Stephen King - The Mist

Amanda Dumfries came forward like a sleepwalker. In one hand she held a plastic floor bucket. In the other she held a whisk broom, still done up in its see-through wrapping. She bent, her eyes still wide and blank, and swept the dead pink thing — bug, slug, whatever it was-into the bucket. You could hear the crackle of the wrapping on the whisk broom as it brushed the floor. She walked over to the OUT door. There were none of the bugs on it. She opened it a little way and threw the bucket out. It landed on its side and rolled back and forth in ever-decreasing arcs. One of the pink things buzzed out of the night, landed on the floor pail, and began to crawl over it.

Amanda burst into tears. I walked over and put an arm around her shoulders.

At one thirty the following morning I was sitting with my back against the white enamel side of the meat counter in a semidoze. Billy's head was in my lap. He was solidly asleep. Not far away Amanda Dumfries was sleeping with her head pillowed on someone's jacket.

Not long after the flaming death of the bird-thing, Ollie and I had gone back out to the storage area and had gathered up half a dozen of the pads such as the one I'd covered Billy with earlier. Several people were sleeping on these. We had also brought back several heavy crates of oranges and pears, and four of us working together had been able to swing them to the tops of the lawn-food bags in front of the hole in the glass. The bird-creatures would have a tough time shifting one of those crates; they weighed about ninety pounds each.

But the birds and the buglike things the birds ate weren't the only things out there. There was the tentacled thing that had taken Norm. There was the frayed clothesline to think about. There was the unseen thing that had uttered that low, guttural roar to think about. We had heard sounds like it sincesometimes quite distant-but how far was «distant» through the damping effect of the mist? And sometimes they were close enough to shake the building and make it seem as if the ventricles of your heart had suddenly been loaded up with ice water.

Billy started in my lap and moaned. I brushed his hair and he moaned more loudly. Then he seemed to find sleep's less dangerous waters again. My own doze was broken and I was staring wide awake again. Since dark, I had only managed to sleep about ninety minutes, and that had been dream-haunted. In one of the dream fragments, it had been the night before again. Billy and Steffy were standing in front of the picture window, looking out at the black and slate-gray waters, out at the silver spinning waterspout that heralded the storm. I tried to get to them, knowing that a strong enough wind could break the window and throw deadly glass darts all the way across the living room. But no matter how I ran, I seemed, to get no closer to them. And then a bird rose out of the waterspout, a gigantic scarlet oiseau de mort whose prehistoric wingspan darkened the entire lake from west to east. Its beak opened, revealing a maw the size of the Holland Tunnel. And as the bird came to gobble up my wife and son, a low, sinister voice began to whisper over and over again: The Arrowhead Project … the Arrowhead Project … the Arrowhead Project …

Not that Billy and I were the only ones sleeping poorly. Others screamed in their sleep, and some went on screaming after they woke up. The beer was disappearing from the cooler at a great rate. Buddy Eagleton had restocked it once from out back with no comment. Mike Hatlen told me the Sominex was gone. Not depleted but totally wiped out. He guessed that some people might have taken six or eight bottles.

«There's some Nytol left,» he said. «You want a bottle, David?» I shook my head and thanked him.

And in the last aisle down by Register 5, we had our winos. There were about seven of them, all out-of-staters, except for Lou Tattinger, who ran the Pine Tree Car Wash. Lou didn't need any excuse to sniff the cork, as the saying was. The wino brigade was pretty well anesthetized.

Oh yes-there were also six or seven people who had gone crazy.

Crazy isn't the best word; perhaps I just can't think of the proper one. But there were these people who had lapsed into a complete stupor without benefit of beer, wine, or pills. They stared at you with blank and shiny doorknob eyes. The hard cement of reality had come apart in some unimaginable earthquake, and these poor devils had fallen through. In time, some of them might come back. If there was time.

The rest of us had made our own mental compromises, and in some cases I suppose they were fairly odd. Mrs. Reppler, for instance, was convinced the whole thing was a dream-or so she said. And she spoke with some conviction.

I looked over at Amanda. I was developing an uncomfortably — strong feeling for her-uncomfortable but not exactly unpleasant. Her eyes were an incredible, brilliant green … for a while I had kept an eye on her to see if she was going to rake out a pair of contact lenses, but apparently the color was true. I wanted to make love to her. My wife was at home, maybe alive, more probably dead, alone either way, and I loved her; I wanted to get Billy and me back to her more than anything, but I also wanted to screw this lady named Amanda Dumfries. I tried to tell myself it was just the situation we were in, and maybe it was, but that didn't change the wanting.

I dozed in and out, then jerked awake more fully around three. Amanda had shifted into a sort of fetal position, her knees pulled up toward her chest, hands clasped between her thighs. She seemed to be sleeping deeply. Her sweatshirt had pulled up slightly on one side, showing clean white skin. I looked at it and began to get an extremely useless and uncomfortable erection.

I tried to divert my mind to a new track and got thinking about how I had wanted to paint Brent Norton yesterday. No, nothing as important as a painting, but … just sit him on a log with my beer in his hand and sketch his sweaty, tired face and the two wings of his carefully processed hair sticking up untidily in the back. It could have been a good picture. It took me twenty years of living with my father to accept the idea that being good could be good enough.

You know what talent is? The curse of expectation. As a kid you have to deal with that, beat it somehow. If you can write, you think God put you on earth to blow Shakespeare away. Or if you can paint, maybe you think — I did — that God put you on earth to blow your father away.

It turned out I wasn't as good as he was. I kept trying to be for longer than I should have, maybe. I had a show in New York and it did poorly — the art critics beat me over the head with my father. A year later I was supporting myself and Steff with the commercial stuff. She was pregnant and I sat down and talked to myself about it. The result of that conversation was a belief that serious art was always going to be a hobby for me, no more.

I did Golden Girl Shampoo ads-the one where the Girl is standing astride her bike, the one where she's playing Frisbee on the beach, the one where she's standing on the balcony of her apartment with a drink in her hand. I've done short-story illustrations for most of the big slicks, but I broke into that field doing fast illustrations for the stories in the sleazier men's magazines. I've done some movie posters. The money comes in. We keep our heads nicely above water.

I had one final show in Bridgton, just last summer. I showed nine canvases that I had painted in five years, and I sold six of them. The one I absolutely would not sell showed the Federal market, by some queer coincidence. The perspective was from the far end of the parking lot. In my picture, the parking lot was empty except for a line of Campbell's Beans and Franks cans, each one larger than the last as they marched toward the viewer's eye. The last one appeared to be about eight feet tall. The picture was titled Beans and False Perspective. A man from California who was a top exec in some company that makes tennis balls and rackets and who knows what other sports equipment seemed to want that picture very badly, and would not take no for an answer in spite of the NFS card tucked into the bottom left-hand corner of the spare wooden frame. He began at six hundred dollars and worked his way up to four thousand. He said he wanted it for his study. I would not let him have it, and he went away sorely puzzled. Even so, he didn't give up; he left his card in case I changed my mind.