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Стивен Кинг: The Dark Tower

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Стивен Кинг The Dark Tower

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The final book in King's epic The Dark Tower series, sees gunslinger Roland on a roller-coaster ride of exhilarating triumph and aching loss in his unrelenting quest to reach the dark tower. Roland Deschain and his ka-tet have journeyed together and apart, scattered far and wide across multilayered worlds of wheres and whens. The destinies of Roland, Susannah, Jake, Father Callahan, Oy, and Eddie are bound in the Dark Tower itself, which now pulls them ever closer to their own endings and beginnings and into a maelstrom of emotion, violence, and discovery. And as he closes in on the Tower, Roland's every step is shadowed by a terrible and sinister creation. Finally, he realises, he may have to walk the last dark strait alone...

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Next to the white woman was a dark-skinned one whose legs ended just below the knees. Floating naked or not, nauseated or not, todash or not, Roland had never in his life been so glad to see anyone. And Eddie felt the same. Roland heard him cry out joyfully in the center of his head and reached a hand to still the younger man. He had to still him, for Susannah was looking at them, had almost certainly seen them, and if she spoke to them, he needed to hear every word she said. Because although those words would come from her mouth, it would very likely be the Beam that spoke; the Voice of the Bear or that of the Turtle.

Both women wore metal hoods over their hair. A length of segmented steel hose connected them.

Some kind of Vulcan mind-meld, Eddie said, once again filling the center of his head and blotting out everything else. Or maybe

Hush! Roland broke in. Hush, Eddie, for your father’s sake!

A man wearing a white coat seized a pair of cruel-looking forceps from a tray and pushed the rathead taheen nurse aside. He bent, peering up between Mia’s legs and holding the forceps above his head. Standing close by, wearing a tee-shirt with words of Eddie and Susannah’s world on it, was a taheen with the head of a fierce brown bird.

He’ll sense us, Roland thought. If we stay long enough, he’ll surely sense us and raise the alarm.

But Susannah was looking at him, the eyes below the clamp of the hood feverish. Bright with understanding. Seeing them, aye, say true.

She spoke a single word, and in a moment of inexplicable but perfectly reliable intuition, Roland understood the word came not from Susannah but from Mia. Yet it was also the Voice of the Beam, a force perhaps sentient enough to understand how seriously it was threatened, and to want to protect itself.

Chassit was the word Susannah spoke; he heard it in his head because they were ka-tet and an-tet; he also saw it form soundlessly on her lips as she looked up toward the place where they floated, onlookers at something that was happening in some other where and when at this very moment.

The hawk-headed taheen looked up, perhaps following her gaze, perhaps hearing the chimes with its preternaturally sharp ears. Then the doctor lowered his forceps and thrust them beneath Mia’s gown. She shrieked. Susannah shrieked with her. And as if Roland’s essentially bodiless being could be pushed away by the force of those combined screams like a milkweed pod lifted and carried on a gust of October wind, the gunslinger felt himself rise violently, losing touch with this place as he went, but holding onto that one word. It brought with it a brilliant memory of his mother leaning over him as he lay in bed. In the room of many colors, this had been, the nursery, and of course now he understood the colors he’d only accepted as a young boy, accepted as children barely out of their clouts accept everything: with unquestioning wonder, with the unspoken assumption that it’s all magic.

The windows of the nursery had been stained glass representing the Bends o’ the Rainbow, of course. He remembered his mother leaning toward him, her face pied with that lovely various light, her hood thrown back so he could trace the curve of her neck with the eye of a child

(it’s all magic)

and the soul of a lover; he remembered thinking how he would court her and win her from his father, if she would have him; how they would marry and have children of their own and live forever in that fairy-tale kingdom called the All-A-Glow; and how she sang to him, how Gabrielle Deschain sang to her little boy with his big eyes looking solemnly up at her from his pillow and his face already stamped with the many swimming colors of his wandering life, singing a lilting nonsense song that went like this:

Baby-bunting, baby-dear,

Baby, bring your berries here.

Chussit, chissit, chassit!

Bring enough to fill your basket!

Enough to fill my basket, he thought as he was flung, weightless, through darkness and the terrible sound of the todash chimes. The words weren’t quite nonsense but old numbers, she’d told him once when he had asked. Chussit, chissit, chassit: seventeen, eighteen, nineteen.

Chassit is nineteen, he thought. Of course, it’s all nineteen. Then he and Eddie were in light again, a fever-sick orange light, and there were Jake and Callahan. He even saw Oy standing at Jake’s left heel, his fur bushed out and his muzzle wrinkled back to show his teeth.

Chussit, chissit, chassit, Roland thought as he looked at his son, a boy so small and terribly outnumbered in the dining room of the Dixie Pig. Chassit is nineteen. Enough to fill my basket. But what basket? What does it mean?

FOUR

Beside Kansas Road in Bridgton, John Cullum’s twelve-year-old Ford (a hundred and six thousand on the odometer and she was just getting wa’amed up, Cullum liked to tell people) seesawed lazily back and forth above the soft shoulder, front tires touching down and then rising so the back tires could briefly kiss the dirt. Inside, two men who appeared not only unconscious but transparent rolled lazily with the car’s motion like corpses in a sunken boat. And around them floated the debris which collects in any old car that’s been hard-used: the ashes and pens and paperclips and the world’s oldest peanut and a penny from the back seat and pine needles from the floormats and even one of the floormats itself. In the darkness of the glove compartment, objects rattled timidly against the closed door.

Someone passing would undoubtedly have been thunderstruck at the sight of all this stuff—and people! people who might be dead!—floating around in the car like jetsam in a space capsule. But no one did come along. Those who lived on this side of Long Lake were mostly looking across the water toward the East Stoneham side even though there was really nothing over there to see any longer. Even the smoke was almost gone.

Lazily the car floated and inside it, Roland of Gilead rose slowly to the ceiling, where his neck pressed against the dirty roof-liner and his legs cleared the front seat to trail out behind him. Eddie was first held in place by the wheel, but then some random sideways motion of the car slid him free and he also rose, his face slack and dreaming. A silver line of drool escaped the corner of his mouth and floated, shining and full of minuscule bubbles, beside one blood-crusted cheek.

FIVE

Roland knew that Susannah had seen him, had probably seen Eddie, as well. That was why she’d labored so hard to speak that single word. Jake and Callahan, however, saw neither of them. The boy and the Pere had entered the Dixie Pig, a thing that was either very brave or very foolish, and now all of their concentration was necessarily focused on what they’d found there.

Foolhardy or not, Roland was fiercely proud of Jake. He saw the boy had established canda between himself and Callahan: that distance (never the same in any two situations) which assures that a pair of outnumbered gunslingers cannot be killed by a single shot. Both had come ready to fight. Callahan was holding Jake’s gun . . . and another thing, as well: some sort of carving. Roland was almost sure it was a can-tah, one of the little gods. The boy had Susannah’s ’Rizas and their tote-sack, retrieved from only the gods knew where.

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