Деймон Раньон - Madame La Gimp

They tell me the meeting at the dock between Madame La Gimp and her baby is very affecting indeed, and when the proud old Spanish nobleman and his wife, and their son, and Madame La Gimp's sister, all go into action, too, there are enough tears around there to float all the battleships we once sink for Spain. Even Miss Billy Perry and Judge Henry G. Blake do some first-class crying, although the chances are the judge is worked up to the crying more by the shots he takes for his courage than by the meeting.

Still, I hear the old judge does himself proud, what with kissing Madame La Gimp's baby plenty, and duking the proud old Spanish nobleman, and his wife, and son, and giving Madame La Gimp's sister a good strong hug that squeezes her tongue out.

It turns out that the proud old Spanish nobleman has white sideburns, and is entitled Conde de Something, so his ever-loving wife is the Condesa, and the son is a very nice-looking quiet young guy any way you take him, who blushes every time anybody looks at him. As for Madame La Gimp's baby, she is as pretty as they come, and many guys are sorry they do not get Judge Henry G. Blake's job as stepfather, because he is able to take a kiss at Madame La Gimp's baby on what seems to be very small excuse. I never see a nicer-looking young couple, and anybody can see they are very fond of each other, indeed.

Madame La Gimp's sister is not such a doll as I will wish to have sawed off on me, and is up in the paints as regards to age, but she is also very quiet. None of the bunch talk any English, so Miss Billy Perry and Judge Henry G. Blake are pretty much outsiders on the way uptown. Anyway, the judge takes the wind as soon as they reach the Marberry, because the judge is now getting a little tired of being a husband. He says he has to take a trip out to Pittsburgh to buy four or five coal mines, but will be back the next day.

Well, it seems to me that everything is going perfect so far, and that it is good judgment to let it lay as it is, but nothing will do Dave the Dude but to have a reception the following night. I advise Dave the Dude against this idea, because I am afraid something will happen to spoil the whole cat-hop, but he will not listen to me, especially as Rodney B. Emerson is now in town and is a strong booster for the party, as he wishes to drink some of the good champagne he has planted in his apartment.

Furthermore, Miss Billy Perry and Miss Missouri Martin are very indignant at me when they hear about my advice, as it seems they both buy new dresses out of Dave the Dude's bankroll when they are dressing up Madame La Gimp, and they wish to spring these dresses somewhere where they can be seen. So the party is on.

I get to the Marberry around nine o'clock and who opens the door of Madame La Gimp's apartment for me but Moosh, the doorman from Miss Missouri Martin's Sixteen Hundred Club. Furthermore, he is in his Sixteen Hundred Club uniform, except he has a clean shave. I wish Moosh a hello, and he never raps to me but only bows, and takes my hat.

The next guy I see is Rodney B. Emerson in evening clothes, and the minute he sees me he yells out, "Mister O. O. Mclntyre." Well, of course, I am not Mister O. O. Mclntyre, and never put myself away as Mister O. O. Mclntyre, and furthermore there is no resemblance whatever between Mister O. O. Mclntyre and me, because I am a fairly good-looking guy, and I start to give Rodney B. Emerson an argument, when he whispers to me like this:

"Listen," he whispers, "we must have big names at this affair, so as to impress these people. The chances are they read the newspapers back there in Spain, and we must let them meet the folks they read about, so they will see Madame La Gimp is a real big shot to get such names to a party."

Then he takes me by the arm and leads me to a group of people in a corner of the room, which is about the size of the Grand Central waiting room.

"Mister O. O. Mclntyre, the big writer!" Rodney B. Emerson says, and the next thing I know I am shaking hands with Mr. and Mrs. Conde, and their son, and with Madame La Gimp and her baby, and Madame La Gimp's sister, and finally with Judge Henry G. Blake, who has on a swallowtail coat, and does not give me much of a tumble. I figure the chances are Judge Henry G. Blake is getting a swelled head already, not to tumble up a guy who helps him get his job, but even at that I wish to say the old judge looks immense in his swallowtail coat, bowing and giving one and all the old castor-oil smile.

Madame La Gimp is in a low-neck black dress and is wearing a lot of Miss Missouri Martin's diamonds, such as rings and bracelets, which Miss Missouri Martin insists on hanging on her, although I hear afterward that Miss Missouri Martin has Johnny Brannigan, the plainclothes copper, watching these diamonds. I wonder at the time why Johnny is there, but figure it is because he is a friend of Dave the Dude's. Miss Missouri Martin is no sucker, even if she is kindhearted.

Anybody looking at Madame La Gimp will bet you all the coffee in Java that she never lives in a cellar over in Tenth Avenue, and drinks plenty of gin in her day. She has her gray hair piled up high on her head, with a big Spanish comb in it, and she reminds me of a picture I see somewhere, but I do not remember just where. And her baby, Eulalie, in a white dress is about as pretty a little doll as you will wish to see, and nobody can blame Judge Henry G. Blake for copping a kiss off of her now and then.

Well, pretty soon I hear Rodney B. Emerson bawling, "Mister Willie K. Yanderbilt," and in comes nobody but Big Nig, and Rodney B. Emerson leads him over to the group and introduces him.

Little Manuel is standing alongside Judge Henry G. Blake, and he explains in Spanish to Mr. and Mrs. Conde and the others that "Willie K. Vanderbilt" is a very large millionaire, and Mr. and Mrs. Conde seem much interested, anyway, though naturally Madame La Gimp and Judge Henry G. Blake are jerry to Big Nig, while Madame La Gimp's baby and the young guy are interested in nobody but each other.

Then I hear, "Mister Al Jolson," and in comes nobody but Tony Bertazzola, from the Chicken Club, who looks about as much like Al as I do like O. O. Mclntyre, which is not at all. Next comes "the Very Reverend John Roach Straton," who seems to be Skeets Bolivar to me, then "the Honorable Mayor James J. Walker," and who is it but Good Time Charley Bernstein.

"Mister Otto H. Kahn," turns out to be Rochester Red, and "Mister Heywood Broun" is Nick the Greek, who asks me privately who Heywood Broun is, and gets very sore at Rodney B. Emerson when I describe Heywood Broun to him.

Finally there is quite a commotion at the door and Rodney B. Emerson announces, "Mister Herbert Bayard Swope" in an extra loud voice which makes everybody look around, but it is nobody but the Pale Face Kid. He gets me to one side, too, and wishes to know who Herbert Bayard Swope is, and when I explain to him, the Pale Face Kid gets so swelled up he will not speak to Death House Don-egan, who is only "Mister William Muldoon."

Well, it seems to me they are getting too strong when they announce, "Vice-President of the United States, the Honorable Charles Curtis," and in pops Guinea Mike, and I say as much to Dave the Dude, who is running around every which way looking after things, but he only says, "Well, if you do not know it is Guinea Mike, will you know it is not Vice-President Curtis?"

But it seems to me all this is most disrespectful to our leading citizens, especially when Rodney B. Emerson calls, "The Honorable Police Commissioner, Mister Grover A. Whalen," and in pops Wild William Wilkins, who is a very hot man at this time, being wanted in several spots for different raps. Dave the Dude takes personal charge of Wild William and removes a rod from his pants pocket, because none of the guests are supposed to come rodded up, this being strictly a social matter.