Magnus Flyte - City of Lost Dreams

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City of Lost Dreams: краткое содержание, описание и аннотация

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In this action-packed sequel to City of Dark Magic, we find musicologist Sarah Weston in Vienna in search of a cure for her friend Pollina, who is now gravely ill and who may not have much time left. Meanwhile, Nicolas Pertusato, in London in search of an ancient alchemical cure for the girl, discovers an old enemy is one step ahead of him. In Prague, Prince Max tries to unravel the strange reappearance of a long dead saint while being pursued by a seductive red-headed historian with dark motives of her own.
In the city of Beethoven, Mozart, and Freud, Sarah becomes the target in a deadly web of intrigue that involves a scientist on the run, stolen art, seductive pastries, a few surprises from long-dead alchemists, a distractingly attractive horseman who’s more than a little bloodthirsty, and a trail of secrets and lies. But nothing will be more dangerous than the brilliant and vindictive villain who seeks to bend time itself. Sarah must travel deep into an ancient mystery to save the people she loves.

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“If Nico sticks around,” Pols said grandly, “I shall dedicate my opera to him.”

“You might want to include Max in the dedication. He’ll probably be the one paying for it.”

“Max will be disappointed we didn’t find the Fleece,” said Pollina.

Sarah thought of the fifth door. She knew what was behind it. And why Philippine had made Ferdinand put it there. “Maybe not.”

“Maybe not,” agreed Pollina.

“I think I’m going to switch career paths. Something happened to me, too, back with Mesmer. I saw myself . . . I saw what I could be. I’ll have to go back to school.”

“You’re not thinking of becoming a doctor like Mesmer, are you?” Pols frowned. “Your nose is too sensitive. You’d spend half the time puking.”

“Not a doctor,” Sarah promised. “Music, of course.”

“Music? Play professionally, you mean?” Pols smiled. “I can tell you right now that you understand music better than anyone else I know but you are only a very fine violinist and a really good pianist. There are better out there. Maybe you could get work in a decent orchestra. I might be able to find you a job.”

“Not play professionally exactly.”

“Let’s have it.”

“You know what I mean. You’re just teasing me.”

“I want,” Pols said, “to hear you say it.”

“There really,” Sarah said, feeling almost shy, “aren’t enough women conductors. Of orchestras, I mean.”

“Well, I assumed you didn’t mean trains.”

“Is it in my stars, do you think?”

The last of the sand slipped away into the stone floor and Max and Nico turned, blinking, to where Sarah and Pollina stood.

“Yes,” whispered Pols. “Brava, Sarah. Brava.”

FORTY-FOUR

It was a white Christmas in Prague. Sarah looked out the window of Lobkowicz Palace and watched as snow silently blanketed the red roofs of the city. The black tongue of the Vltava was barely visible, tram lines erased, cars buried. Nothing moved in the streets below her. The twenty-first century had been brought to a halt in its tracks, and the world she gazed upon was the same world seen from this window over the centuries.

She could see a lot if she wanted to. But mostly she was practicing controlling her ability to see the past. Especially when the future was so interesting.

Sarah finally shut her laptop and picked up her hot mug of svarene víno , having fired off the last of her applications for music conductor internships. She was considering some intriguing places, though she had decided against Vienna. Berlin, though. Also Paris, Siena, and London. An interesting new program in Istanbul. Well, wherever she ended up, she knew that standing in front of an orchestra, hearing each instrument individually and at the same time as part of a whole that was so much greater than the sum of its parts—that was where she was meant to be.

But right now she was meant to be here. The museum was closed for the day, and Max had set a long table in the Balcony Room, where they had gathered to eat, drink, and watch the storm. He had rolled the piano in from the Music Room, and Pollina was alternating between the Messiah and hilariously elaborate renditions of “Frosty the Snowman.” Beneath the piano, a puppy—a rescue from the shelter on Pujmanové who might grow up to be a large terrier or, Jose joked, a grizzly bear—batted a tennis ball at Pols’s feet. Pollina tapped it back to her. She had named her Natasha, in honor of Boris.

Nico, in an apron embroidered with the alchemical symbol for poison, was refusing Jose’s offer of help in removing a giant roast goose from the oven. “I wanted the more traditional swan,” he teased, surveying it for doneness, “but at the public gardens Moritz wasn’t quick enough. Pass the powdered bezoar, would you—I want to give this bird some zing.”

