James Cain - The Baby in the Icebox and Other Short Fiction

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Best remembered for his sensational bestselling novels of the 1930s, James M. Cain may well be one of the most important, yet still misunderstood, of American authors. Among other writers and for certain critics, his reputation and singularity are unquestioned, resting on an extraordinary force of style and view of the human condition that have influenced a host of modern authors. Cain’s unique voice — hard-edged, caustically ironic, and impeccably controlled — was in fact forged through an extensive journalistic training and remains best exemplified in the compressed power of his short fiction.
Here then, timed with a major revival of interest in Cain’s work, is the first book to collect the best of his shorter work — selected short stories and sketches together with one of his finest serials, the novella published at different times under the titles “Money and the Woman” and “The Embezzler.” As taut and brilliant in its way as Cain’s most famous serial,
this ingenious example of Cain’s “love rack” fiction has been out of print for many years, but reads as immediately today as when first written more than three decades ago. Equally fascinating, especially when seen within Roy Hoopes’s tracings of the development of Cain’s work, are the entertaining sketches and dialogues Cain originally wrote for journalistic publication — beautiful models of efficiency and concision stamped with Cain’s characteristic irony. We are given ten of his best, out of hundreds he wrote for the
and H. L. Mencken’s
Together with nine of his finest short stories — including those three Cain classics, “Pastorale,” “The Baby in the Icebox,” and “Dead Man” — this volume comprises both an ideal introduction to the work of this remarkable American author and a mandatory book for all James M. Cain fans.

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“It’s all right. Some top fell down, that’s all. Stick close to the rib, like I do. It generally falls in the middle.”

“Is the lamp busted? Why did it go out?”

“Air. Concussion blew it out.”

“Please light it. The dark scares me so.”

“Sure.”

He had, in fact, already unhooked the lamp from his hat and was banging the flint with the palm of his hand. Sparks appeared, but no light. She moaned: “I knew it was busted.”

“It ain’t busted. Carbide needs water, that’s all.”

He opened his lunch bucket, to pour in water. Then he remembered he had drunk all his water. He waited, hoping a few drops might still be left. Nothing happened.

He closed the bucket, set it down, puckered his lips, preparatory to priming the lamp with spit. Then his mouth went dry with fright and he couldn’t spit. For what he had touched, when he set down the bucket, was a hand, cold and unmoving. She felt his breath stop. “What’s the matter?”

“We took the wrong turn.”

“Are we lost?”

“No, we ain’t lost. But we’re in the haunted entry.”

“The—”

He placed her hand over the cold thing he had touched. She screamed, and screamed again. “That’s the stone — the stone they put up for him because they couldn’t get him out. With the hand chiseled on it, holding a palm. And he’s in there, and he keeps tamping his powder.”

“I don’t hear nothing,” she whispered.

“You will... He tamped in his powder, and lit his fuse, and started out here to wait for the shot. Then the whole room caved in. And he keeps going back there to see why it don’t go off, and then he tamps in his powder again, and—”

“I still don’t hear—”

But her words froze in her throat, for off in the rock somewhere began a faint clink, clink, clink. Then it stopped. “That’s it — that’s the needle. Now comes the tamping iron.” The sound resumed, reached a brisk crescendo, and stopped again. “Now he’s coming out! Now he’s coming this way! And we can’t move; we got no light!”

They were crouched on the floor now, locked in each other’s arms, in an ecstasy of terror. Several times the sound was repeated, and they strained closer as they listened and waited. But fear is a peculiar emotion: it cannot be sustained indefinitely at the same high pitch. In spite of his horror of the ghost, he gradually became aware that there was something distinctly pleasurable about this: lying in the dark with this girl in his arms, shuddering in unison with her, mingling his breath with hers; indeed, with an almost exquisite agony he began to look forward to each repetition of the sound. He thought of her flesh again, and in a moment his hand was touching her side, patting the torn place in her dress, as though this were what the circumstances called for. She didn’t seem to mind. On the contrary, his thick paw apparently soothed her; so that she relaxed slightly, and put her head on his shoulder, and sighed. He patted and patted again, and each time the sound would resume they would draw together.

