Michael McDowell - Candles Burning

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Candles Burning: краткое содержание, описание и аннотация

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“A mix of magic realism and Southern gothic, this stunning collaboration between King and McDowell… moves at a hypnotic pace, like an Alabama water moccasin slipping through black water.” Starred Review. A mix of magic realism and Southern gothic, this stunning collaboration between King (Survivor) and McDowell (The Elementals), who died in 1999, moves at a hypnotic pace, like an Alabama water moccasin slipping through black water. Set in the late 1950s, the narrative paints a bitingly bittersweet portrait of Calliope “Calley” Carroll Dakin, a seven-year-old child caught in a web of deceit, secrets and the supernatural. Calley, a little girl with big ears, can communicate with departed spirits. When one character asks Calley if she can hear the dead, she replies, “Yes, ma’am… but it ain’t worth hearing.” Or is it? After Calley’s self-made father, Joe Cane Dakin, who owns a chain of car dealerships, is murdered in New Orleans in a botched kidnapping, the spirit voices come in handy because now Calley’s in danger, too. Later, Roberta Ann, Calley’s Southern-belle—from-hell mama who never let her husband forget his humble origins, takes the girl to a mysterious Pensacola B&B. There Calley’s talents gradually enable her to find sweet justice for her daddy and to appreciate the pure delight of nature’s revenge. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Seven-year-old Calley Dakin is thrown into the all-female whirlwind of her mother’s family when her father is gruesomely murdered. The Carrolls fancy themselves Alabama aristocracy and scheme amongst themselves as well as with others to grab the wealth that undergirds the pretense. That scheming involves Calley, whose extraordinary ears hear not only the living but also the dead, whom she sometimes sees, too. She doesn’t know she’s the eye of the family storm, much less who she can trust, as she is carted from home to Grandmother Mamadee’s to the Victorian house on the Gulf of Mexico in which she grows up. McDowell, who wrote the stories on which Beetlejuice and The Nightmare before Christmas are based, hadn’t finished this lightly supernatural confection when he died in 1999. King completes it beautifully as to tone, aura, and flavor, and it’s funny and intriguing, magnetically readable. Some may be disappointed, though, that in the end Calley is much less likable (she’s a heartless liberal philanthropist) than triumphant. From Publishers Weekly
From Booklist

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After they left, Ford turned on the TV to watch Sergeant Preston arrest criminals in the name of the Crown. In my bedroom, I plugged in my Elvis Autograph Phonograph. As I was deciding, shuffling through “Jailhouse Rock,” “Teddy Bear,” “The Twelfth of Never,” “The Yellow Rose of Texas,” “The Banana Boat Song,” “Blueberry Hill,” and “How Much Is That Doggie in the Window,” I heard a chink and gurgle, glass on glass, and then a gulp: Ford, getting himself a drink from the cut-glass bottles. He did it at home whenever Mama and Daddy went out but was careful to take only a little so as not to get caught. Ford was born even more devious than most Carrolls.

I sat on the floor, listening to my records and playing with my paper dolls. It was not easy to get a story going on account of the 45s hardly went three minutes or so, and then I had to start them again or change them. Concentrating was hard work. At seven though, I had more than an inkling of self-discipline. I was grateful for Betsy McCall. She was what Ida Mae Oakes called a focus.

The January Betsy McCall had been a disappointment. Betsy McCall Made A Calendar, which for once did not require any special wardrobe. But Mamadee had presented the February issue in time for me to take it with me on our trip. I was allowed a pair of those crinky little scissors that are made for small children. They were too small for my fingers and the edge on their blades was about fit to cut Jell-O. So one day when Mama’s seamstress, Rosetta, was in the house, I wheedled a small pair of real shears out of her from her workbasket. With those, I cut out Betsy McCall Has A Valentine Picnic and then sent Betsy McCall To New Orleans On The Banana Boat For Her Picnic On Blueberry Hill.

In the silence after Elvis finished offering to make Betsy McCall his Teddy Bear, the Zorro theme song came on the television. I was moved by the music to try out the small shears as a sword. They proved a poor substitute, as the very first slash of my Z took off Betsy McCall’s head. I dropped Betsy McCall’s bits into the box and the shears after them. Since Betsy McCall Came To Calliope Carroll Dakin’s House every month, I viewed her as disposable and often cut her up and rearranged her parts. With more cutouts from the advertisements in McCall’s, a sheet of paper and some paste, I could turn her into a clown or a circus freak, stuff her into a dryer so it looked like her bits were churning around behind the porthole door, or mix her up with peas and corn and mashed potatoes in a TV dinner. My collages horrified Mamadee, who said that they were sure evidence of degeneracy and mental disturbance, and proof that not only was I more Dakin than Carroll, but that Mama had allowed the influence of Ida Mae Oakes over me for far too long. Mamadee’s pronouncements just naturally inspired me to greater efforts.

