K. Tucker - Four Seconds to Lose

Because Charlie Rourke doesn’t exist.

Cain leans back against his desk and folds his arms over his chest, only accentuating the defined muscles in his shoulders and biceps. “Do you have a preference?”

I keep my face composed—I’m an expert at stone cold—while I struggle to decipher his question. Preference with what exactly? The desk? The floor? That couch? Is he seconds away from undoing his zipper?

Either Cain interprets my long pause as confusion or he replayed the question in his head and realized how it could be taken because he adds very clearly, “On the stage. When you’re dancing.”

I exhale and silently admonish myself. “I’m pretty good on a pole.” That isn’t a lie. That’s actually a discredit to my talent. I’ve been in gymnastics since I was five, so my body is strong and limber. Then, two years ago, I needed an excuse to visit a specific dance studio in Queens once a week so I enrolled in a pole-dancing class. Not under my real name, of course.

It turns out I took to pole-dancing naturally. I just haven’t worked up to the move where I drop my clothes.

“Okay,” Cain says slowly, his jaw shifting, appearing as if in thought. He hesitates for a second. “Full nude or topless?”

“Topless.” I shouldn’t be so eager. I’ve heard what these girls wear as bottoms and they may as well be completely naked.

Cain’s eyes automatically drop to my chest when I say that, and they seem to settle there. His entire form is frozen in place.

As if he’s waiting.

Of course he is. He wants to know what he’s putting up on his stage.

A quiver runs through my stomach. I can do this. This will be way less mortifying than the last time. Trying to pace my breathing before my heart explodes out of my chest, I quickly slip my thumbs beneath the spaghetti straps of my lemon-yellow sundress and pull on them until they pass the balls of my shoulders. With a sharp inhale, I let my arms drop and the dress goes with it. I intentionally didn’t wear a bra today. I figured that would make this uncomfortable process quick and a tiny bit less embarrassing. The last thing I wanted to do was fumble with bra hooks . . .

Because that would make standing in this man’s storage-room office in my white thong that much more awkward than it is already.

Cain’s lips part but not a sound comes out of him as his eyes widen for one, two, three, four seconds. And then it’s as if he wakes up, because he’s suddenly moving. Standing, unfolding his arms, and taking steps forward to reach me quickly, I watch with my lungs constricting as he crouches down in front of me and grasps the straps of the dress pooled around my ankles. He pulls my dress back up, his fingertips leaving hot trails against my skin as he affixes the straps. If my body weren’t already as stiff as a corpse, his touch probably would have made me shudder.

Locking eyes that look wise beyond his years on me, he says in a strained voice, as if he’s holding his breath, “You don’t have to do that for me. In fact, I ask that you please don’t do that for me again. Ever.”

I swallow and nod, my cheeks flaming, somehow more humiliated by his reaction than had he groped my breasts like that other pig. Spinning on his heels, he marches over behind his desk, a grimace on his handsome features. I don’t know if I’ve done something wrong or if I have the job.

I need this job.

Cain speaks up again. “Just stage dancing? What about private dances?” I see his gaze on me from beneath a fringe of thick lashes. “I don’t charge any stage fees, so what you earn up there, you take home.”

The small exhale escapes my lips before I can stop it. When I came up with this plan two weeks ago, I wasn’t fully aware of the inner workings at these clubs. But you can find anything on the internet. I found out that many owners charge a high stage fee, so the girls actually earn their money working hard on the floor and in the private rooms. Rumor has it that, though illegal, many of them do “extras,” on top of the lap dances. The idea of stripping on a stage in front of people is a giant pill to swallow for me. But lap dances . . .

I’ll do it.

I have to do it, I remind myself.

When I ran out of Sin City that day, I was sure that my plan was dead in the water. I mean, how was I going to perform daily lap dances when I couldn’t even get through my interview!

But Ginger told me that Penny’s is different. That Cain is different. That no one in the private rooms will be taking their pants off, and that doing “extras” is one of the only ways that you get fired at Penny’s.

Cain sounded too good to be true.

Setting my chin with steely determination, I say, “Both, please.” Swallowing the revulsion bubbling up in my throat, I clarify with a struggle, “I want to work the private rooms as well as the stage.”

Cain blows air out of his mouth, one hand on his hip while the other pushes through perfectly styled, slightly wavy dark hair as he stares hard at me. There’s an inexplicable look in his eyes, but I know he’s trying to read me. I wonder if he’s deciding whether to ask me for a demonstration. My gaze drifts to the couch again and my stomach tightens. Somehow I think giving this guy an interview lap dance might be harder than doing one for a sleazeball.

Because if I could get past the embarrassment and nerves, I might enjoy it.

But he doesn’t ask me to demonstrate. Instead, he asks me, “Have you ever bartended before?”

I shake my head, frowning.

“I have too many girls working the private rooms right now. But working behind the bar would bring your earnings up significantly. It’s what another stage dancer of mine used to do.” He continues, more to himself, “Maybe we see how that works out first.”

I came in here expecting the worst—that I’d be grinding on guys’ laps by the weekend because I have to. And yet, now, the relief is pouring out of me.

“Why are you in this profession?” he suddenly asks, lifting his eyes to bore into me once again.

One question I did expect. I meet his stare and hold it as I explain, “Because I’m good at it, I’ve got a decent body, and have no interest in serving French fries for minimum wage while I figure out what I want to do with the rest of my life.” I deliver that as I practiced it—calmly, clearly, convincingly. It’s a good answer. One that creates no doubt. And so far from the truth. I know exactly what I want to do with my life.

End it and begin a new one.

He nods slowly, his lip pressed together in a grimace. I don’t know if that means I’m hired or not, so I bite my tongue and wait for a concrete verdict. I’m still waiting for Cain’s decision when his cell phone rings. I watch with fingers laced together in front of me while he answers with a gruff, “Yup.” He listens, his free hand absently rubbing a small tattoo behind his ear. A second later he barks, “No! I’m on my way.” Hanging up, he digs into a drawer and comes out with a handful of papers. “Fill these out, please. Bring a copy of your driver’s license tomorrow night with you.” Whatever gentleness crept into his voice before has vanished. It’s all business now, as he slides the sheets across his desk with hands that look strong and muscular but incapable to soothe. “If the crowd likes you, you’ve got a job.” Turning those eyes my way once more and pausing for a moment, he adds, “Fair?”

“Absolutely. Thank you,” I say with a nod and what I hope is a courteous smile as I collect the forms.

With that, he turns and crouches down behind his desk. I hear something metal slam that reminds me of my stepdad’s safe door. When Cain stands again, it’s to fit a holster and gun on him, startling me. It’s not the first time I’ve seen a gun. I have a gun. I’ve used a gun. But seeing Cain with one right here, right now, was unexpected. Why does he even need one?