Стивен Кинг - Desperation

Oh, not his last chance to publish his work; shit, no. He would be able to go on doing that as long as he remained capable of (a) putting words on paper and (b) sending them off to his agent. Once you’d been accepted as a bona fide literary lion, someone would be glad to go on pub-lishing your words even after they had degenerated into self-parody or outright drivel. Johnny sometimes thought that the most terrible thing about the American literary establishment was how they let you swing in the wind, slowly strangling, while they all stood around at their ass—hole cocktail parties, congratulating themselves on how kind they were being to poor old what’ s-his-name.

No, what Terry gave him wasn’t his last chance to publish, but maybe his last to write something realJy worthwhile, something that would get him noticed again in a positive way. Something that might also sell like crazy… and he could use the money, there was no doubt about that.

Best of all, he didn’t think Terry had the slightest idea of what she had said, which meant he wouldn’t have to share any of the proceeds with her, if proceeds there were. He wouldn’t even have to mention her on the Acknowl-edgements page. if he didn’t want to, but he supposed he probably would. Sobering up had been a terrifying experi—ence in many ways, but it did help a person remember his responsibilities.

He had married Terry when he was twenty-five and she was twenty-one, a junior at Vassar. She had never fin-ished college. They had been married for almost twenty years and during that time she had borne him three chii—2 dren, all grown now. One of them, Bronwyn, still talked to him. The other two… well, if they ever got tired of cutting off their noses to spite their faces, he would be around. He was not by nature a vindictive man.

Terry seemed to know that. After five years during which their only communication had been through law yers, they had begun a cautious dialogue. sometimes by letter, more often by telephone. These communications had been tentative at first, both of them afraid of mines still buried in the ruined city of their affections, but over the years they had become more regular. Terry regarded her famous ex with a kind of stoic, amused interest that he found distressing, somehow—it was not, in his opinion, the sort of attitude an ex—wife was supposed to have for a man who had gone on to become one of the most dis cussed writers of his generation. But she also spoke to him with a straightforward kindness that he found sooth ing, like a cool hand on a hot brow.

They had been in contact more since he’d quit drinking (but still always by phone or by letter; both of them seemed to know, even without discussing it, that meeting face to face would put too much pressure on the fragile bond they had forged), but in some ways these sober con-versations had been even more dangerous… not acrimo-nious, but always with that possibility. She wanted him to go back to Alcoholics Anonymous, told him bluntly that if he didn’t, he’d eventually start drinking again. And the 2 drugs would follow, she said, as surely as dark comes after twilight.

Johnny told her he had no intention of spending the rest of his life sitting in church basements with a bunch of 2 drunks, all of them talking about how wonderful it was to have a power greater than one’s self… before getting back into their old cars and driving home to their mostly spouseless houses to feed their cats. “People in AA are generally too fundamentally broken to see that they’ve turned their lives over to an empty concept and a failed ideal,” he said. “Take it from me, I’ve been there. Or take it from John Cheever, if you like. He wrote particularly well about that.”

“John Cheever isn’t writing much these days,” Terry replied. “I think you know why, too.”

Terry could be irritating, no doubt about that.

it was three months ago that she had given him the great idea, tossing it off in a casual conversation that had rambled through what the kids were up to, what she was up to, and, of course, what he was up to. What he had been up to in the early part of this year was agonizing over the first two hundred pages of a historical novel about Jay Gould. He had finally seen it for what it was—warmed-over Gore Vidal—and trashed it. Baked it, actu-ally. In a fit of pique he had resolved to keep entirely to himself, he had tossed his computer-storage discs for the novel into the microwave and given them ten minutes on high. The stench had been unbelievable, a thing that had come roaring out of the kitchen with quills on it, and he’d actually had to replace the microwave.

Then he’d found himself telling Terry the whole thing. When he finished, he sat in his office chair with the phone pressed to his ear and his eyes closed, waiting for her to tell him not to bother with resuming the AA meetings, that what he needed was a good shrink, and in a hurry.

Instead she said he should have put the discs in a casse-role dish and used the convection oven. He knew she was joking—and that she thought at least part of the joke was on him—but her acceptance of the way he was and how he behaved still felt like a cool hand on a fevered brow. It wasn’t approval he got from her, but approval wasn’t what he wanted.

“Of course you never were much good in the kitchen,” she said, and her matter-of-fact tone made him laugh out loud. “So what are you going to do now, Johnny. Any idea.”

“Not the slightest.”

“You ought to write some nonfiction. Get away from the whole idea of the novel for awhile.”

“That’s dumb, Terry. I can’t write nonfiction, and you know it.”

“I know nothing of the kind,” she’d said, speaking in a sharp don’t-be-a-fool tone he got from no one else these days, least of all from his agent. The more Johnny flopped and flailed around, the more gruesomely obsequious Bill Harris became, it seemed. “During the first two years we were married, you must have written at least a dozen essays. Published them, too. For good money. Life, Harp-er’s, even a couple in The New Yorker. Easy for you to 2 forget; you weren’t the one who did the shopping and paid the bills. 1 loved the puppies.”

“Oh. The so-called American Heart Essays. Right. I didn’t forget em, Terry, 1 blocked em out. Rent-payers after the last of the Guggenheim dough was gone; that’s basically what they were. They’ve never even been collected.”

“You wouldn’t allow them to be collected,” she re-torted. “They didn’t fit your golden idea of immortality.”

Johnny greeted this with silence. Sometimes he hated her memory. She’d never been able to write worth a shit herself, the stuff she’d been turning in to her Honors writing seminar the year he met her had been just hor-rible, and since then she’d never published anything more complex than a letter to the editor, but she was a champ at data-storage. He had to give her that.

“You there, Johnny.”

“I’m here.”

“I always know when I’m telling you stuff you don’t like,” she said brightly, “because it’s the only time you ever shut up. You get all broody.”

“Well, I’m here,” he repeated heavily, and fell silent again, hoping she would change the subject. She didn’t, of course.

“You did three or four of those essays because someone a—cked for them, I don’t remember who—”

Amiracle, he had thought. She doesn ‘t remember who. “—and I’m sure you would have stopped there, except by then you were getting queries from other editors. It didn’t surprise me a bit. Those essays were good.”

He was silent this time, not to indicate disinterest or disapproval but because he was thinking back, trying to remember if they had been any good. Terry couldn’t be 2 trusted a hundred per cent when it came to such questions, but you couldn’t throw her conclusions out of court with—‘ out a hearing, either. As a fiction-writer she’d been of the “I saw a bird at sunrise and my heart leaped up” school, but as a critic she had been tough as nails and capable of insights which were spooky, almost like telepathy. One of the things that had attracted him to her (although he supposed the fact that she had the best breasts in America back in those days had helped matters along) was the dichotomy between what she wanted to do—write fiction—and what she was able to do, which was to write criticism that could cut like a diamond chip.