C. Cherryh: Cyteen

Then she had begged to sit by the dusty windows and her mother had said to put her sunscreen on, even so.

Now she sat in a leather seat with a drink at her elbow, in a jet snugly warm inside, immaculately maintained, with a handful of aides talking business and going over their notes, a noise just barely enough to get past the engines.

No traveling nowadays without a clutter of aides and bodyguards. Catlin and Florian were back there, quiet as they were trained to be, watching her back, even here, at 10,000 meters and among Reseune staff whose briefcases were full of classified material.

Much, much different from the old days.

Maman, can I sit by the window?

She was anomalous, child of two parents, Alga Emory and James Carat. They had founded the labs at Reseune, had begun the process that had shaped Union itself. They had sent out the colonists, the soldiers. Their own genes had gone into hundreds of them. Her quasi-relatives were scattered across lightyears. But so were everyone's, these days. In her lifetime even that basic human thinking had changed: biological parentage was a trivial connection. Family mattered, the larger, the more extended ... the safer and more prosperous.

Reseune was her inheritance. Hence this jet, not a commercial airliner. No hired plane, either, and no military jet. A woman in her position could call on all these things; and still preferred mechanics who were part of the Household, a pilot whose psych-patterns she was sure of, bodyguards who were the best of Reseune's designs.

The thought of a city, the subways, life among the clerks and techs and cooks and laborers who jostled one another and hurried about their schedules to earn credit. . . was as frightening to her as airless space. She directed the course of worlds and colonies. The thought of trying to buy a meal in a restaurant, of fighting crowds to board a subway, of simply being on a topside street where traffic roared and people were in motion on all sides—filled her with an irrational panic.

She did not know how to live outside Reseune. She knew how to arrange a plane, check out the flight plans, order her luggage, her aides, her security, every little detail—and found a public airport an ordeal. A serious flaw, granted. But everyone was due a phobia or two and these things were far from the center of her worries. It was not likely that Ariane Emory would ever face a Novgorod subway or a station's open dock.

It was a long, long while before she saw the river and the first plantation. A thin ribbon of road, finally the domes and towers of Novgorod, a sudden, remarkably sudden metropolis. Under the jet's wings the plantations widened, the towers of electronic screens and precipitators shadowed the fields and traffic crawled along the roads at ground-bound pace.

Barges chained down the Volga toward the sea, barges and pushers lined the river dockage past the plantations. There was still a lot of the raw and industrial about Novgorod, for all the glitter of the new. This side of it had not changed in a hundred years, except to grow bigger, the barges and the traffic becoming ordinary instead of a rare and wonderful sight.

Look, maman, there's a truck.

The blue of woolwood thicket blurred by under the wing. Pavement and the end-stripes of the runway flashed past.

The tires touched smoothly and the jet came rolling to a stop, for a left turn toward the terminal.

A little panic touched Ariane Emory at this stage, despite the knowledge that she would never get to the crowded hallways. There were cars waiting. Her own crew would handle the baggage, secure the jet, do all these things. It was only the edge of the city; and the car windows would permit vision out, out none in.

All those strangers. All that motion, random and chaotic. In the distance she loved it. It was her own creation. She knew its mass motions, if not its individual ones. At a distance, in the aggregate, she trusted it. At close range it made her hands sweat.

Cars pulling up and a flurry of hurrying guards in the security entrance of the Hall of State said that it was no mere senatorial arrival. Mikhail Corain, on the balcony outside the Council Chamber, flanked by his own bodyguards and aides, paused and looked down on the echoing stone lower floor, with its fountain, its brass railings on the grand stairway, its multiple star-emblem in gold on the gray stone wall.

Imperial splendor for imperial ambitions. And the chief architect for those ambitions made her entrance. The Councillor from Reseune, in company with the Secretary of Science. Ariane Carnath-Emory with her entourage, late, dependably late, because the Councillor was damned confident of her majority, and only deigned to visit the Hall because the Councillor had to vote in person.

Mikhail Corain glared and felt that speeding of his heart that his doctors had told him to avoid. Calm down, they were wont to say. Some things are beyond your control.

Meaning, one supposed, the Councillor from Reseune.

Cyteen, by far the most populous of the entities in the Union, had consistently managed to capture two seats in the executive, in the Council of Nine. It was logical that one of them was the Bureau of Citizens, which meant labor and farming and small business. It was not logical that the electors in the sciences, far and wide across the lightyears Union reached, with a dozen eminently qualified potential candidates, persisted in returning Ariane Emory to the halls of government.

More than that. To a position which she had held for fifty years, fifty damned years, during which she had bribed and browbeaten interests on Cyteen and every station in Union and (rumored but never proved) in Alliance and Sol as well. You wanted something done? You asked someone who could get the Councillor of Science to arrange it. What were you willing to pay? What would you take in trade?

And the damned Science electorate, made up of supposed intellects, kept voting her in, no matter what the scandals that attached to her, no matter that she virtually owned Reseune labs, which was legally equal to a planet in Union's government, which did things within its walls that countless investigations had tried (and failed, on technicalities) to prove.

Money was not the answer. Corain had money. It was Ariane Emory herself. It was the fact that most of the population of Cyteen, most of the population of Union itself, had come in one way or another from Reseune; and those who did not, used tapes . . . that Reseune devised.

Which that woman . . . devised.

To doubt the integrity of the tapes was paranoid. Oh, there were a few who refused to use them; and studied higher math and business without them, and never took a pill and never lay down to dream what the masses clear across Union dreamed, knowledge pouring into their heads, as much as they could absorb, there in a few sessions. Drama—experienced as well as seen. . . at carefully chosen intensity. Skills—acquired at a bone and nerve level. You used the tapes because your competition would, because you had to excel to get along in the world, because it was the only way to know things fast enough, high enough, wide enough, and the world changed and changed and changed, in any human lifespan.

The Bureau of Information vetted those tapes. Experts reviewed them. There was no way any subliminals could get past them. Mikhail Corain was not one of the lunatic fringe who suspected government com-tapping, Alliance poisoning of cargoes, or mind-enslaving subliminals in the entertainment tapes. That sort of purist could refuse rejuv, die old at seventy five, and live off public works jobs because they were self-taught know-nothings.

But damn it, damn it, that woman kept getting elected. And he could not understand it.