Стивен Кинг - The Colorado Kid

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Stephen King is the undisputed master of horror; but The Colorado Kid is a dramatic departure for the iconic author of innumerable bloodcurdling classics like The Shining, Carrie, Cujo, and Pet Sematary. A pulpstyle mystery about two salty newspapermen and their investigation into the unresolved death of a man found on an island off the coast of Maine, The Colorado Kid will have readers speculating until the very last page — and long afterward.

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“His suitcoat?”

“Never found,” Dave said. “The tie, neither—but accourse if a man takes off his tie, nine times out of ten he’ll stuff it into the pocket of his suitcoat, and I’d be willin to bet that if that gray suitcoat everdid turn up, the tie’d be in the pocket.”

“He was at his office drawing board by 8:45 AM,” Vince said, “working on a newspaper ad for King Sooper’s.”

“What—?”

“Supermarket chain, dear,” Dave said.

“Around tenfifteen,” Vince went on, “George the Artist, be he Rankin or Franklin, saw our boy the Kid heading for the elevators. Cogan said he was goin around the corner to grab what he called ‘a real coffee’ at Starbucks and an egg salad sandwich for lunch, because he planned to eat at his desk. He asked George if George wanted anything.”

“This is all what Arla told you when you were driving her out to Tinnock?”

“Yes, ma’am. Taking her to speak with Cathcart, make a formal identification of the photo—‘This is my husband, this is James Cogan’—and then sign an exhumation order. He was waiting for us.”

“All right. Sorry to interrupt. Go on.”

“Don’t be sorry for asking questions, Stephanie, asking questions is what reportersdo. In any case, George the Artist—”

“Be he Rankin or Franklin,” Dave put in helpfully.

“Ayuh, him—he told Cogan that he’d pass on the coffee, but he walked out to the elevator lobby with Cogan so they could talk a little bit about an upcoming retirement party for a fellow named Haverty, one of the agency’s founders. The party was scheduled for midMay, and George the Artist told Arla that her mister seemed excited and looking forward to it. They batted around ideas for a retirement gift until the elevator came, and then Cogan got on and told George the Artist they ought to talk about it some more at lunch and ask someone else—some woman they worked with—whatshe thought. George the Artist agreed that was a pretty good idea, Cogan gave him a little wave, the elevator doors slid closed, and that’s the last person who can remember seeing the Colorado Kid when he was still in Colorado.”

“George the Artist,” she almost marveled. “Do you suppose any of this would have happened if George had said, ‘Oh, wait a minute, I’ll just pull on my coat and go around the corner with you?’ ”

“No way of telling,” Vince said.

“Washe wearing his coat?” she asked. “Cogan? Was he wearing his gray overcoat when he went out?”

“Arla asked, but George the Artist didn’t remember,” Vince said. “The best he could do was say he didn’tthink so. And that’s probably right. The Starbucks and the sandwich shop were side by side, and they reallywere right around the corner.”

“She also said there was a receptionist,” Dave put in, “but the receptionist didn’t see the men go out to the elevators. Said she ‘must have been away from her desk for a minute.’” He shook his head disapprovingly. “It’snever that way in the mystery novels.”

But Stephanie’s mind had seized on something else, and it occurred to her that she had been picking at crumbs while there was a roast sitting on the table. She held up the forefinger of her left hand beside her left cheek. “George the Artist waves goodbye to Cogan—to the Colorado Kid—around tenfifteen in the morning. Or maybe it’s more like tentwenty by the time the elevator actually comes and he gets on.”

“Ayuh,” Vince said. He was looking at her, brighteyed. They both were.

Now Stephanie held up the forefinger of her right hand beside her right cheek. “And the countergirl at Jan’s Wharfside across the reach in Tinnock said he ate his fishandchips basket at a table looking out over the water at around fivethirty in the afternoon.”

“Ayuh,” Vince said again.

“What’s the time difference between Maine and Colorado? An hour?”

“Two,” Dave said.

“Two,” she said, and paused, and said it again. “Two. So when George the Artist saw him for the last time, when those elevator doors slid shut, it was already past noon in Maine.”

“Assuming the times are right,” Dave agreed, “and assume’s all we can do, isn’t it?”

“Would it work?” she asked them. “Could he possibly have gotten here in that length of time?”

“Yes,” Vince said.

“No,” Dave said.

“Maybe,” they said together, and Stephanie sat looking from one to the other, bewildered, her coffee cup forgotten in her hand.

16

“That’s what makes this wrong for a newspaper like theGlobe,” Vince said, after a little pause to sip his milky coffee and collect his thoughts. “Even if we wanted to give it up.”

“Which we don’t,” Dave put in (and rather testily).

“Which we don’t,” Vince agreed. “But if we did…Steffi, when a bigcity newspaper like theGlobe or theNew York Times does a feature story or a feature series, they want to be able to provideanswers, or at least suggest them, and do I have a problem with that? The hell I do! Pick up any bigcity paper, and what do you find on the front page? Questions disguised as news stories. Where is Osama Bin Laden? We don’t know. What’s the President doing in the Middle East?We don’t know becausehe don’t. Is the economy going to get stronger or go in the tank? Experts differ. Are eggs good for you or bad for you? Depends on which study you read. You can’t even get the weather forecasters to tell you if a nor’easter is going to come in from the nor’east, because they got burned on the last one. So if they do a feature story on better housing for minorities, they want to be able to say if you do A, B, C, and D, things’ll be better by the year 2030.”

“And if they do a feature story on Unexplained Mysteries,” Dave said, “they want to be able to tell you the Coast Lights were reflections on the clouds, and the Church Picnic Poisonings were probably the work of a jilted Methodist secretary. But trying to deal with this business of the time…”

“Which you happen to have put your finger on,” Vince added with a smile.

“And of course it’s outrageous no matterhow you think of it,” Dave said.

“But I’m willing to be outrageous,” Vince said. “Hell, I looked into the matter, just about dialed the phone off the damn wall, and I guess I have a right to be outrageous.”

“My father used to say you can cut chalk all day, yet it won’t never be cheese,” Dave said, but he was also smiling a little.

“That’s true, but let me whittle a little bit just the same,” Vince said. “Let’s say the elevator doors close at tentwenty, Mountain Time, okay? Let’s also say, just for the sake of argument, that this was all planned out in advance and he had a car standin by with the motor running.”

“All right,” Stephanie said, watching him closely.

“Pure fantasy,” Dave snorted, but he also looked interested.

“It’s farfetched, anyway,” Vince agreed, “but he wasthere at quarter past ten and at Jan’s Wharfside a little more than five hours later. That’s also farfetched, but we know it’s a fact. Now may I continue?”

“Have on, McDuff,” Dave said.

“If he’s got a car all warmed up and waiting for him, maybe he can make it to Stapleton in half an hour. Now he surely didn’t take a commercial flight. He could have paid cash for his ticket and used an alias—that was possible back then—but there were no direct flights from Denver to Bangor. From Denver to anyplace in Maine, actually.”

“You checked.”

“I did. Flying commercial, the best he could have done was arrive in Bangor at 6:45 PM, which was long after that countergirl saw him. In fact at that time of the year that’s after the last ferry of the day leaves for Moosie.”

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