To spare the delicate sensibilities of the mortals’ feelings on rats-in-the-kitchen, Hermes remained hidden in Nico’s apron pocket, fortified by a peppermint drop.

Oksana was mashing the potatoes and talking about arranging a troika ride for later in the day. Sarah had no idea where they would get three horses, not to mention a troika, but had no doubt it would happen, if Oksana were in charge.

Harriet Hunter had not reappeared. She was perhaps celebrating Christmas with Charles Dickens or Napoléon. Or her mother.

Bettina Müller’s body had been transported back to Austria and buried in Vienna’s Central Cemetery not far from that of Ludwig Boltzmann, a Viennese physicist who’d studied the visible properties of matter, also a suicide. The city’s cafés were full of gossip about the deadly love triangle she had been part of. Her lab was now occupied by a delightful chemist, Alessandro reported. Sarah was fairly sure what “delightful” was a euphemism for, and that Alessandro was not having a solo buon Natale .

She’d had a postcard of Apollo from Renato and Thomas, who were spending the holidays together at a beach house on the Greek island of Symi.

Marie-Franz’s card said she had begun her book on Mesmer and was looking forward to the ball season getting into full swing. She did not plan to have fat injected into her soles in order to waltz all night: Strauss will keep me dancing on air, she wrote.

The grave of Elizabeth Weston remained empty, as it had been for four hundred years.

The von Hohenlohe brothers’ castle had been seized by the state as part of a criminal investigation into corporate espionage and afterward would be undergoing renovations. Archduke Ferdinand’s Kunstkammer was scheduled to open in the summer to the general public. The newly restored castle would no doubt be one of Innsbruck’s most fascinating attractions. Philippine Welser’s De re coquinaria had been moved to the Austrian National Library in Vienna, where scholars would have easy access to it. Gottfried von Hohenlohe had confessed to stealing Bettina Müller’s laptop on behalf of his brother, Heinrich. Heinrich’s company denied all knowledge of Heinrich’s activities. His role in the deaths of Nina Fischer, Gerhard Schmitt, and Felix Dorfmeister was under quiet investigation, but he had been jailed and publicly excoriated for setting fire to the stables of the Spanish Riding School. For saving the horses, Gottfried had been pardoned of all crimes. A recent Internet poll had named him “Austria’s Sexiest Man Alive.”

On an anonymous tip, the police had raided a house just outside of Kutná Hora and found a trove of stolen objects, most of them dusty old apothecaries’ jars that, having been returned to the museums whence they’d come, were once more interred on basement shelves. Since the museums’ curators hadn’t actually noticed they were missing, they also didn’t notice that some of them were not returned.

Moritz, gnawing on a bone under the table, had to move as Sarah’s and Max’s ankles entwined.

After dinner, Pollina played the overture of her new opera, The Golden Fleece . It was a story of ambition and compassion and heroism and sacrifice. Transgression and redemption. Wisdom and folly. And love. And death.

It was a story of life.

Acknowledgments

Magnus Flyte would like to acknowledge the many people who have aided and abetted him during this project: Eva-Maria Berger for her generosity, advice, and good company in Vienna; Charlotte Sommer and Bruce Walker, for ongoing ground support of every kind in Prague; Renato Marena for wonderful hosting and the finest samosas in all of London; Nina Viswanathan for being the best virtual dinner guest ever; Matteo, Berta, and Sabine Tamanini for joining Magnus for a mad dash through Schloss Ambras; Kathleen McCleary for being the first reader; John and Jennifer Brancato for fueling Magnus with moral support and mortadella; Betty Luceigh for unveiling the wonders of nanotechnology; Claudia Cross and Sally Brady for knowing when to send in either the cavalry or the caviar and champagne; Carolyn Carlson, Ramona Demme, and all of Team Penguin for taking a leap of faith (twice); Lindsay Prevette and Laura Abbott for putting Magnus up in style; man-in-the-field Brian Wilson for buoying all things Magnus; Nick Sherman and Adam Dannheisser for guerrilla-style video-making; Patrick Tully for five musical notes on a winter evening; and a special thank-you to all those gorgeous, brilliant, sexy people working at bookstores across the land. You know who you are.

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