Деймон Раньон - The Lacework Kid

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Damon Runyon

The Lacework Kid

Now, of course, the war makes itself felt along Broadway no little and quite some and in fact it is a most disturbing element at times as it brings many strangers to the city who crowd Mindy's restaurant to the doors and often compel the old-time regular customers to stand in line waiting for tables, which is a very great hardship, indeed.

It does no good to complain to Mindy about this situation as he is making so much money he is practically insolent and he only asks you if you do not know there is a war going on, and besides Mindy is generally waiting for a table himself.

Well, one evening I am fortunate enough to outcute everyone else for a chair that is the only vacant chair at a little table for two and the other chair is occupied by a soldier, and who is this soldier but a guy by the name of The Lacework Kid who is eating as if Hitler is coming up Broadway.

Now The Lacework Kid, who is generally called Lace for short, is a personality who is maybe thirty years old but looks younger and is a card player by trade. Furthermore he is considered one of the best that ever riffles a deck. In fact, he comes by his monicker because someone once remarks that his work with the cards is as delicate as lace, although personally I consider this an understatement.

He comes from the city of Providence which is in Rhode Island, and of course it is well known to one and all that for generations Providence produces wonderful cardplayers, and in his childhood The Lacework Kid has the advantage of studying under the best minds there, and afterward improves his education in this respect by much travel.

Before the war he is a great hand for riding the tubs and makes regular trips back and forth across the Atlantic Ocean because a guy in his line can always find more customers on the boats than anywhere else and can also do very good for himself by winning the pools on the ship's daily run if he can make the proper connections to get the information on the run in advance.

I only wish you can see The Lacework Kid before the war when he is at the height of his career. He is maybe five feet nine and very slender and has brown eyes and wavy brown hair and a face like a choirboy and a gentle voice.

He wears the best clothes money can buy and they are always of soft quiet materials and his linen is always white and his shoes black. He wears no jewelry showing, but he carries a little gold watch in his pants pockets that stands him a G-er in Paris and a gold cigarette box that sets him back a gob in the same place.

He has long slim white hands like a society broad and in fact there is no doubt that his hands are the secret of The Lacework Kid's success at his trade of card playing as they are fast and flexible and have youth in them, and youth is one thing a good cardplayer must have, because age stiffens up more than somewhat. But of course age is a drawback in everything in this wicked old world.

It is really a beautiful sight to watch The Lacework Kid handle a deck of cards because he makes the pasteboards just float together when he is shuffling and causes them to fall as light as flecks of foam when he is dealing. His specialty is a game called bridge when he is riding the tubs and he is seldom without customers because in the first place he does not look like a guy who can play bridge very well and in the second place he does not appear to be such a personality as the signs in the smoking rooms on the boats refer to when they say "Beware of Card Sharks." In fact The Lacework Kid generally tries to get a chair right under one of these signs to show that it cannot possibly mean him.

I see The Lacework Kid a few years before this night in Mindy's when he just gets in on a German liner and he has a guy by the name of Schultz with him and is entertaining this Schultz royally because it seems Schultz is the smoking room steward on the liner and is The Lacework Kid's connection in winning the pools and in introducing bridge customers to him and putting him away with them as a rich young American zillionaire and as the trip nets Lace two thou on the pools alone he feels quite grateful to Schultz.

But of course this is before there is any war and later when I see him the unpleasantness is on and no liners are running and Lace tells me his trade is the greatest economic casualty of the whole war, and he is wondering if there is any use trying to ride the submarines back and forth looking for customers.

And now here he is again as large as life and in fact slightly larger as I can see he puts on a little weight and he looks very good in his uniform and has a red ribbon on his chest, so I say to him like this:.

"Lace," I say, "it is indeed a pleasure to run into you and I can see by your uniform that you are in the war business and by your ribbon that you distinguish yourself in some manner. Perhaps you are decorated for dealing the general a nice hand off the bottom?"

Well, at this, The Lacework Kid gives me a most severe look and says:

"It is a Good Conduct Medal. I get it for being a fine soldier. I may get an even better award for an experience I will now relate to you."

I will omit the details of my early career in the Army (The Lace-work Kid says) except to tell you that my comrades know me only as Sergeant Fortescue Melville Michael O'Shay, my mama getting the first two names out of a novel she is reading at the time I am born, and my papa's papa bringing the last two over from Ireland.

Furthermore, they know nothing of my background and while there are occasions when I am greatly tempted to make assessments against them out of my great store of knowledge when they are playing such trifling games as blackjack, I resist the urge and confine myself strictly to the matter in hand, which is the war.

I am the waist gunner in a Flying Fortress on a raid over Germany one pleasant afternoon when our ship is so severely jostled by antiaircraft shells that we are compelled to bail out and no sooner do I land then up come three German soldiers with rifles in their dukes.

They point these rifles at me in a most disquieting manner and while I only know a word or two of the German language I can see that I am their prisoner and the next thing I know I am in a prison camp where I find my comrades and also several hundred other gees who seem to be British and one thing and another.

It is not a large camp and in fact I learn that it is just a sort of temporary detention spot for prisoners who are rounded up in this particular section of the country and that they are usually transferred to a larger gaff after a while. It is located in a hilly country not far from the Swiss border and you can see high mountains in the distance that I am told are the Alps.

But even with the view it is by no means a desirable place. The life in this camp is most monotonous and the cuisine is worse, which is a terrible disappointment to me as I am rather fond ol German cooking, and particularly adore the apple strudel of this race, and the chow they give us makes me more violently anti-Nazi than ever and also gives me indigestion. To tell the truth, I spend most of my time trying to figure a way to escape though they tell me that it 1 am patient I will sooner or later be exchanged for a German prisoner.

There is a company of maybe a hundred German soldiers guarding the camp and I am only there a few hours before 1 learn that the officer who is in charge of the joint is a captain by the name of Kunz, and that he is also sometimes called The Butcher because it seems that in the early days of the war he is in command of an outfit in Poland and thinks nothing of killing people right and left for no reason whatever except he enjoys seeing them die.

But it seems he finally gets himself in bad with his boss and is sent to this little out-of-the-way prison camp as a lesson to him and he runs the place like the tough warden of a stir back home though he does not show up much in person around the camp and in fact I never see him myself until the time I am going to tell you about.

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