Nick Cutter - Little Heaven

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An all-new epic tale of terror and redemption set in the hinterlands of midcentury New Mexico from the acclaimed author of
—which Stephen King raved “scared the hell out of me and I couldn’t put it down… old-school horror at its best.” From electrifying horror author Nick Cutter comes a haunting new novel, reminiscent of Cormac McCarthy’s
and Stephen King’s
, in which a trio of mismatched mercenaries is hired by a young woman for a deceptively simple task: check in on her nephew, who may have been taken against his will to a remote New Mexico backwoods settlement called Little Heaven. Shortly after they arrive, things begin to turn ominous. Stirrings in the woods and over the treetops—the brooding shape of a monolith known as the Black Rock casts its terrible pall. Paranoia and distrust grips the settlement. The escape routes are gradually cut off as events spiral towards madness. Hell—or the closest thing to it—invades Little Heaven. The remaining occupants are forced to take a stand and fight back, but whatever has cast its dark eye on Little Heaven is now marshaling its powers… and it wants them all.

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“Not the children,” he said.

You must give me someone , it groveled. You must must must—

Micah took two big steps, pistonned his leg back and punted the hateful infant as hard as he could. His boot sank into the marbled tissue of its chest. The baby tumbled pell-mell into the darkness, arms and legs flapping. Silence… then a squalling cry that rose to a petulant shriek.

The children at the back of the chain were beginning to stir. Their hands came unstuck as they entered wakefulness. Their movements were clumsy, as if they’d been drugged. Minerva and Ebenezer helped them up. They were scared and shaky, like children who had just come out of a coma—and perhaps they had, of a sort. None of them cried. They were too shocked for tears, though those would surely come before long.

“Where are we?” asked a little girl.

“We’re in the dark,” Minerva told her gently. “But we’re going to find our way back out, okay? You stick tight with me.”

The girl rubbed her eyes. “Why is a baby crying? I can’t see it.”

“It misses its mom, I guess.”

“Oh.”

Eli, Elsa, and the Redhill boys did not stir. Their hands were welded together, the flesh melded and seamed. The other children had not suffered this same fate. Those ones—who Micah had to assume had only recently arrived here—seemed to be recovering already. He hoped so. He shook Eli’s shoulder; flies buzzed from the rotten hole under his armpit. Wordlessly, Micah held his hand out for Ebenezer’s pistol.

“Take the rest,” he said. “I will follow directly.”

Ebenezer and Minerva led the children to the tunnel. Ebenezer said: “Hop lightly, boys and girls.”

They trailed him into the tunnel. Minerva waited until they were all through before bringing up the rear. She hesitated.

“You sure, Shug?”

“Go on, Minny.”

Once she was gone, Micah sat with Eli. The baby’s keening screams shot acid through his veins. Biting back his disgust, he gripped the umbilical cord fixed over Eli’s mouth. It clung to his face as if attached with fishhooks. He pulled, terrified he’d rip the boy’s skin off or discover some giant leech projecting from his mouth—

The baby’s cries abruptly cut out.

Take them, then , it said spitefully.

Eli shuddered upright. His eyes shone black and he was screaming; his gleeful, lunatic cackles traveled through the funnel of opaque skin. The other children staggered up, too. Their stick-figure bodies began to prance in the flashlight’s beam as their ghastly laughter filled the darkness. Their hands were fused together in those ulcerated florets; they swung one another around as if playing a hellish version of “Skip-to-My-Lou.”

There was no longer anything recognizably human about them. Some essential quality had been cleansed away. The thing living inside Preston hadn’t simply eaten their flesh—it had eaten their spirits, their sanity… their almighty souls, if those existed.

Micah stifled a scream, his own sanity threatening to go right along with them. There was no saving them. There was only one final mercy he could offer.

He raised Ebenezer’s gun. It should have taken four bullets. But it took a few more. It was so dark.

And Micah’s hands were shaking so damn bad.