The television went abruptly silent. The elevator was coming up.

By the time it wheezed to a stop, I was in bed. Daddy came in and gave me a quick kiss on the cheek.

He whispered, “Sunshine, your lamp here is still warm and I can see your pajamas in your suitcase over there. After I close the door, you hop out and get into them, okay? Say your bedtime prayer too.”

I opened one eye and winked at him. He kissed my head and went out.

Daddy might have been a Dakin, he might walk a little stiffly and have a weak left arm, but his eyes and ears and brains worked just fine.

I was seven years old: All I knew was the way things were. I could only reckon that was the way they were supposed to be. I expected them to stay that way. I had enough to do, coping with being Calliope Carroll Dakin.

Sometimes I pretended that I was Ford and when I glanced in a mirror with my Bored Ford face on, I thought I looked more than a little bit like him, no matter how much Mama and Mamadee said I didn’t have a bit of Carroll visible in me, that I was hopeless pure-D backside-of-the-moon Dakin.

They were right.

I looked just like my bony, graceless, goofy boy Dakin cousins, except for the twin ponytails that were meant to hide my ears. Ford said that they looked like somebody left the car doors open. I could waggle my ears as if they were the stumps of an extra set of limbs that had failed to grow. Despite the pleasure this parlor trick gave to others, I was forbidden to do it, particularly in Mamadee’s presence. To Mamadee, my ears were the definitive proof of Dakin degeneracy.

Without intending it, I left breakage like a trail of crumbs behind me. If I was very still, I could minimize the possible damage, and the unwelcome attention that I might draw. I worked at it diligently. Ida Mae Oakes used to tease me, saying, Diligent is your middle name, Calliope Dakin, and Calliope Diligent Dakin, I swear .

Because I had a difficult birth and was a troublesome infant—I screamed all the livelong day and night—and Mama had to recuperate a long time, Daddy hired Ida Mae Oakes to be my nursemaid. She stood in high repute in Montgomery for how well she took care of troublesome babies. My secret pride was that Ida Mae stayed with me longer than any other child in her career, at least until me.

Daddy paid Ida Mae’s wages, and Mama ordered her around, but Ida Mae made it clear that I was her job. Not Ford, and not housemaid’s work, kitchen work, or running errands for Mama. For a long time, Mama was too relieved not to have to take care of me herself to want to bend Ida Mae to her will. Whenever Mamadee got started on how insolent Ida Mae Oakes was, not to bring her sweet tea when she wanted it, or polish Ford’s shoes, because Ida Mae was too busy taking care of me, and how Mama didn’t understand how to be firm with those people, Mama would point out that it was Ida Mae Oakes who had stopped me crying all the time.

Mamadee and Mama didn’t care how Ida Mae did it, though Mamadee suspected Ida Mae of having spiked the diluted canned milk formula with moonshine. They agreed that if she hadn’t taken me out of the house and quieted me enough to live with normal people, they would both have been driven to the mental hospital and would probably still be there. Of course, if they were ever driven to the mental hospital, they would not let themselves go and sit around in bathrobes with their hair undone, like some people did.

Mama fired Ida Mae Oakes between my fifth and sixth birthdays, and there I was with my seventh near upon me, and I missed Ida Mae some time or other about every day. Mama didn’t know that I wrote letters to Ida Mae Oakes or that Daddy mailed them for me. The letters that came back for me, Daddy let me read when we were driving around, and then he would take them and hide them in his desk at the Montgomery dealership. It was highly deceitful, of course, but Daddy was some angry with Mama for firing Ida Mae, and I was too. Daddy said that we had to keep the peace in the house, Mama had her reasons and I would understand when I was older. Looking each other right in the eye, we both knew that he was saying that lying was gone save him some trouble with Mama. He was shamefaced and diminished, and I hated Mama for driving him to lies because it cost him so much more than it ever did her. I would lie the crows out of the sky for Daddy.

While I missed Ida Mae Oakes, I don’t expect that she missed me. Ida Mae Oakes was a professional. My letters to her were more like report cards, to let her know that I hadn’t forgotten all she taught me. Her return letters were prompt and polite but no more personal than a note brought home from the teacher. Nobody reading them could accuse her of encouraging me to defy Mama.

The way Ida Mae stopped me crying all the time was simple. She sang to me.

Five

VALENTINE’S Day, Daddy left a bee-you-tee-full store-bought card on my pillow. The one I left on his pillow had a paper-lace-doily-edged heart on it and as much glitter as the glue would take. The one he gave me had drawings of candy hearts, the kind with Be Mine and Sweetheart and mush like that on them, and inside the envelope was a good dozen of the actual real candy. It was a joke between us: Daddy knew my opinion that nothing tastes cheaper or nastier than those little candy hearts, except for candy lipsticks.

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