Tony Burgess - Pontypool Changes Everything

A couple who have been holed up in a cottage on Rice Lake light a fire in their front yard to attract the attention of rescuers. They are shoved backwards onto flames by the giant hands of haunted people.

In a farmhouse near Orillia a widow sneaks out at night and drags corpses through her front door. The scene is lit eerily from within by a flashlight held in its place on the table by a sugar dispenser.

A zombie in Havelock leaps onto the back of a cow and looks up laughing as a farmer drives a pitchfork into its back.

In Angus a group of men lash a suspected pedophile to a raft, then send him off down the freezing Notta-wasaga river. A helicopter is dispatched to save him. As it swings along a river in the sky, men shake their fists from below.

A schoolteacher hides his Grade Twos in a grain silo, only to become a predator himself by midnight.

Four people stand under the Dufferin Gates, remove their clothes, and pass a straight razor back and forth on unspeakable dares.

A prisoner in the Kingston penitentiary slams his back up against the bars in a sexual passion that will end in the death of the man he has loved for six years.

A garage mechanic in Sarnia is shot by a stranger as he pulls down the rattling bay door.

Three yachts set sail from Port Credit Harbour and are sunk by a coast guard vessel that has, up to this point, been firing on the seagull population. A young captain holds up his head, like a bust of Beethoven, in the pocket of air inside the ship’s bow.

A four-year-old girl in Brampton runs screaming to her parents’ bedroom. They sit up to greet their crying daughter with faces that are unmistakably afflicted.

The population of Norwood is zero.

Guelph, three hundred. Maybe.

St. Catharines, eight hundred.

Hamilton is particularly disastrous. Pockets of homicide flare up with crazy unpredictability, confounding a military strategy that flexes itself, finally, in an anguished genocidal nightmare.

Hamilton: population definitely zero.

The QEW, stretching down around the corner of Lake Ontario to Buffalo, is host to a marathon of mad runners who are ignored by the Ontario military. They fall into a blinding wall of American weapons.

A serial killer sits in silent obedience at home in North York, surrounded by four uncommunicative guests.

By January the population of Ontario is only two-thirds of what it was, and there are no zombies left alive. By the first thaw an enormous clean-up is under way. By spring all killing has virtually stopped, except for the occasional murder committed by hunters who rush into the deep woods in the hope of bagging a real-life monster.

If everything that ever brought a person to their knees, head bowed, hands clutching at thin air, had to be characterized somehow, several hands would shoot up immediately. Some of us are eager to tell others how this happens. You are born with what will bring you to your knees, and it patiently acquaints itself with you over long decades until, one day, with a blinding finger, it reaches up…

No, that’s not true. Not really.

Other hands go up. No one is called upon to answer. The look from the person at the front of the room, a left hand caging a left eye, communicates that it’s already too late, that we are already sitting in positions strange to this endeavour. We quiet down, fold our hands in our laps, respectful. The instruction is that forgiveness should be sought in the most forgiving space in the world: a little lounge music, an unregenerate appetite for heroin, a peaceful hand touches the corner of a chin, and a scratching fingernail is dragged up and down a forearm. A forearm as long as a country laneway. Someone leans over a neighbour’s crossed legs and says, “It’s good to be here anyway.” As a chosen member is carved open at the throat, hands knocking a lamp, a box of pencils, several people moan — “mmmmm” and “ahhhhh”— so we lower the lights.

Greg’s Higher Power reaches out beside his bed and traps a lamp switch between his fingers. The turquoise adjustable work lamp is clamped not to a table but to a short plank of wood held in place on the floor by a brick. When he pushes the switch on the crown of the metal shade the bulb is inadvertently directed towards his face. He redirects it with a swat. He turns to face the wall and waits for Harley who is sleeping in the upper bunk, to hit the snooze button. The beep persists and seems to get louder, more obnoxious. Greg’s Higher Power raises a leg from the bed, pulling it through the coarse grey blanket, which slides off, grating the smooth leg he extends into the bottom of the mattress above him.

“Yeah. Mmm-hmm. Ten minutes.”

The Higher Power sits up on the mattress and leans his face into his hands, breathing deeply through his nose. He smells the dampness of the mattress on his fingers. The lamp faces out across the cellar floor. Along space heater sits on three old issues of the Hamilton Spectator. The front pages of the papers are browned by the heating element and their bottoms are cold and wet against the concrete floor. Like a closet of props the cellar is crammed with neglected junk. Two old televisions, a collection of broken hoes, a saddle, canoe paddles, a stack of rough scaffold planks, a mouldy array of old coats, a rusted-out stove, a soft, black cardboard box full of engine parts, a rack of clothes bundled under plastic and tied with binder twine, a plywood reindeer with a red bulb hanging from its nose. Under the charred pipes of a giant furnace is a bunk bed. Greg’s Higher Power has lived here throughout the winter in the orange glow of the space heater, waiting for his grief to settle, for Greg to be less with him, for spring to come. For summer to follow.

He was picked up at the side of the road by a farmer named Jackson several months ago, and by the end of the trip, which took them down to Markham and back again, to a farm just outside Pontypool, the farmer had taken on his grim-looking passenger as a hand. Jackson led the lifeless man into the cellar, where his son Harley slept, and left him there to wait out the winter months in bed until the first haying in August. And now, after an interminable season spent with the conjugating clicks of a furnace and the hug-me glow of a battered space heater, the Higher Power is woken by Harley’s alarm on the first day of haying season.

Halfway up the stairs the Higher Power smells bacon, and by the time he opens the door, heavy with winter coats, onto a large kitchen, the mould on the back of his tongue suddenly tastes of toast, fried tomatoes and pancakes. Dolly, the farmer’s wife, turns to him from an electric skillet full of bacon sitting on a dishwasher and smiles, gesturing with a greasy spatula for him to sit. The table has been extended with a mismatched leaf to accommodate a vast array of hot food. Three tall stacks of light-brown pancakes, a huge peppery bowl of steaming tomatoes, a long plate, heavy with bright-green-and-red-flecked omelettes oozing cheese. An entire corner of the table is devoted to a small city of jams and preserves. A tray of still-sizzling steaks sits between two fat glass pitchers of freshly squeezed orange juice. Jackson is seated at the head of the table, and though he’s a reserved man by nature the Higher Power senses an excitement in him today. He is wearing cleaned and pressed work clothes with a bright orange cap on his head. He is staring thoughtfully at his plate, chewing, taking care, it seems to the HP, that his long grey sideburns, trimmed and combed, stay clear of the huge forkfuls of food he brings up between them.

Jackson acknowledges the HP’s presence at the table by anxiously breathing once and pausing his hands over his plate. When the HP has settled, Jackson continues eating, hurrying now for everyone else’s sake. A leader should lead, and Jackson looks up frequently through the curtains of the window above the sink, picturing himself out there already, frowning at a series of disasters that always marks the first day of haying. Dolly is watching him above her thick glasses and the HP notices how striking this is, this looking, the peculiar distance in her eyes. Dolly knows Jackson will not return her gaze. A shy man, even around his own wife. Jackson looks back at his plate, frowning, breathing in anxiously again. He doesn’t look at her, but he knows that she’s watching him and he says, “Ah-yeh, ah-yeh.” Dolly wipes her hands on her recently ironed apron and looks out the window to where her husband has pictured himself. She leans over the dishwasher and looks out further to the acres of cut and fallen hay.