17

WHEN MICAH MET THEMoutside the black rock, his hands were still trembling.

The night was cool. The children who had been saved were standing around a strange vehicle. Micah figured it must be the track machine the shopkeeper in Grinder’s Switch had spoken about. Ebenezer was helping them into its bed. Micah caught snatches of the children’s anguished speech—“Where’s Mommy and Daddy?” and “What did the Reverend do to my momma?”

Down the slopes, the forest was burning against the night. A fire was spreading quickly, urged on by the wind blowing over the mesa.

“We have to get out of here,” Minerva said.

“We can still make it,” Eb said, “but the fire is curling down the hillside to Little Heaven. Our only shot is to outrun it.”

Nate rounded the edge of the machine. His face was peppered with ash.

“Where’s Ellen?” he said.

“Wasn’t she with you?” Micah asked the boy.

“No. She followed them down.” Nate pointed at Minerva and Ebenezer.

Jesus. Ellen was still in there.

“Go,” Micah told Minerva.

“We can wait, Shug. We’ll go back together.”

Micah shook his head. “If you do not get the children out now, it will be days before help comes.”

Minerva cast a glance at the fire gathering along the hillside.

“Five minutes,” she said. “Then we go.”

Micah nodded. He walked back into the cleft.

WORMWOOD WORMWOOD WORMWOOD the star’s name is called—

Amos Flesher lay in his rocky burrow with the burn-faced woman. Their bodies were pressed together. He could smell the blood from her wound, warm on his nose. He giggled. He had hit her quite hard. Had he fractured her skull? He hardly knew his own strength anymore! Something about the darkness, the smells, and the dripping rock gave him an immense sense of power. Wonderful voltages coursed through his bloodstream.

He had been tucked safe in his hidey-hole when the gunshots rang out. Four or five, he couldn’t count, as they had come so fast. Then three more, spaced out with some deliberation. The woman jerked with each shot, but she did not regain consciousness—just nerves, he figured, the way a fish will flop when you drive a knife into its brain.

Next came the sounds of passage through the tunnel. Someone was exiting, following the children he’d heard leaving already. Things went silent again. Had everyone gone? Were they all alone, finally?

Aaaaaamos.

The Voice filled his skull. Oh! Painful. Like putting his ear next to a huge stereo speaker. Warm wetness coated his lips. Was his nose bleeding? He could feel it trickling from his ears, too.

Come to me. Worship.

Yes, Father , Amos thought. Anything for you.

He squirmed out of the burrow. Gripping the woman’s ankles, he dragged her into the tunnel with him. He flicked her flashlight on. Oh my! That was a lot of blood. Doc Lewis could have stitched up that gash on her head, but Lewis was now dead in a pool of his own blood. Ah, well. Fiddle-dee-dee.

It was hard work dragging her through the tunnel, but Amos labored with a song in his heart. After all the struggle and compromise amid his inferiors, his day of reward had arrived… or night—he could no longer tell. Time had lost all meaning. Only the darkness, heavy and unending.

The tunnel bellied into a vast vault. The floor was scattered with items of clothing… The beam swept over what appeared to be a body, but it was so ghastly that he could scarcely credit it as being human. Its head had been blown apart.

The children’s bodies were here, too. Eli, the Redhill brats, the Rasmussen urchin—

From somewhere in the nether reaches of the chamber: timid, fluttery inhales. A small pair of lungs drawing delicate sips of air. He shone the flashlight toward that sound. He saw or thought he could see a small shape heaved up against the far wall, its legs cycling uselessly—

He caught sound behind him, from the tunnel. Someone was approaching.

He flicked the flashlight off and left the woman on the floor. He hid.

MICAH FOUND ELLENin the chamber. Her face was a mask of blood.

He rushed over to her. Inspected her head. The wound was bloody but superficial. He shone the flashlight on the bodies of Preston and… the others. Nothing moved now, and nothing had moved since he’d been here.

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