Jessica Sorensen - Nova and Quinton - No Regrets

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Today is the first day of Quinton Carter's new life. The toxic guilt of his past left him in pieces-but one girl unexpectedly put him back together. Thanks to Nova Reed, Quinton can finally see the world with clear eyes. She's the reason his heart is still kicking behind the jagged scar on his chest. And he would love to have her in his arms every minute of the day . . . but he's not ready yet.
Playing drums in a band and living with her best friends are just some of the highlights of Nova's life. But the best new development? Talking to Quinton on the phone each night. She wishes she could touch him, kiss him, though she knows he needs time to heal. Yet shocking news is on the way-a reminder of life's dark side-and Nova will need Quinton like he once needed her. Is he strong enough to take the final leap out of his broken past . . . and into Nova's heart?

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I swallow hard and turn away from my reflection and back toward my sketches. I fan through a few of the top ones, which turn out to be of Lexi. I remember how much I used to draw her, even after she died. But during the last few months of tumbling toward rock bottom, I started drawing someone else. A person I haven’t seen in two months or talked to. Nova Reed. I haven’t talked to her since I got on a plane to go to rehab. I wrote her a few times, but then never sent the letters, too afraid to tell her everything I have to say, too terrified to express emotions I’m pretty sure I’m not ready to deal with just yet. She tried to call me a few times at the facility, but I couldn’t bring myself to talk to her. A month ago she wrote me a letter and it’s in the back of my notebook, waiting to be opened. I’m not sure I’ll ever be able to do it. Face her. Be forced to let her go if that’s what she wants. I wouldn’t blame her if she did. After everything that I put her through—having to visit me in that shithole I called home, my mood swings, the drug dealers threatening her.

Blowing out a heavy sigh, I get my notebook and a pencil out of my bag, then flop down on the bed. I open the notebook up to a clean sheet of paper and decide which I want to do more, write or draw. They’re both therapeutic, although I’m way better at drawing. After some debating, I put the pencil to the paper and start drawing. I know where it’s headed the moment I form the first line. I lost all my drawings of Nova when the apartment burned down. Not a single one remains. It’s like the memory of her is gone. But I don’t want it to be gone—I don’t want her to be gone. I want to remember her. How good she was to me. How she made me feel alive, even when I fought it. How I’m pretty sure I love her, but I’m still trying to figure that out for sure, just like I’m trying to figure out everything else, like where I belong in this world and if I belong in this world. Everyone keeps telling me yes—that I belong here. That what happened in the accident wasn’t my fault. That yes, I was driving too fast, but the other car was, too, and took the turn too wide. And that Lexi shouldn’t have been hanging out the window. And I want to believe that’s true, that perhaps it wasn’t my fault entirely. That’s the difference between now and a couple of months ago, but it’s hard to let go of something I’ve been clutching for the last two years—my guilt. I need to find a reason to let it go and to make life worth living in such a way that I don’t have to dope my body up just to make it through the day.

I need something to live for, but at the moment I’m not sure what the hell that is or if it even exists.

Chapter 2

Nova

“I sometimes sit in the quad and watch the people walk by. It probably sounds creepy but it’s not. I’m just observing. Human nature. What people do. How they act. But it’s more than that. If I look close enough, I can sometimes tell when someone is going through something painful. Maybe a breakup. Perhaps they just lost their job. Or maybe they’ve lost a loved one. Perhaps they’re suffering in silence, lost in a sea of questions, of what-ifs. Pain. Loss. Remorse.” I shift in the bench that’s centered in the quad yard as my back starts to hurt. I’ve been sitting out here for hours, recording myself, watching the people walk by. What I really want to do is run out there and stop each one. Ask them their story. Listen. Hear it. If they need consoling, I could do it. In fact, that’s what I want to do. Be able to help people. I just wish I could somehow figure out a way to do it through filming.

“Death. It’s around more than people realize. Because no one ever wants to talk about it or hear about it. It’s too sad. Too painful. Too hard. The list of reasons is endless.” The wind gusts up from behind me, causing leaves to circle around my head and strands of my hair to veil my face. The fall air gets chilly in Idaho during this time of year and I forgot to bring my jacket.

Shivering, I get to my feet and collect my bag. After putting my camera away, I start back to the apartment, picking up the pace when I realize how late it is and that I should have been home already. Today is actually a very big and important day. Not because I have a calculus test or had to turn in one of my mini video clips for my film class. Nope. Today is important because Quinton was released from the drug facility. It’s not information I learned directly from him. Sadly, I haven’t even spoken to him since the day he got on the plane with his father and headed back to Seattle to get help. But I have other sources to get me information. Tristan sources, to be exact.

Tristan is Quinton’s cousin and he just happens to be my roommate. They talk occasionally on the phone and I think he hears stuff from his parents, but that’s mainly negative stuff, since Tristan’s parents still blame Quinton for the car accident that killed their daughter, Ryder. It’s a messed-up situation, but I don’t think it’s ever going to change. Tristan agrees. He told me once that he doesn’t believe his parents will ever let their blame go, that they have to hold on to it in order to live each day, no matter how fucked up it is. But thankfully, Tristan is a good guy and tries to make up for it by being Quinton’s friend and forgiving him.

Forgiveness. If only more people could do it. Then maybe there’d be less pain in the world.

When I walk into the house, it smells of vanilla, the scent flowing from a candle burning on the kitchen countertop. There’s a stack of magazines by the front door, along with the mail. And Tristan is sitting on the sofa, staring at his phone as if it’s the enemy.

“Hey,” I say, dropping my bag to the floor. “Are you ready to call him?”

“I feel like a narc,” Tristan gripes as I plop down on the sofa beside him.

I give him a friendly pat on his leg. “But I assure you, you’re not.”

He narrows his eyes at me, pretending he’s mad, but I know him enough now to know he’s not. Just a little annoyed. “But I sort of am, seeing as how I’m calling him, but only so I can get information for you.”

“But you want to know too,” I remind him, grabbing a handful of Skittles out of the candy bowl on the coffee table. “What he’s going to do—if he’s okay. If he needs anything now that he’s out.”

“Yeah, but I’m not even sure he’ll talk to me since he barely would in rehab,” he says as I pour the Skittles into my mouth.

I stop chewing and pull a pouty face and clasp my hands in front of me. “Pretty please.”

He shakes his head and then swipes his finger across the screen. “Fine, but I’m only doing this because you let me live here and because your pouty faces are ridiculously hard to say no to.”

“You don’t owe me for living here,” I say reassuringly. “And you pay rent, so this apartment is as much yours as it is mine.”

“But you take care of me,” he says as he pushes buttons on his phone. “And keep me out of trouble.”

“And you’re such a good boy about it.” I pat his head like he’s a dog, although he’s much cuter than a dog. His blond hair, blue eyes, and smile make him seem like he belongs in a boy band, all perfect and charming. But his past is dark. Haunted. Full of mistakes and addiction, something he struggles with every day.

“I’m not a dog, Nova.” He gives me a dirty look for the head pat and then gets up from the sofa with the phone pressed to his ear, rounding the coffee table and heading toward the hallway.

“Hey, where are you going?” I call out after him, slanting over the arm of the chair and peering down the hallway at him.

“To talk in private,” he says, disappearing into his room. “Because your excessive staring is driving me crazy.” Seconds later, his bedroom door shuts.

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