wheel!”

• • •

I’m unlocking my bike downstairs when my phone rings. It’s her. Kate.

“I’ve been calling you for the last hour,” I say. “I’m coming to your hotel.”

“My hotel, huh?” she says. I can hear the smile in her voice.

“I was worried you’d leave. And I have a proposition for you.”

“Well, propositions are best proposed in person. But sit tight because I’m actually on my way to you. That’s why I’m calling. Are you home?”

I think of the flat, Broodje and Henk in their boxers, the unbelievable mess. The sun is out, really out, for the first time in days. I suggest we meet at the Sarphatipark instead. “Across the street. Where we were yesterday,” I remind her.

“Proposition downgraded from a hotel to a park, Willem?” she teases. “I’m not sure whether to be flattered or insulted.”

“Yeah, me neither.”

I go straight to the park and wait, sitting down on one of the benches near the sandpit. A little boy and girl are discussing their plans for a fort.

“Can it have one hundred towers?” the little boy asks. The girl says, “I think twenty is better.” Then the boy asks, “Can we live there forever?” The girl considers the sky a moment and says, “Until it rains.”

By the time Kate shows up, they’ve made significant progress, digging a moat and constructing two towers.

“Sorry it took so long,” Kate says, breathless. “I got lost. This city of yours, it runs in circles.”

I start to explain about the concentric canals, the Ceintuurbaan being a belt that goes around the waist of the city. She waves me off. “Don’t bother. I’m hopeless.” She sits down next to me. “Any word from Frau Directeur?”

“Total silence.”

“That sounds ominous.”

I shrug. “Maybe. Nothing I can do. Anyway, I have a new plan.”

“Oh,” Kate says, widening her already big green eyes. “You do?”

“I do. In fact, that’s what my proposition is about.”

“The thick plottens.”

“What?”

She shakes her head. “Never mind.” She crosses her legs, leans in toward me. “I’m ready. Proposition me.”

I take her hand. “I want you.” I pause. “To be my director.”

“Isn’t that a little like shaking hands after making love?” she asks.

“What happened last night,” I begin, “it happened because of you. And I want to work with you. I want to come study with Ruckus. Be an apprentice.”

Kate’s eyes slit into smiles. “How do you know about our apprenticeships?” she drawls.

“I may have looked at your website one or a hundred times. And I know you mostly work with Americans, but I grew up speaking English, I act in English. Most of the time, I dream in English. I want to do Shakespeare. In English. I want to do it. With you.”

The grin has disappeared from Kate’s face. “It wouldn’t be like last night—Orlando on a main stage. Our apprentices do everything. They build sets. They work tech. They study. They act in the ensemble. I’m not saying you wouldn’t play principal roles one day—I would not rule that out, not after last night. But it would take a while. And, there are visa issues to consider, not to mention the union, so you couldn’t come over expecting the spotlight. And I’ve told David he needs to meet you.”

I look at Kate and am about to say that I wouldn’t expect that, that I’d be patient, that I know how to build things. But I stop myself because it occurs to me that I don’t need to convince her of anything.

“Where do you think I was last night?” she asks. “I was waiting for David to get back from his Medea , so I could tell him about you. Then I arranged for him to get his ass on a plane so he could see you tonight before that invalid comes back. He’s on his way, and in fact, I have to leave soon to go to the airport to meet him. After all this trouble, they’d better put you on again, otherwise, you’re going to have to do it solo for him.”

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