Rebecca Lim - Mercy

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Mercy: краткое содержание, описание и аннотация

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An electric combination of angels, mystery and romance, MERCY is the first book in a major new paranormal series.
There's something very wrong with me. I can't remember who I am or how old I am, or even how I got here. All I know is that when I wake up, I could be any one. It is always this way. There's nothing I can keep with me that will stay. It's made me adaptable. I must always re-establish ties. I must tread carefully or give myself away. I must survive.
Mercy doesn't realise it yet, but as she journeys into the darkest places of the human soul, she discovers that she is one of the celestial host exiled with fallen angel, Lucifer. Now she must atone for taking his side. To find her own way back to heaven, Mercy must help a series of humans in crisis and keep the unwary from getting caught up in the games that angels play. Ultimately she must choose between her immortal companion, Lucifer, and a human boy who risks everything for her love.

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I don’t take it. But not because I don’t want to.

He shrugs. ‘Up to you,’ he says curtly, walking off again. I have to trot to keep up.

As we head out through the school gates in his white, rusting four-wheel drive, I look at his breathtaking profile and think how it is that I don’t.

I don’t ever forget that I’m not from here.

Chapter 20

We stop at a petrol station on the outskirts of Little Falls and buy a paper. Singing has made me so hungry that I ransack the poorly stocked candy counter with Carmen’s modest stash of spending money at the same time, buying one of almost everything.

When we get back in the car, we pore over the front page together, our heads so close I’m almost leaning on him.

Little Falls woman, Jennifer Appleton, 19, university student majoring in fine arts and vocal performance, missing. Police hold grave fears for her safety.

Ryan regards me with disgust as crumbs fall onto the page. ‘How can you eat at a time like this?’ he exclaims, shaking the paper clear.

‘Stress makes me hungry,’ I shrug, already screwing up my second candy wrapper and reaching for a third.

I unwrap it and begin cramming it gracelessly into my mouth.

‘I heard you sing,’ he says, giving me a strange look.

‘I knew it was your voice, don’t ask me how, even though I couldn’t see you and didn’t know where it was coming from. Actually, it seemed to be coming from everywhere at once. And it sounded, uh, kind of effortless. Lauren used to joke about how tone deaf I am, but you were …’

‘What?’ I grin through a mouthful of chocolate and peanuts, sure they’re all over my teeth. ‘Barely adequate?

Hopelessly grating?’ He rolls his eyes, thinking I’m fishing for compliments.

‘Pretty incredible, actually. But you’d know that. Lauren would hate me for saying it, because she’s always been known as the primo singing prodigy around these parts, but you’re way better than she is. Better than anyone I’ve ever heard before. Hard to believe a voice like that can come out of a body like …’ He looks down at the paper quickly and smoothes it out again. ‘But what would I know?’

‘You and me both,’ I say, making light of the weird alchemy that is Carmen Zappacosta at the present juncture. I throw candy wrapper number three on the floor and bring his attention back to the story on Jennifer Appleton. ‘This says she returned to her hometown to perform at her cousin’s wedding and disappeared sometime after returning to her parents’ place from the reception.’

‘It’s the first time she’s been back at all since she left school,’ Ryan frowns. ‘She was just doing this as a favour. Says here she’s in line for a scholarship at one of the big city opera houses when she graduates at the end of next year. Earmarked for greatness.’ I feel that twinge of discomfort again. Carmen? I know now it’s something she must want for herself, and I feel that momentary guilt again. That I’m in there batting for Lauren, for Ryan, and not for her.

Or maybe you’re just batting for yourself, says that evil voice inside me.

I shift uncomfortably in my seat. There’s probably a bit of truth in that. I grimace as the weird stitch pounds away in my side.

‘Physical description?’ I ask through my teeth.

‘Brunette,’ he replies distractedly, reading ahead.

We stare at the small, grainy shot of Jennifer Appleton: a smiling, round-faced young woman with glasses and long, wavy hair.

‘Says here she’s tall,’ I comment.

Ryan frowns. ‘Lauren’s short, only a little bigger than you are. Plus this girl’s older. They’re total physical opposites. Maybe we’re all jumping to conclusions about there being some kind of connection …’ It’s my turn to frown as I race ahead through the article. ‘Not if you read the crime scene description. It tallies with what I’ve …’ Ryan looks at me sharply. ‘… heard from, uh, various sources,’ I finish lamely.

He shakes his head disgustedly, then scans the paragraph I’ve just read. ‘No signs of forced entry, blood everywhere, a syringe taken away for toxicology tests. Jennifer’s father drove her home then returned to the reception. Hours later, mother and father come back to find her gone. The physical evidence seems to stop at the front gate. Same as for Lauren. The perp was well prepared; very likely wore gloves and shoe covers to explain the lack of DNA at the scene. It’s like she vanished into thin air after the psycho got her outside. No tyre prints, no witnesses. Someone with local knowledge likely to be involved …’ He stares ahead through the fly-struck windshield while I read on, well into candy bar number four. The second last paragraph makes me grip his shoulder hard.

‘What?’ he says in surprise.

I point wordlessly and he reads aloud: The spokesman for the Appleton family, Laurence Barry, is the director of music at Little Falls Academy and minister of the Little Falls Anglican Church. Reverend Barry was the celebrant at Julia Castle’s wedding, and a former teacher of the missing woman. He has appealed to anyone with information to come forward.

Ryan shakes his head. ‘I don’t get you.’

‘He was there today,’ I explain. ‘At the rehearsal.

He’s been at every rehearsal. Mr Barry’s the old guy, from the karaoke bar?’ Ryan’s face clears as understanding dawns.

‘He might have met Lauren the same way,’ I add.

‘In fact, I’m sure of it. The Little Falls, Port Marie and Paradise music students apparently get together for cosy shindigs all the time. Lauren was frequently the headline act. All this time I’ve been focused on Gerard Masson, but maybe Laurence Barry’s the missing link. Not many people would have known Jennifer was back. And there’s a church.’ Ryan starts the engine, throws the car into reverse.

‘Let’s go for that drive,’ he says grimly.

‘So that’s it?’ I say.

We’re parked a block away from the Appletons’ residence. There’s still crime-scene tape forming a loose cordon outside the small timber home. One police car, its lights flashing silently, stands outside, and its burly occupants redirect local traffic and sightseers even as we watch.

The scene is repeated outside the wedding and reception venue — a historic homestead on the Little Falls–Port Marie Road.

‘Not a lot we can do here during daylight,’ Ryan muses. ‘But there’s something we know that they don’t.

My money’s on the church, anyway. Right dream, wrong place of worship.’ He turns the car back in the direction of town, and we park half a block away from the front boundary of the Little Falls Anglican Church, which is deserted.

The sign out front reads: He wants you for His own.

The words cause instant goose flesh on Carmen’s skin. They echo the very words Uri threw at me before he did his nifty vanishing trick.

‘Cheerful,’ I say, struggling to keep my voice controlled. ‘Could be appropriate, in the circumstances.

Think Mr Barry’s doing a little advertising?’ Ryan, already getting out of the car, grimaces at my lame attempt at humour. ‘See anything that looks like the preacher’s residence?’ I shake my head, take a steadying breath. ‘But it could be around the back.’ We split up going through the small car park out front; Ryan heading right towards the church, me heading left towards the church hall.

About five minutes later, Ryan gives a piercing whistle.

Like the manse at the Paradise First Presbyterian Church, Laurence Barry’s place is a modest, brick, one-storey building. But it’s actually located inside the church grounds, and this time there’s some kind of external entry point at the rear of the house that’s covered over by a double-padlocked trapdoor made of rusting steel.

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