Тим Леббон - New Fears 2 - Brand New Horror Stories by Masters of the Macabre

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An electrifying anthology of new horror stories by award-winning masters of the genre.
Twenty-one brand-new stories of the ominous and terrifying from some of the horror genre’s most talented writers. In ‘The Dead Thing’ Paul Tremblay draws us into the world of a neglected teenage girl and her younger brother and the evil that lurks at the heart of their family. In Gemma Files’ ‘Bulb’ a woman calls in to a podcast to tell the terrifying story of why she has escaped off-grid. And Rio Youers’ ‘The Typewriter’ tells in diary form of the havoc wreaked by a malevolent machine. Infinitely varied and beautifully told, New Fears 2 is an unmissable collection of horror fiction.

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“‘The following day he sent out two boats, one to carry what food could be found, the other to guard it. Before they had reached the islet that was their destination, the men sighted Pan curled in a hollow in one of the trees, apparently asleep. Thinking this a chance to avenge their fellows, they rowed toward him. As they drew closer, the Spaniards heard voices, women’s voices, singing a song of surpassing loveliness. They searched the trees, but saw no one. One of the men looked into the water and directed the others to do likewise. Floating below the surface were the sirens, their limbs wrapped in long trains of silk. Pan liked them to sing of his life as it had been, when he and his foster-brother, great Zeus, had spent their days roaming the beaches of Crete, peering into the pools the tide left, on their guard for Kronos’s spies. The approach of the boats distracted the sirens from their duty. Long years had passed since they had tasted the flesh of any man but the Cimmerians. From the shores of Crete, their song changed to the delights awaiting the sailors under the water. Wasting no time, one of the younger men leapt to join them. He was followed by all his fellows save one, an old hand mostly deaf from decades manning the cannons. To him, the sirens’ song was a distant, pleasant music. He was the one who would return to the ship to relate the fates of the others. He would describe the sirens darting around the men, keeping just out of reach. Like many sailors of the time, none of those who had pursued the sirens could swim; not that it would have made much difference in this case. Maybe they would not have drowned so quickly. That was bad, but what was worse was when the sirens began to feed. Their song ceased, and the old hand who had watched his mates die saw that their beautiful robes were in fact long fins growing from their arms and legs, and that their pretty mouths were full of sharp, sharp teeth. So frightened was the sailor that he forgot about Pan until he was fleeing. Then he saw the god awake, on his hands and knees, leaning forward to watch the water grow cloudy with blood.

“‘If the captain grieved the loss of his men, and so soon after the deaths of the others, he regretted the loss of the second boat almost as much. He was aware, too, that for a second day the ship’s larder had not been replenished. The vessel had provisions enough for this not to be of immediate concern, but you know the importance of well-fed men, especially on a ship lost in a strange place.

“‘First, though, there were the sirens to be dealt with. An expedition to the spot was out of the question. The old sailor’s report of the creatures had terrified the men. The captain suggested borrowing a trick from Homer and stopping their ears, but the crew would have none of it. Rather than risk rebellion, the captain ordered the ship’s cannons loaded and trained on the sirens’ location. Three volleys the Spaniards fired at the creatures. Their cannonballs felled two of the great trees, and stripped limbs from and struck holes in ten more. While the smoke still rolled on the water, the captain and four of his bravest men stuffed their ears with rags and boarded the remaining boat, which they rowed toward the sirens quickly. Upon reaching the spot, they found two of the creatures floating dead, the limbs of a third between them. A fourth swam in a slow circle, right beneath the water’s surface, gravely wounded. The captain dispatched her with his sword, then had the men retrieve her body and those of her sisters. They towed the sirens’ remains to the ship, where the captain instructed the crew to hang them from the mainmast.

“‘Certain that an attack by Pan was forthcoming, flushed with his victory over the sirens, the captain prepared for battle. The armoury was opened, the cannons were loaded, watches were posted. On the ship’s forge, the smith crafted a hook to replace the captain’s lost hand. All of this for a boy, eh? Yes, the Spaniards did not know Pan’s true identity, but they had realized he was no normal child. His immunity to the sirens’ music marked him as a supernatural being himself. Many of the crew were sure he was a devil and this Hell. The superstitions of sailors are legendary, and the captain, who worried about Pan more than his station would allow him to admit, did not want the men’s fears to undermine the ship’s order. He pointed to grandfather croc’s hide, to the bodies of the sirens, and told the crew that if this was Hell, then they would make the devils fear them. Brave words, and had Pan appeared at that moment, the sailors would have thrown themselves at him with all the ferocity they had reserved for the English.

“‘During the days to come the ship was the model of discipline. The men did not see Pan, but they had no doubt he was preparing his assault. The days became a week. The lookouts saw nothing in the great trees but brightly coloured birds. One week became two. There was no hint of Pan. The crew grew restless. The captain wondered if the child had been struck by a cannonball and killed, but was reluctant to chance his remaining boat to investigate the speculation. With each passing day, the ship’s provisions diminished, and this became as great a concern for the captain as Pan’s skill with the sword. Hunger leads to desperation, desperation to mutiny, for sailors, at least. For those in command, desperation is brother to recklessness, and the arrival of one foretells the arrival of the other. As the second week of the ship’s vigil tipped into the third, the captain called on his four best men and joined them in the boat. Together, they set out to look for Pan.

“‘Their search took them to the place he had been seen last, the lair of the sirens. The Spaniards had blocked their ears, but there was no need: the spot was deserted. From that location, they rowed to every one Pan had showed them, from a rocky islet where grew a grove of lemon trees to a long sandbar whose grass fed a herd of goats. Nowhere was the god visible. They came within view of the rugged home of the Cimmerians, which Pan had cautioned them to avoid. Through his spyglass, the captain surveyed the island’s huts, but could see neither the child nor the Cimmerians. A terrible suspicion seized him, which was borne out a moment later, when an explosion sounded from the ship’s direction.

“‘You can imagine, the men rowed with all the speed they could summon. When they reached the ship, they saw her canted to port, a column of thick smoke rising from the hole in her starboard side. A fierce fight was underway on the sloping deck between the sailors and a small army of men and women. They were bone white, these people, armoured in the shells of the crab men they had slain, which proved little match for the Spaniards’ steel. But their weapons, spears with fire-hardened tips, axes with sharpened rock heads, were no less deadly when they found their mark, and there were more, many, many more, of the Cimmerians than there were of the crew. Dancing across the bloody boards, Pan stabbed this man in the leg, cut the hamstrings of another, jabbed a third in the back. The air was full of the grunts and cries of the sailors, the cracks of their swords on the shell-armour, and the battle song of the Cimmerians, which is a low, ghostly thing.

“‘Once the boat was within reach of the deck, the captain leapt onto it, his blade at the ready. A swordsman of no small repute, he cut a path to the spot where Pan was engaged in a duel with the first mate, who had succeeded in scoring his opponent’s legs and forearms with the tip of his sword. Just as the captain reached them, Pan jumped over the mate’s swing and drove his blade into the man’s chest. Enraged, the captain lunged at the god, but the blood of his lieutenant betrayed him, causing his foot to slip and him to lose his balance. A kick from Pan sent him tumbling down the deck, into the water.

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