Suddenly, though, she sat up, listened, and turned to him. “That ain’t no miner.”

“Oh, yes, it is. He—”

“That ain’t no miner. That’s water. I can tell by how it sounds.”

“Gee, if we could only get some! But I can’t even start the lamp. I’m scared so bad I can’t spit.”

“Give me that lamp. I can spit.”

She took the lamp, and he heard it hiss from plenty of good wet spit. He struck the flint, and flame punctured the darkness. “We got to hurry. That won’t last long.”

“Keep still, so I can hear.”

He held the light, and she crawled on her hands and knees, cocking her head now and then to listen. The flame grew smaller and smaller. Suddenly she thrust her hand under a slab of rock. “There it is.”

“You sure?”

“Give me the bucket.”

She took the bucket and thrust it under, and at once came the loud clank of water on tin. They looked at each other, and he spoke breathlessly: “That’s it! That’s how it sounded, only now it’s in the bucket.” The lamp went out, and they waited in the dark while there came a few drops, then a pause, then a few more drops, then the rapid staccato of a full trickle, then a long pause, then the separate drops again. After a long time she shook the bucket, and they heard the water slosh. “That’s enough. That’ll get us out.”

They poured water in the lamp, struck the flint, and a fine big flame spurted out. They were off at once. They went through more dead entries, then came to where the going was better. He laughed — a high nervous giggle. “Ain’t that a joke? Won’t them miners feel silly when I tell them that haunt ain’t nothing but water?”

“It come to me, just like that, that them was drops.”

“And think of that — that was why they stopped working that coal. That’s why the company had to close down them entries. Not no miner would work in there.”

“Gee, that’s funny.”

When, still laughing at this, they popped suddenly on to the old drift mouth, it was nearly dark outside, and snowing. They said stiff good-byes; she thanked him for helping her out, and promised to protect him in his guilty secret. She started down the mountain toward the part of the camp where she lived. He watched her a moment, and then something rose in his throat, an overwhelming recollection — of a naked patch of flesh, lovely smell, and brave, hissing spit.

He called in a queer strained voice: “Yay!”

“What?”

“Come back here a minute.”

She ran back and stood in front of him. He wanted to say something; didn’t know what it was; then heard himself talking, in the same queer voice, about his hope there was no hard feelings about what he had said, back there in the mine, before they started out. She didn’t answer. She kept looking at him. And then, to his astonishment, she came up and put her arms around him. Then he said it. He pulled her to him, pushed his lips against hers for the first time, and the words came jerkily: “Listen... The hell with going home... Let’s not go home... Let’s get married... Let’s... be together.”

She stayed near him, touched his face with her fingers, then looked away. “We can’t get married.”

“Why not?”

“We got no money. You got no money. I got no money, nobody in a coal camp has got any money... Gee, I’d love to be with you.”

“My old man would take us in.”

“And your old lady would throw us out.”

“All right, never mind the married part. Let’s not go home tonight. Let’s stay up here, in one of these shacks.”

“They’ll be looking for us.”

“Let them look.”

“We’d be awful cold and hungry.”

“We can build a fire, and I got two sandwiches left.”

“...All right.”

They tried to say something else, but found themselves unexpectedly embarrassed. But then he began shaking her, his eyes shining. “Who says we can’t get married? Who says we got no money? Why, I’ll have a job! I’ll have a real job! I’ll have a company job!”

“How will you get a company job?”

“The haunt! Don’t you get it? I’ll prove to them miners that haunt is nothing but water! Then they can get that coal! Boy, will they give me a company job for doing that! Will they!”

“Gee. I bet they will.”

“Listen. Do you really mean it? About camping out tonight?”

“I don’t want we should be separated, ever.”

“Kiss me again. Maybe we can catch a rabbit. Can you cook a rabbit?”

“Yes.”

Inside, an astral miner picked up an astral bucket and sadly prepared to join the great army of unemployed.

The Girl in the Storm

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